Stieg Larsson - The Girl who played with Fire

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Stieg Larsson gleaned a remarkable degree of success before his too-early death in 2004. He had delivered to his publisher three remarkable crime novels; the initial book in his ‘Millennium’ sequence, The Girl with the Dragon Tattoo, had enjoyed an unprecedented success in his native Sweden before the translation took the UK by storm. Larsson had made a considerable mark as a crusading journalist, with a speciality in tackling political extremist groups. But he offered assistance to many people and groups who he felt were vulnerable – something of a modern hero, in fact.
One of Larsson's key achievements as a writer was to create an innovative kind of heroine for the crime novel. His unconventional sleuth, the highly intelligent computer hacker Lisbeth Salander, is a confrontational young woman, whose Goth accoutrements sometimes alienate those around her (except the individuals she opts to have sexual relations with – strictly, that is, according to the rules she lays down). In the second book in the Millennium sequence, The Girl Who Played with Fire (as in its its predecessor), Lisbeth's closest ally is the older journalist Mikael Blomqvist, even though she has abruptly ended her emotional relationship with him. Lisbeth has left all she knows behinds her and has begun a relationship with a gauche young lover. But after a grim revenge run-in with a man who has abused her, she becomes a suspect in three murders, and is the subject of a nationwide search. Blomqvist, however, is convinced of her innocence (he has just been responsible for a blistering report on the sex trafficking industry in Sweden), and is determined to help her – whether she wants his help or not.
As with Larsson’s earlier book, this is highly compelling fare, with tautly orchestrated suspense; it's often grisly and uncompromising (not a problem for many readers), and the massive text may be longer than is good for it, but Larsson admirers won't begrudge the late author a word,and will be impatient for the third (and, regrettably, concluding) book in the sequence.

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“Now I don’t understand.”

“You know Lisbeth Salander?”

“Yes, I do know her.”

“How do you know her?”

“Why do you ask?”

Bublanski was obviously irritated, but all he said was, “I’d like to interview her in connection with the murders. How do you know her?”

“But… that doesn’t make sense. Lisbeth Salander has no connection whatsoever to Dag Svensson or Mia Johansson.”

“That’s something we’ll establish in due course,” Bublanski said patiently. “But my question remains. How do you know Lisbeth Salander?”

Blomkvist stroked the stubble on his chin and then rubbed his eyes as thoughts tumbled around in his head. At last he met Bublanski’s gaze.

“I hired her about two years ago to do some research for me on a completely different project.”

“What was that project?”

“I’m sorry, but now you’ll have to take my word for it: it didn’t have the slightest thing to do with Dag Svensson or Mia Johansson. And it’s all over.”

Bublanski did not like it when someone claimed there were matters that could not be discussed even in a murder investigation, but he chose to drop it for the time being.

“When was the last time you saw Salander?”

Blomkvist paused before he spoke.

“Here’s how it is. During the autumn two years ago I was seeing her. The relationship ended around Christmas of that year. Then she disappeared from the city. I hadn’t seen her for more than a year until a week ago.”

Berger raised her eyebrows. Bublanski surmised that this was news to her.

“Tell me where you saw her.”

Blomkvist took a deep breath and then gave a brisk account of the events on Lundagatan. Bublanski listened with gathering astonishment, unsure how much of the story Blomkvist was making up.

“So you didn’t talk to her?”

“No, she disappeared on upper Lundagatan. I waited a long time, but she never came back. I wrote her a note and asked her to get in touch with me.”

“And you’re quite sure you know of no connection between her and the couple in Enskede.”

“I am certain of it.”

“Can you describe the man you say you saw attack her?”

“Not in detail. He attacked, and she defended herself and fled. I saw him from a distance of forty to forty-five yards. It was late at night and quite dark.”

“Were you intoxicated?”

“I was a little under the influence, but I wasn’t falling-down drunk. The man had lightish hair in a ponytail. He wore a dark waist-length jacket. He had a prominent belly. When I went up the stairs on Lundagatan I only saw him from behind, but he turned around when he clobbered me. I seem to remember that he had a thin face and blue eyes set close together.”

“Why didn’t you tell me this earlier?” Berger said.

