Deborah Crombie - And Justice There Is None

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The life of Scotland Yard's Gemma James is changing in major ways-she's just been promoted to Inspector, she's pregnant, and she and her young son are about to move into spacious new digs with her lover, Detective Superintendent Duncan Kincaid. Then the beautiful young wife of a Portobello Road antiques dealer is murdered in the driveway of her Notting Hill home and the case lands in Gemma's disappearing lap. Dawn Arrowood, as Gemma soon discovers, was pregnant when she died, most likely by Alex Dunn, a porcelain dealer in Portobello Market whose disappearance after the murder makes him a prime suspect. But Gemma rules him out as the killer, focusing her investigation on Karl Arrowood, the dead woman's husband. When Karl is murdered, she's stymied, but then Kincaid's investigation into what may be a serial killer turns up a bizarre connection to Gemma's case and a link to Karl Arrowood's sideline as a drug smuggler. As usual, Crombie handles a complicated plot with style, providing enough twists and turns to hold the reader's attention while driving the narrative to a stunning conclusion.

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"Right away?" Hazel repeated. Much to Gemma's surprise, Hazel's eyes had filled with tears. She couldn't remember ever having seen Hazel cry.

"I'm so sorry, Hazel. I know I'm not giving you proper notice, but this has all been so sudden-"

"Oh, no, it's not that. And it's not that I haven't been expecting this- it was inevitable. It's just that I'm going to miss you. And Holly will be inconsolable without Toby."

"We'll visit often, I promise." Gemma found herself in the unexpected position of comforting the friend who had always provided such comfort for her. "And you and Holly can come to Notting Hill. The kids can play in the garden while we catch up on things."

"I know. Now you're going to be the one with the big house full of kids," Hazel said, teasing, but Gemma detected the wistfulness in her voice.

"Hazel, why don't you and Tim have another child?" she asked, wondering why it had never occurred to her before.

Hazel looked down, lacing her sturdy fingers round her cup, and for a moment Gemma thought she had gone too far. Then Hazel shrugged and murmured, "As much as I'd like that, it doesn't seem to be in the cards just now." Then, smiling, she abruptly changed the subject. "Tell me about the house."

"Oh, I can't wait for you to see it. It's absolutely lovely," Gemma told her, and proceeded to describe it room by room as they finished their tea.

When Tim came in, Gemma collected Toby and took him home to bed. But as she tucked in her son, she couldn't help feeling that something was troubling her friend, and that she had missed a chance to learn what it was.

***

Alex had squeezed his eyes tight shut as Fern drove south, as if he could close out reality, and Fern didn't disturb him. It was not until she left the M25 for the M20 West that he stirred and looked around.

"You're going to Aunt Jane's." It was a statement, not a question.

"It seemed a good idea. No one would think to look for you there."

"Why should anyone look for me?"

Fern glanced at him before focusing on the road again. "You know what Otto said."

"Otto's full of crap. And what would Karl Arrowood want with me, now that Dawn's gone?"

"What if he killed her, and now he means to kill you, too?"

"I don't believe that. No sane person would do-" His voice cracked. "No sane person would do something like this." He stared straight ahead, not meeting Fern's eyes. It came to her that Alex couldn't allow himself to believe that Karl Arrowood had killed his wife because of her affair with him, because that would make Alex responsible for her death.

"Why are you doing this?" There was no gratitude in Alex's voice- not that she had expected any, and yet his coldness shook her.

She shrugged. "You're my friend. I wanted to help."

"There's nothing you or anyone else can do to help."

What answer could she give to this? When she glanced at him a moment later he had closed his eyes again. She drove on, struggling to find comfort in the fact that he had not, at least, told her to turn around and drive back to London.

Although it was not yet noon, clouds had rolled in from the west, bringing a twilight gloom and the promise of more rain. When the ancient town of Rye appeared on the horizon, perched on its sandstone bluff overlooking the marsh, Fern slowed and began looking for the turning she only vaguely remembered from the one time Alex had brought her here.

