David Morrell: The Fifth Profession

“But not the proper way?”

“I try not to criticize.”

“Another commendable habit. Very well, then, Savage.” Her smile matched the glint of her diamond earrings. She leaned from her chair and touched his hand. “Would you like to see some ruins?”

The black Rolls-Royce veered from traffic to stop in an oval parking lot. Savage and two of the bodyguards got out-the third had remained at the hotel to watch the suite. After the guards assessed the passing crowd, they nodded toward the car's interior.

Joyce Stone stepped smoothly out, flanked by her guards. “Circle the area. We'll be back in an hour,” she told her driver, who eased the Rolls back into traffic.

She turned, amused, toward Savage. “You keep surprising me.”

“Oh?”

“Back at the hotel, you objected to my sitting near a window, but you haven't said a word about my going out in public.”

“Being famous doesn't mean you have to be a hermit. As long as you don't advertise your schedule, an accomplished driver can make it difficult for someone to follow you.” Savage gestured toward the swarm of traffic. “Especially in Athens. Besides, you know how to dress to match your surroundings. To echo a compliment you gave me, you're adaptable.”

“It's a trick I learned when I was an actress. One of the hardest roles… to look average.”

She'd changed before they left the hotel. Now in place of her designer slacks and blouse, she wore faded jeans and a loose gray turtleneck sweater. Her diamonds were gone. Her watch was a Timex. Her shoes were dusty Reeboks. Her distinctive sun-bleached hair had been tucked beneath a floppy straw hat. Sunglasses hid her intense blue eyes.

Though pedestrians had paused to study the Rolls, they'd shown little interest in the woman who got out.

“You're playing the part successfully,” Savage said. “At the moment, a producer wouldn't hire you, even for a walk-on.”

She curtsied mockingly.

“I do have one suggestion,” he said.

“Somehow I knew you would have.”

“Stop using the Rolls.”

“But it gives me pleasure.”

“You can't always have what you want. Save the Rolls for special occasions. Buy a high-performance but neutral-looking car. Of course, it would have to be modified.”

“Of course.”

“Reinforced windows. Clouded glass in the rear. Bullet-proof paneling.”

“Of course.”

“Don't humor me, Miss Stone.”

“I'm not. It's just that I enjoy a man who enjoys his work.”

“Enjoy? I don't do this for fun. My work saves lives.”

“And you've never failed?”

Savage hesitated. Caught by surprise, he felt a rush of torturous memories. The flash of a sword. The gush of blood. “Yes,” he said. “Once.”

“Your honesty amazes me.”

“And only once. That's why I'm so meticulous, why I'll never fail again. But if my truthfulness gives you doubts about me…”

“On the contrary. My third movie was a failure. I could have ignored it, but I admitted it. And learned from it. I won the Oscar because I tried harder, although it took me seven more films.”

“A movie isn't life.”

“Or death? You should have seen the reviews of that third movie. I was buried.” “So will we all.”

“Be buried? Don't be depressing, Savage.”

“Did no one tell you the facts of life?”

“Sex? I learned that early. Death? That's why a man like you exists. To postpone it as long as possible.”

“Yes, death,” Savage said. “The enemy.”

They followed a tour group toward the western slope of the Acropolis, the traditional approach to the ruins since the other ridges were far too steep for convenient walkways. Past fir trees, they reached an ancient stone entrance, known as the Beulé Gate.

“Have you been here before?”

“Several times,” Savage said.

“So have I. Still, I wonder if you come for the same reason I do.”

Savage waited for her to explain.

“Ruins teach us a lesson. Nothing-wealth, fame, power-nothing is permanent.”

“ ‘Look on my works, ye Mighty, and despair.’ “

She turned to him, impressed. “That's from Shelley's ‘Ozymandias.’ “

“I went to a thorough prep school.”

“But you don't give the name of the school. Anonymous as usual. Do you remember the rest of the poem?”

Savage shrugged.

”… Round the decay

Of that colossal wreck, boundless and bare,

The lone and level sands stretch far away.

Shelley understood precision. If he'd been Japanese, he'd have written great haikus.”

“A bodyguard quoting poetry?”

“I'm not exactly a bodyguard, Miss Stone. I do more than run interference.”

“What are you then?”

“An executive protector. You know, except for the sand, the ruins Shelley describes remind me of…”

Savage gestured toward the steps they climbed. The marble had been eroded by time, by use, by various invaders, and worst of all, by automobile exhaust.

They passed through a monument called the Propylaea, its precious decaying walkway protected by a wooden floor. Five gateways of columns grew wider and taller, leading them to a path that split right and left.

After the cloying heat of summer, September's moderate temperature brought the start of the tourist season. Sightseers jostled past them, some out of breath from the climb, others taking photographs of monuments on either side, the Precinct of Brauronia and the less impressive House of Arrhephoroi.

“Tell your guards to walk behind us,” Savage said. “I'll watch ahead.”

Turning right, they proceeded to the vast rectangular Parthenon. In 1687, a conflict between invaders had resulted in a Venetian bomb's igniting a Turkish gunpowder magazine in the Parthenon, which in ancient times had been a temple devoted to the Greek goddess of purity, Athena. The explosion had destroyed a considerable part of the monument, toppling pillars and much of the roof. Restoration was still in progress. Scaffolding obscured the magnificence of surviving Doric columns. Guardrails kept visitors from further eroding the interior.

Savage turned from the tourists, approaching the precipitous southern ridge of the Acropolis. He leaned against a fallen pillar. Athens sprawled below him. The earlier breeze had died. Despite a brilliant clear sky, smog had begun to gather.

“We can talk here without being overheard,” Savage said. “Miss Stone, the reason I'm not sure I want to work for you-”

“But you haven't heard why I need you.”

“-is that an executive protector is both a servant and a master. You control your life-where you go and what you do-but your protector insists on how you get there and under what terms you do it. A delicate balance. But you've got a reputation for being willful. I'm not sure you're prepared to take orders from someone you employ.”

Sighing, she sat beside him. “If that's your problem, then there isn't a problem.”

“I don't understand.”

“The trouble isn't mine. It's my sister's.”

“Explain.”

“Do you know about her?”

“Rachel Stone. Ten years your junior. Thirty-five. Married a New England senator campaigning to be president. Widowed because of an unknown assassin's bullet. Her association with politics and a movie-legend sister made her glamorous. A Greek shipping magnate courted her. They married last year.”

“I give you credit. You do your homework.”

“No less than you.”

“Their marriage is like the Parthenon. A ruin.” Joyce Stone rummaged through her burlap purse. Finding a pack of cigarettes, she fumbled with a lighter.