Stieg Larsson - The Girl who played with Fire

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Stieg Larsson gleaned a remarkable degree of success before his too-early death in 2004. He had delivered to his publisher three remarkable crime novels; the initial book in his ‘Millennium’ sequence, The Girl with the Dragon Tattoo, had enjoyed an unprecedented success in his native Sweden before the translation took the UK by storm. Larsson had made a considerable mark as a crusading journalist, with a speciality in tackling political extremist groups. But he offered assistance to many people and groups who he felt were vulnerable – something of a modern hero, in fact.
One of Larsson's key achievements as a writer was to create an innovative kind of heroine for the crime novel. His unconventional sleuth, the highly intelligent computer hacker Lisbeth Salander, is a confrontational young woman, whose Goth accoutrements sometimes alienate those around her (except the individuals she opts to have sexual relations with – strictly, that is, according to the rules she lays down). In the second book in the Millennium sequence, The Girl Who Played with Fire (as in its its predecessor), Lisbeth's closest ally is the older journalist Mikael Blomqvist, even though she has abruptly ended her emotional relationship with him. Lisbeth has left all she knows behinds her and has begun a relationship with a gauche young lover. But after a grim revenge run-in with a man who has abused her, she becomes a suspect in three murders, and is the subject of a nationwide search. Blomqvist, however, is convinced of her innocence (he has just been responsible for a blistering report on the sex trafficking industry in Sweden), and is determined to help her – whether she wants his help or not.
As with Larsson’s earlier book, this is highly compelling fare, with tautly orchestrated suspense; it's often grisly and uncompromising (not a problem for many readers), and the massive text may be longer than is good for it, but Larsson admirers won't begrudge the late author a word,and will be impatient for the third (and, regrettably, concluding) book in the sequence.

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Ekström refused to budge.

“Modig, I can’t prove that you leaked the information, but I have no confidence in you with regard to this investigation. You are relieved from the team, effective immediately. Take the rest of the week off. You’ll be given other assignments on Monday.”

Modig nodded and headed for the door. Bublanski stopped her.

“Sonja. For the record: I don’t believe one word of this, and you have my full confidence. But I’m not the one who decides. See me in my office before you go home, please.”

Bublanski’s face had taken on a dangerous hue. Ekström looked furious.

Modig went back to her office, where she and Hedström had been working on Svensson’s computer. She was angry and close to tears. Hedström could tell that something was wrong, but he said nothing and she ignored him. She sat at her desk and stared into space. There was an oppressive silence in the room.

After a while Hedström excused himself and said he had to get a cup of coffee. He asked if he could bring her one. She shook her head.

When he had left she got up and put on her jacket. She took her shoulder bag and went to Bublanski’s office. He pointed to the visitor’s chair.

“Sonja, I don’t intend to yield in this matter unless Ekström removes me from the investigation too. I won’t accept it and I’m thinking of filing a complaint. Until you hear otherwise from me, you’ll remain on the team. At my direction. Understand?”

She nodded.

“You will not take the rest of the week off as Ekström said. I want you to go to Millennium’s offices and have another talk with Blomkvist. Ask him for help in guiding you through Dag Svensson’s hard drive. They have a copy there. We can save a lot of time if we have somebody who’s already familiar with the material picking out the things that might be important.”

Modig breathed more easily.

“I didn’t say anything to Hedström.”

“I’ll take care of him. He can help Andersson. Have you seen Faste?”

“No. He left right after the meeting.”

Bublanski sighed.

Blomkvist had arrived home from the hospital at 8:00 a.m. He had had too little sleep and he had to be at his best for an afternoon meeting with Björck in Smådalarö. He undressed, set the alarm for 10:30, and got two more hours of much-needed sleep. He shaved, showered, and put on a clean shirt. As he was driving past Gullmarsplan, Modig called his mobile. Blomkvist explained that he would not be able to meet her. She told him what she needed, and he referred her to Berger.