"Next on the right," he told her, his eyes open again.

She followed his instructions, down one lane and then another until she reached the house tucked in a wooded close at the edge of the downs. Behind the house rose the dark hill, both protecting and threatening; before it stretched the wide, flat expanse of Romney Marsh. The house had been an oasthouse, its twin kilns, with their odd tilted caps, long since converted to living quarters.

Fern coasted to a stop in the drive and killed the engine. When Alex didn't stir, she got out and went to find his aunt, Jane Dunn.

There was a light in the front window, and smoke curling from the chimney, but a brisk knock on the door brought no answer. Fern had raised her hand to knock again when she saw Jane coming round the corner of the house, wearing an Arran jumper and mud-streaked wellies, her dark, chin-length hair beaded with moisture.

"I thought I heard a car," Jane called out. "Fern, whatever are you doing here? Have you got Alex with you?"

As Jane took her hand in a welcoming clasp, Fern blurted, "I have brought Alex. But something terrible's happened."

Jane gazed at her in surprise. "What do you mean?"

"I don't know if you knew- Alex was seeing someone else. She was married, and now she's dead. I mean someone murdered her, last night."

"But that's dreadful!" Jane looked from Fern to the car. "I'm not sure I understand, though, why you've brought Alex here."

"I-" In the face of Jane's competent manner, Fern suddenly felt her fears might sound silly. "I was worried about him. I didn't know what else to do."

"In a bad way, is he? I'm sure you did the right thing." Jane gave Fern's arm a reassuring squeeze and started towards the car.

Alex got out and came slowly to meet her. Fern saw Jane speak to him and start to put an arm round his shoulders, but he flinched away from the contact. This Fern found gratifying- at least she wasn't the only one he couldn't bear.

Jane led the way into the house. The two hop-drying kilns had been combined into a pleasant, open-plan living area, with small, high windows that failed to make the most of the existing daylight.

After standing for a moment as if unsure what to do with himself, Alex slumped down on the sofa nearest the fireplace.

When Jane had the fire going and had brought them all coffee in earthenware mugs, she sat down beside Alex. "Do you want to talk about it, love? Fern says a friend of yours was killed last night."

His face contorted. "I told Otto it was a lie. She couldn't be dead. So I went there, to the house. There were police all round, and one of the neighbors said Karl came home and found her in the drive. Her… her throat had been cut."

Fern gave a small cry of surprise, but Jane remained calmly watching Alex. "Do you know anything about this?" she asked. "Who might have done this? Or why?"

"How could anyone hurt her?" Alex protested. "I can't go on, you know, not without her. I can't bear it."

Unable to listen any longer, Fern went out. She walked round in the drive, taking in Jane's greenhouses and the spade left standing against the house when Jane had been interrupted at some gardening task. Gazing out across the marsh, she breathed the damp earthy-smelling air and tried to blot out Alex's grief. When Dawn had been alive, Fern had been able to fantasize that Alex's affair with Dawn was merely a passing infatuation, that he would come to his senses and return to her. Now there was no questioning the depth of his feelings for Dawn Arrowood. Her death had not given Alex back to Fern, but had taken him from her in a way she could never have imagined. And if Alex was unable to go on, how then could she?

At the sharp click of the front door closing, she turned back to the house. Jane came across the drive towards her.

"I've persuaded him to stay," Jane told her. "Not that it matters much to him where he is, at this point."

"I don't think he should come back to London. If Dawn Arrowood was killed by her husband because he found out about Alex, Alex could be next."

"Surely you can't be serious."

"That's what our friend Otto says, and he's known Karl Arrowood for a long time. Is it worth taking a risk?"

Jane seemed about to argue with her, then she sighed. "I suppose you're right. What about you? Will you stay with him?"

With sudden resolution Fern said, "I'll take the train back to London, if you'll run me to the station. If anyone asks, I'll say I haven't seen him. And the sooner I go, the better."

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