David Morrell: The Fifth Profession

The chain of obligation had not yet ended. In obeying the burden of giri, the ronin had violated the shogun's command to stop their vendetta. One code of honor conflicted with another. Only one solution was acceptable. The shogun dictated. The ronin obeyed. In triumph, they impaled their bowels with their swords, drawing each blade from left to right, then fiercely upward, in the noble ritual of suicide called seppuku. The tombs of the forty-seven ronin are revered to this day, a Japanese monument.

The comitatus. The forty-seven ronin. Savage and Akira. Codes and obligations. Honor and loyalty. To protect and if duty compelled, to avenge-even at the risk of death. The fifth and most noble profession.

Obeying professional habits, Savage directed the elevator toward the floor below the one he wanted. Of course, an uninvited visitor would have had to stop the elevator at the second-highest floor, no matter what. A computer-coded card, slipped into a slot on the elevator's control panel, was required to command the elevator to rise to the topmost level. Savage had been given such a card but declined to use it. On principle, he hated elevators. Their confinement was dangerous. He never knew what he might find when the doors slid open. Not that he expected trouble on this occasion, but if he made one exception in his customary methods, he'd eventually make others, and when trouble did come along, he wouldn't be primed to respond.

Besides, on this warm afternoon in Athens in September, he was curious about the security arrangements of the person he'd agreed to meet. Although he was used to dealing with the rich and powerful, they were mostly in politics or industry. It wasn't every day he met someone not only associated with both arenas but who'd also been a movie legend.

Savage stepped to one side when the elevator stopped and the doors thunked open. Sensing, judging, he peered out, saw no one, relaxed, and proceeded toward a door whose Greek sign indicated FIRE EXIT. In keeping with that sign, the door's handle moved freely.

Cautious, Savage entered and found himself in a stairwell. His crepe-soled shoes muffled his footsteps on the concrete landing. The twenty-seven lower levels were silent. He turned toward a door on his right, gripped its knob, but couldn't budge it. Good. The door was locked, as it should be. On the opposite side, a push bar would no doubt give access to this stairwell-in case of emergency. But on this side, unauthorized visitors were prevented from going higher. Savage slid two thin metal prongs into the receptacle for the key-one prong for applying leverage, the other for aligning the slots that would free the bolt. After seven seconds, he opened the door, troubled that the lock was so simple. It should have taken him twice as long to pick it.

He crept through, eased the door shut behind him, and warily studied the steps leading upward. There weren't any closed-circuit cameras. The lights were dim, giving him protective shadow while he climbed toward a landing, then turned toward the continuation of the steps. He didn't see a guard. At the top, he frowned when he tried the door-it wasn't locked. Worse, when he opened it, he still didn't see a guard.

On nearly soundless carpeting, he proceeded along a corridor. Glancing at numbers on doors, he followed their diminishing sequence toward the number he'd been given. Just before he reached an intersecting corridor, his nostrils felt pinched by tobacco smoke. With the elevators to his right, he turned left into the corridor and saw them.

Three men were bunched together in front of a door at the far end of the corridor. The first had his hands in his pockets. The second inhaled from a cigarette. The third sipped a cup of coffee.

Amateur hour, Savage thought.

Never compromise your hands.

When the guards noticed Savage, they came to awkward attention. They were built like football players, their suits too tight for their bullish necks and chests. They'd be intimidating to a nonprofessional, but their bulk made them too conspicuous to blend with a crowd, and they looked too muscle-bound to be able to respond instantaneously to a crisis.

Savage slackened his strong features, making them non-threatening. Six feet tall, he slouched his wiry frame so he looked a few inches shorter. As he walked along the corridor, he pretended to be impressed by the guards, who braced their backs in arrogant triumph.

They made a show of examining his ID, which was fake, the name he was using this month. They searched him but didn't use a hand-held metal detector and hence didn't find the small knife beneath his lapel.

“Yeah, you're expected,” the first man said. “Why didn't you use the elevator?”

“The computer card didn't work.” Savage handed it over. “I had to stop on the floor below and take the stairs.”

“But the stairwell doors are locked,” the second man said.

“Someone from the hotel must have left them open.”

“Whoever forgot to lock them, his ass is grass,” the third man said.

“I know what you mean. I can't stand carelessness.”

They nodded, squinted, flexed their shoulders, and escorted him into the suite.

No, Savage thought. The rule is, you never abandon your post.

The suite had a sizable living room, tastefully furnished. But what Savage noticed, disapproving, was the wall directly across from him, its thick draperies parted to reveal an enormous floor-to-ceiling window and a spectacular view of the Parthenon on the Acropolis. Though Athens was usually smoggy, a breeze had cleared the air, making the pillared ruins brilliant in the afternoon sun. Savage allowed himself to admire the view but only from where he'd paused just inside the room, for he hated huge windows whose draperies were open: they gave an enemy an unnecessary advantage, inviting easy invasion with telescopes, microwave-beamed listening probes, and most crucial, sniper bullets.

The potential client he'd been summoned to meet wasn't present, so Savage assessed a door on the wall to his left. A closet perhaps, or a washroom or a bedroom. He directed his attention toward a muffled female voice behind a door on the wall to his right, and that door he was sure led to a bedroom. Because he didn't hear a responding voice, he assumed that the woman was using a telephone. She sounded insistent, as if she wouldn't conclude for quite a while.

With disciplined patience, Savage glanced farther right toward the wall beside the door through which he'd entered. He recognized two Monets and three Van Goghs.

His burly escorts looked bored when they realized that their employer wasn't present. No brownie points for them, no audience with their client, no compliments for supposedly doing their job. Disappointed, two of them shuffled their feet, adjusted their ties, and went back to their stations in the hall, no doubt to drink more coffee and smoke more cigarettes. The third closed the door and leaned against it, crossing his arms, trying to look diligent, though the pressure with which he squeezed his chest made it seem that he suffered from heartburn.

As air-conditioning whispered, Savage turned from the paintings toward a glass-enclosed display of Chinese vases.

The remaining bodyguard straightened.

The door on the right swung open.

A woman, a legend, stepped out of a bedroom.

Her official biography put her age at forty-five. Nonetheless she looked astonishingly the same as when she'd last appeared in a film a decade earlier. Tall, thin, angular.

Intense blue eyes. An exquisite oval face, its sensuous curves framed by shoulder-length, sun-bleached hair. Smooth, tanned skin. A photographer's dream.