Steph Swainston - No Present Like Time

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Another year in mankind's war for survival against the insects. God is still on holiday, the Emperor still leads and his cadre of immortals are still quarreling amongst themselves. It is known that the insects are reaching the Fourlands from the Shift but now mankind just has to do something about it. And in the meantime attention shifts to new lands and a naval expedition is launched. And Jant, the Emperor's drug-addicted winged messanger is expected to join it. Just perfect for a man terrified of ships and the sea. Steph Swainston's trilogy is building to be a landmark of modern fantasy. This is a wildly imaginative, witty yet profound fantasy, peopled with bizarre yet real characters.

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I retrieved my needle and staggered up the steps to the four-poster bed with a feeling of desolation and a strange desire to get down and walk on all fours like a dog.

I drew the curtains; the dark brocade bed became a ship spinning on a whirlpool’s rim. Its sails would not fill. Cold fish push up under my feet, fall flapping from beneath the bolsters of this bed and everywhere I’ll ever sleep. In the tiny vial eels seethe and bite. I wanted to sink out of the world. I tapped up a vein running over my biceps and slid the needle in deep with a practiced hand. Then I huddled against the ivy-covered headboard, sighed, and bubbles rose around me. Scolopendium pulsed through me, so good, to my toes and fingertips. A solid blow hit my heart and I squeezed a fistful of shirt tightly. I can ride the rush. But there’s nothing to hold on to on this ride, because the ride’s yourself. I gasped ice water into my lungs and then was nothing. It kicked me heavily out of my body and into the Shift.

Into Epsilon, the place you find when you take a wrong turning and decide to keep going. There is no easy way in.

I walked down the street. It’s a one-way street; from the other end it looks like a mirror. Litter blew past, in the opposite direction to the breeze. Some of the Constant Shoppers were already arranging their wares, buying from each other with a muted morning energy. Tine made their stalls of smooth, living bone. They shaped a grainy bone gel with their hands and it set in sculptural sweeps. They exhibited framed emotigraphs, pictures faint with age or new and piquant, that recorded the subject’s emotion and emanated it for the viewer to experience. A wedding picture radiated every feeling from rapture to secret jealousy. A picture of an autumn forest evoked nibbling nostalgia: lighting up a stolen cigarette, smell of leaf litter and first-night stand sweat.

Traders at a pet stall were herding some pygmy house-mammoths, the size of dogs, into an enclosure. An indigo-feathered archaeopteryx on a perch rattled its scaly plumage and twisted its head down to bite at its toes. The strawberries on a nearby fruit stall chatted between themselves of whatever strawberries talk about.

I walked to the edge of Epsilon city, along the bank of the river that runs mazily in right angles and often uphill. The market clustered around, infesting both banks. It seeped out of the town’s perimeter, down to the estuary and toward the open plain, a lush grassland dotted with tiny isolated hermite mounds.

Out on the savanna, in the distance the skeletal white city of Vista Marchan tilted in the air, hanging like an enormous moon in daylight. Flocks of birds flew through its insubstantial mirage towers. Single-humped dronedaries grazed the long grass. They wandered, complaining, without even glancing at the ghostly streets around them. An Insect bridge arched up from the green plain, became transparent at its apex, then descended into the center of Vista Marchan. The bridge was so old that cracks showed in its silver-gray patina like weathered teak.

Vista Marchan is a city that crashed through in the wake of an Insect invasion. The entire world of Vista was undermined by the Insects and collapsed into the Shift, where it is now visible from Epsilon. Its sandy wasteland seemed to emerge from the ground and extended at an incline to high in the sky. The dead towers of its capital city leaned at forty-five degrees through the Epsilon plain, listing so that their tops hung over the Insect bridge. Their basements looked to be embedded in the ground, but actually they neither entered nor overlaid it, and they shimmered slightly in a heat that the savanna did not feel.

Nothing survived the Insects in Vista Marchan, but since they destroyed the boundary between the worlds so completely, people could walk there now, over their bridge.

One Insect tunnel bored into Vista’s deep-sea abyss, causing a kilometer-high waterspout in another world, through which the entire ocean drained away. No good came of this apart from the fact that it killed god knows how many millions of Insects, and there is now a peaceful saltwater sea in downtown Somatopolis.

I wondered if the Insects would eventually reach Tris of their own accord; some time millennia from now the Trisians might truly need Eszai to defend them. I wondered if the Insects burrowing down and piercing through the worlds would in the far future infest them all-the last worlds forming the outer layers of their teeming nest. Were they imperceptibly surrounding the Fourlands on all sides? Were we at the center, near the Insects’ long-overrun world of origin, or were we on the outer reaches, one of the last to fall?

Tarragon said she wanted to view the ocean’s sphere from the outside. I wanted to strip away the worlds and look at the complex extensions, apertures and twisted continuous shapes of the Insects’ domain.

Lost in contemplation I wandered through the market’s fresh clothing region and the designer food district, to the edge where the Constant Shoppers’ rickety shacks were dotted around between the stalls. The poorest Shoppers had to walk hours to reach the Squantum Plaza, heart of the market. They are a collection of all species but habitually a breed apart. They are either creatures of Epsilon, or Shift tourists like myself, so overwhelmed by Epsilon’s bazaar they never escape.

“They buy things all the time,” Tarragon had said. “Compulsively. I mean, that’s their only pastime. They trade morning to night, and then all night in the southern souks. It’s fashionable to spend money. Some of them are terminally addicted, which is as terrible as your habit.”

“These Constant Shoppers, what do they do when they run out of funds?”

“They set up their portable stalls on the other side of the Plaza and sell everything they’ve bought. Then, with that money, they start shopping again.”

Iexplored toward the river mouth. The market did not end at the waterline; the rows of stalls kept going, unbroken, straight into the estuary and along the sea floor.

Out here in the periphery Epsilon market extended into the air as well. Tall metal struts supported stalls on platforms thirty meters high. Creatures on top flitted, squawked and chirruped, eager to buy and sell. Marsh gibbons swung hand over hand along ropes strung between the poles; vertebrate spiders with meter-long fangs spun webs across them to catch flying machines.

Seldom ripples came in on the limp Epsilon sea. The water was as clear as air. At first half-submerged, the market continued down to great depths, where it faded from view in the poor light. Jellyfish hung motionless above it. Things with long, intricate shell legs waded between the stalls and reached down to select bargains. In comparison with the aerial stalls, the underwater market moved slowly and gracefully; columns of kelp swayed like trees. Temblador eels glowing eerie white swam at a sedate pace in shoals through the passageways. Nicors with ivory tusks and whiskery faces flapped along with lazy fins. Saurians snacked on pre-Cambrian sushi, tasty bundles of seaweed and writhing worm junk food. They haggled over jewels-green glass beads on silver rings. Anorkas clustered with geeky excitement around a shell stall and frales-very small whales-cruised picking up crumbs just as dogs, rats and trice do on land.

There were red octopi with pale undersides and eight shopping baskets. Rays with sinister ripped-off goods under their cloaks avoided the pikemen patrolling the aisles.

The market surrounded a large, translucent hall that the stinguish had constructed out of solidified water. Their building materials were monumental, colorless pyramids of spring water atop black water slabs from the lightless abyss, and gray speckled blocks from the deep silt where soft carcasses degrade to their elements. Their edifice was decorated with bricks colored bright blue from the brine captured in sea caves, and rare aquamarine from the surface water that flares green when the last ray of the setting sun flashes through it.

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