When she arrived at Millennium’s offices, Modig found that she liked the self-confident and slightly domineering woman with the dimples and shock of short blond hair. She vaguely wondered whether Berger was a dyke too, since all the women in this investigation, according to Faste, seemed to have that inclination. But then she remembered that she had read somewhere that Berger was married to the artist Greger Beckman.

“There’s a problem here,” Berger said, after listening to her request.

“What’s that?”

“It’s not that we don’t want to solve the murders or help the police. Besides, you already have all the material in the computer you took from here. The dilemma is an ethical one. The media and the police don’t work very well together.”

“Believe me, I found that out this morning,” Modig said with a smile.

“How so?”

“Nothing. Just a personal reflection.”

“OK. To maintain their credibility, the media have to keep a clear distance from the authorities. Journalists who run to the police station and cooperate with police investigations will end up being errand boys for the police.”

“I’ve met some of those,” Modig said. “But the opposite can also be true. And the police end up running errands for certain newspapers.”

Berger laughed. “That’s right. I’m afraid to say that at Millennium we simply can’t afford to be associated with that sort of mercenary journalism. This isn’t about you wanting to question any of Millennium’s staff – which we would allow without hesitation – but about a formal request for us to assist actively in a police investigation by placing our journalistic material at your disposal.”

Modig nodded.

“There are two points of view on that,” Berger said. “First, one of our journalists has been murdered. So we will help out all we can. But the second point is that there are some things we cannot and will not give to the police. And that has to do with our sources.”

“I can be flexible. I can pledge to protect your sources.”

“It’s not a matter of your intent or our trust in you. It is that we never reveal a source, no matter what the circumstances.”

“Understood.”

“Then there’s the fact that at Millennium we’re conducting our own investigation into the murders, which should be viewed as a journalistic assignment. In this case I’m prepared to hand over information to the police when we have something finished that we are ready to publish – but not before.” Berger frowned as she paused to think. “I also have to be able to live with myself. Let’s do this… You can work with Malin Eriksson. She’s familiar with the material and competent to decide where the boundaries lie. She’ll guide you through Dag’s book – with the objective of compiling a list of all those who might be suspects.”

As she caught the shuttle train from Södra station to Södertälje, Irene Nesser was unaware of the drama that had occurred the night before. She was wearing a midlength black leather jacket, dark pants, and a neat red sweater. She wore glasses that she had pushed up on her forehead.

In Södertälje she walked to the Strängnäs bus and bought a ticket to Stallarholmen. She got off the bus a little south of Stallarholmen just after 11:00 a.m. There were no buildings in sight. She visualized the map in her head. Lake Mälaren was a few miles to the northeast. It was summer-cabin country, with a scattering of year-round residences. Bjurman’s property was about two miles from the bus stop. She took a swallow of water from her bottle and started walking. She got there about forty-five minutes later.

She began by making a tour of the area and studying the neighbouring houses. About a hundred and fifty yards to the right, she saw the next cabin. Nobody was at home. To the left was a ravine. She passed two summer houses before she reached a group of cabins where she noticed signs of life: an open window and the sound of a radio. But that was three hundred yards from Bjurman’s cabin. She could work undisturbed.

She had taken the keys from his apartment. Once inside, she first unscrewed a window shutter at the back of the house, giving her an escape route in case any unpleasantness should occur at the front. The unpleasantness she was prepared for was that some cop might get the idea to show up at the cabin.

Bjurman’s was one of the older buildings, with one main room, one bedroom, and a small kitchen with running water. The toilet was a compost outhouse in the backyard. She spent twenty minutes looking through the closets, wardrobes, and dressers. She did not find so much as one scrap of paper that could have anything to do with Lisbeth Salander or Zala.

Then she went and searched the outhouse and woodshed. She found nothing of interest, and no paperwork at all. The journey had apparently been in vain.

She sat on the porch and drank some water and ate an apple.

When she went to close the shutter, she stopped short in the hallway as she caught sight of an aluminium stepladder three feet high. She went into the main room again and examined the clapboard ceiling. The opening to the attic was almost invisible between two roof beams. She got the stepladder, opened the trapdoor, and immediately found two A4 file boxes, each containing several folders and various other documents.

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