Stieg Larsson - The Girl who played with Fire

“How will we work things with the contract and so on?”

“I’ve drawn up a book contract once before, but I’ll probably have to have a talk with our lawyer.” Berger frowned. “But I propose a short-term contract from February to May. We don’t pay over the odds.”

“That’s fine with me. I just need a basic salary.”

“Otherwise the rule of thumb is fifty-fifty on the earnings from the book after the costs are paid. How does that sound?”

“That sounds damn good,” Svensson said.

“Work assignments,” Berger said. “Malin, I want you to plan the themed issue. It will be your primary responsibility starting next month; you’ll work with Dag and edit the manuscript. Lotta, that means I want you here as temporary editorial assistant for the magazine from March through May. You’ll have to go full-time, and Malin or Mikael will back you up as time permits.”

Eriksson nodded.

“Mikael, I want you to be the editor of the book.” Berger looked at Svensson. “Mikael doesn’t let on, but he’s actually one hell of a good editor, and he knows research. He’ll put each syllable of your book under the microscope. He’s going to come down like a hawk on every detail. I’m flattered that you want us to publish your book, but we have special problems at Millennium. We have one or two enemies who want nothing more than for us to go under. If we stick out our necks to publish something like this, it has to be 100 percent accurate. We can’t afford anything less.”

“And I wouldn’t want it any other way.”

“Good. But can you put up with having somebody looking over your shoulder and criticizing you every which way all spring?”

Svensson grinned and looked at Blomkvist. “Bring it on.”

“If it’s going to be a themed issue, we’ll need more articles. Mikael – I want you to write about the finances of the sex trade. How much money are we talking about annually? Who makes the money from the sex trade and where does it go? Can we find evidence that some of the money ends up in government coffers? Monika – I want you to check out sexual attacks in general. Talk to the women’s shelters and researchers and doctors and welfare people. You two plus Dag will write the supporting articles. Henry – I want an interview with Mia Johansson – Dag can’t do it himself. Portrait: Who is she, what is she researching, and what are her conclusions? Then I want you to go in and do case studies from police reports. Christer-pictures. I don’t know how we’re going to illustrate this. Think about it.”

“This is probably the simplest theme of all to illustrate. Arty. No problem.”

“Let me add one thing,” Svensson said. “There’s a small minority on the police force who are doing a hell of a fine job. It might be an idea to interview some of them.”

“Have you got any names?” Cortez said.

“Phone numbers too,” Svensson said.

“Great,” Berger said. “The theme of the May issue is the sex trade. The point we have to make is that trafficking is a crime against human rights and that these criminals must be exposed and treated like war criminals or death squads or torturers anywhere in the world. Now let’s get going.”

Äppelviken felt unfamiliar, even foreign, when for the first time in eighteen months Salander turned into the drive in her rented Nissan Micra. From the age of fifteen she had come twice a year to the nursing home where her mother had been since “All The Evil” had happened. Her mother had spent ten years at Äppelviken, and it was where she finally died at only forty-six, after one last annihilating cerebral haemorrhage.

The last fourteen years of Agneta Sofia Salander’s life had been punctuated by small cerebral haemorrhages which left her unable to take care of herself. Sometimes she had not even been able to recognize her daughter.

Thinking about her mother always pitched Salander into a mood of helplessness and darkness black as night. As a teenager she had cherished the fantasy that her mother would get well and that they would be able to form some sort of relationship. That was her heart thinking. Her head knew that it would never happen.

Her mother had been short and thin, but nowhere near as anorexic-looking as Salander. In fact, her mother had been downright beautiful, and had a lovely figure. Just like Salander’s sister, Camilla.

Salander did not want to think about her sister.

For Salander it was an irony of fate that she and her sister were so dramatically dissimilar. They were twins, born within twenty minutes of each other.

Lisbeth was first. Camilla was beautiful.

They were so different that it seemed grossly unlikely that they could have come from the same womb. If something hadn’t gone wrong with her genetic code, Lisbeth would have been as radiantly beautiful as her sister. And probably as crazy.

From the time they were little girls Camilla had been outgoing, popular, and successful at school, while Lisbeth had been ungiving and introverted, rarely responding to the teachers’ questions. Camilla’s grades were very good; Lisbeth’s never were. Already in elementary school Camilla had distanced herself from her sister to the point that she would not even take the same route to school that Lisbeth took. Teachers and friends noticed that the two girls never had anything to do with each other, never sat next to each other. From the age of eight they had been in separate classes. When they were twelve and “All The Evil” happened, they had been sent to different foster homes. They had not seen each other since their seventeenth birthday, and that meeting had ended with Lisbeth getting a black eye and Camilla a fat lip. Lisbeth did not know where Camilla was living now, and she hadn’t made any attempt to find out.

In Lisbeth’s eyes Camilla was insincere, corrupt, and manipulative. But it was Lisbeth whom society had declared incompetent.

She zipped up her leather jacket before she walked through the rain to the main entrance. She stopped at a garden bench and looked around. On this very spot eighteen months ago, she had seen her mother for the last time. She had paid an unscheduled visit to the nursing home when she was on her way north to help Blomkvist in his attempt to track down a serial killer. Her mother had been restless and didn’t seem to recognize Salander. She held on tight to her hand and looked at her with a bewildered expression. Salander was in a hurry. She loosened her mother’s grip, gave her a hug, and rode away on her motorcycle.

The director of Äppelviken, Agnes Mikaelsson, greeted her warmly and took her to a storeroom where they found the cardboard box. Salander hefted it. Only five or six pounds. Not much in the way of an inheritance.

“I had a feeling you’d come back someday,” Mikaelsson said.

“I’ve been out of the country,” Salander said.

She thanked her for saving the box, carried it back to the car, and left Äppelviken for the last time.

Salander was back in Mosebacke just after noon. She put her mother’s box unopened in a hall closet and left the apartment again.

As she opened the front door a police car drove slowly past. Salander warily observed the presence of the authorities outside her building, but when they showed no sign of interest in her she put them out of her mind.

She went shopping at H&M and KappAhl department stores and bought herself a new wardrobe. She picked up a large assortment of basic clothes in the form of pants, jeans, tops, and socks. She had no interest in expensive designer clothing, but she did enjoy being able to buy half a dozen pairs of jeans at one time without a second thought. Her most extravagant purchases were from Twilfit, where she chose a drawerful of panties and bras. This was basic clothing again, but after half an hour of embarrassed searching she also settled on a set that she thought was sexy, even erotic, and which she would never have dreamed of buying before. When she tried them on that night she felt incredibly foolish. What she saw in the mirror was a thin, tattooed girl in grotesque underwear. She took them off and threw them in the trash.