FRANCIS DURBRIDGE
Paul Temple and the Geneva Mystery
An imprint of HarperCollins Publishers
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by
Hodder & Stoughton 1971
Copyright © Francis Durbridge 1971
All rights reserved
Francis Durbridge has asserted his right under the Copyright,
Designs and Patents Act, 1988 to be identified as the author of this work
Cover design © HarperCollins Publishers Ltd 2015
Cover image © Shutterstock.com
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008125721
Ebook Edition © June 2015 ISBN: 9780008125738
Version: 2015-07-24
Contents
Cover
Title Page FRANCIS DURBRIDGE
Copyright An imprint of HarperCollins Publishers 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published in Great Britain by Hodder & Stoughton 1971 Copyright © Francis Durbridge 1971 All rights reserved Francis Durbridge has asserted his right under the Copyright, Designs and Patents Act, 1988 to be identified as the author of this work Cover design © HarperCollins Publishers Ltd 2015 Cover image © Shutterstock.com A catalogue copy of this book is available from the British Library. This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008125721 Ebook Edition © June 2015 ISBN: 9780008125738 Version: 2015-07-24
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
About the Author
Also in This Series
About the Publisher
Paul Temple had returned to the real world after ten long weeks of concentration on death, disruption and deduction. He found to his relief that the world was not at war, he wasn’t being sued for libel and his wife was still radiantly attractive. All good reasons for a celebration.
‘Darling, how nice,’ Steve murmured as they went into L’Hachoire, ‘I haven’t been here before.’
‘They do the best pigs’ trotters in London,’ said Paul. ‘They were recommended to me by my publisher.’
‘Ah, Scott Reed. Was he pleased with the new novel?’
It was one of those exclusive little restaurants that achieve rustic simplicity at conspicuous expense, with genuine décor and furnishings from Provence and genuine Provençal chefs and waiters. There was a lot of unvarnished wood, an oven range squandered space that could have been occupied by three tables and a dog replaced three possible diners. The place was crowded with rather trendy Londoners and a few slightly surprised French tourists. The head waiter showed them to a table in the corner marked ‘Reserved’.
‘No no, we haven’t booked –’ Paul began.
‘A cancellation, Mr Temple. Please be seated. Madam.’
The pigs’ trotters were called pieds de porc Sainte Menehould on the menu, and Paul felt obliged to order them. The wine waiter brought the sherries they asked for at once and later produced a 1953 vintage Burgundy which they hadn’t asked for. Paul hoped that Steve wouldn’t notice the celebrity treatment they were receiving. It would have made her suspicious.
‘You didn’t answer my question, darling,’ she said. ‘Did Scott rub his hands together with joy at the book?’
‘He hasn’t read it yet, but I suppose he’ll call it a classic story of its kind. He always does.’
‘You sound jaded.’ Steve laughed mischievously. ‘When you finish a novel you always become like a woman who has just made love, rather tired and slightly depressed. The only remedy is to begin again or take a holiday. Darling, that’s a good idea – why don’t we take a holiday?’
Paul raised an eyebrow in mock surprise. ‘Do you feel depressed after –?’
‘It’s a dangerous mood. You’re inclined to become involved in other people’s crimes or contemplate writing a heavyweight psychological study of murder. Let’s go away while you still have your mind on me.’
‘Yes, why not?’ He paused thoughtfully and then said, ‘How would you like to go to Switzerland?’
‘Gstaad?’
‘Gstaad, or Geneva, wherever you like.’
‘I’ll think about it.’ Steve quickly refilled their glasses. ‘Yes! I’ve thought about it. But if we go to Switzerland –’
Paul finished the sentence for her. ‘You’ll need an awful lot of new clothes, darling.’
‘Well,’ Steve laughed, ‘it’s true, isn’t it? You wouldn’t want me to look twelve months out of date.’
‘A fate worse than death,’ Paul agreed. But he knew as he spoke that he was being tiresomely male in joking about her clothes. ‘I want you always to look as elegant as you do tonight,’ he added gallantly.
They discussed Switzerland for the next half hour. Steve wanted to book a hotel and arrange a flight immediately and Paul was reluctant to go before Friday. He was being interviewed on Friday by a lady from one of the posh Sunday papers, and Paul didn’t want to postpone it. She was bound to talk about symbolism in his work and the place of good and evil in the English detective novel. She would produce the kind of article that pleased Scott Reed.
‘Scott still feels that if a novel is popular he shouldn’t have published it,’ Paul laughed. ‘But a piece of pretentious criticism will knock ten thousand off my sales and he’ll be able to tell his accounts department that it’s literature.’
He would have developed the idea, but Steve’s attention had strayed to a bland man at the table by the service door. He was wearing a well cut grey suit and made-to-measure shoes. The carnation in his buttonhole added a single touch of flamboyance.
‘Paul, that man over there keeps staring at us.’
‘I thought,’ he said flippantly, ‘that elegant women were accustomed to approving stares.’
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