Blomkvist shrugged. “There was a weekend in between, and you went to Göteborg to take part in that damned debate programme. You were gone Monday, and on Tuesday we only saw each other briefly. It didn’t seem so important.”

“But considering what has happened in Enskede… it’s odd that you didn’t mention this to the police,” Bublanski said.

“Why would I mention it to the police? That’s like saying I should have mentioned that I caught a pickpocket trying to rob me in the tunnelbana at T-Centralen a month ago. There is absolutely no imaginable connection between what happened on Lundagatan and what happened in Enskede.”

“But you didn’t report the attack to the police?”

“No.” Blomkvist paused. “Lisbeth Salander is a very private person. I considered going to the police but decided it was up to her to do that if she wanted to. And I wanted to speak to her first.”

“Which you haven’t done?”

“I haven’t spoken to her since the day after Christmas a year ago.”

“Why did your – if relationship is the right word – why did it end?”

Blomkvist’s eyes darkened.

“I don’t know. She broke off contact with me – it happened practically overnight.”

“Did something happen between you?”

“No, not if you mean an argument or anything like that. One day we were good friends. The next day she didn’t answer her telephone. Then she melted into thin air and was gone from my life.”

Bublanski contemplated Blomkvist’s explanation. It sounded honest and was supported by the fact that Armansky had described her disappearance from Milton Security in similar terms. Something had apparently happened to Salander during the winter a year earlier. He turned to Berger.

“Do you know Salander too?”

“I met her once. Could you tell us why you’re asking questions about her in connection with Enskede?” she said.

Bublanski shook his head. “She has been linked to the crime scene. That’s all I can say. But I have to admit that the more I hear about Lisbeth Salander the more surprised I am. What is she like as a person?”

“In what respect?” Blomkvist said.

“How would you describe her?”

“Professionally – one of the best fact finders I have ever come across.”

Berger glanced at Blomkvist and bit her lower lip. Bublanski was convinced that some piece of the puzzle was missing and that they knew something they were unwilling to tell him.

“And privately?”

Blomkvist paused for a long moment before he spoke.

“She is a very lonely and odd person,” Blomkvist said. “Socially introverted. Doesn’t like talking about herself. At the same time she’s a person with a strong will. She has morals.”

“Morals?”

“Yes. Her own particular moral standards. You can’t talk her into doing anything against her will. In her world, things are either right or wrong, so to speak.”

Again Blomkvist had described her in the same terms as Armansky had. Two men who knew her, and the same evaluation.

“Do you know Dragan Armansky?”

“We’ve met a few times. I took him out for a beer once last year when I was trying to find out where Lisbeth had got to.”

“And you say that she was a competent researcher?”

“The best,” Blomkvist said.

Bublanski drummed his fingers on the table and looked down at the flow of people on Götgatan. He felt strangely torn. The psychiatric reports that Faste had retrieved from the Guardianship Agency claimed that Salander was a deeply disturbed and possibly violent person who was for all intents and purposes mentally handicapped. What Armansky and Blomkvist had told him painted a very different picture from the one established by medical experts over several years of study. Both men conceded that Salander was an odd person, but both held her in high regard professionally.

Blomkvist had also said that he had been “seeing her” for a period – which indicated a sexual relationship. Bublanski wondered what rules applied for individuals who had been declared incompetent. Could Blomkvist have implicated himself in some form of abuse by exploiting a person in a position of dependency?

“And how did you perceive her social handicap?” he asked.

“What handicap?”

“The guardianship and her psychiatric problems.”

“Guardianship?”

“What psychiatric problems?” Berger said.

Bublanski looked in astonishment from Blomkvist to Berger and back. They didn’t know. They really did not know. Bublanski was suddenly angry at both Armansky and Blomkvist, and especially at Berger with her elegant clothes and her fashionable office looking down on Götgatan. Here she sits, telling people what to think. But he directed his annoyance at Blomkvist.

“I don’t understand what’s wrong with you and Armansky,” he said.

“What the hell does that mean?”

“Lisbeth Salander has been in and out of psychiatric units since she was a teenager. A psychiatric assessment and a judgment in the district court determined that she was and still is unable to look after her own affairs. She was declared incompetent. She has a documented violent tendency and has been in trouble with the authorities all her life. And now she is a prime suspect in a murder investigation. And you and Armansky talk about her as though she were some sort of princess.”

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