Deanna Raybourn - The Dead Travel Fast

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A husband, a family, a comfortable life: Theodora Lestrange lives in terror of it all.
With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh – and a disappointed suitor – far behind. She is bound for Rumania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence.
She arrives at a magnificent, decaying castle in the Carpathians, replete with eccentric inhabitants: the ailing dowager; the troubled steward; her own fearful friend, Cosmina. But all are outstripped in dark glamour by the castle's master, Count Andrei Dragulescu.
Bewildering and bewitching in equal measure, the brooding nobleman ignites Theodora's imagination and awakens passions in her that she can neither deny nor conceal. His allure is superlative, his dominion over the superstitious town, absolute – Theodora may simply be one more person under his sway.
Before her sojourn is ended – or her novel completed – Theodora will have encountered things as strange and terrible as they are seductive. For obsession can prove fatal.and she is in danger of falling prey to more than desire.

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“A very impressive room,” I told him.

He seemed pleased. “It is traditionally used by the counts to conduct their business-the collecting of rents, the meting out of justice. And it is also a place of leisure. No doubt you think it odd to find such an extensive collection in such a place, but the grip of winter holds us close upon this mountain. There is little to do but hunt, and even that is sometimes not possible. It is then that we too turn to books.”

He moved to one of the cases and drew out a few folios. I smiled as I recognised Whitethorne’s Illustrated Folklore and Legend of the Scottish Highlands as well as Sir Ruthven Campbell’s Great Walks of the British Isles.

“You see, even here we know something of your country,” the count remarked, his eyes bright.

I put out a hand to touch the enormous volumes. The colour plates of the Whitethorne folio were exquisite, each more beautiful than the last. “Breathtaking,” I murmured.

“Indeed,” he said, and I realised how close he had come. He stood right at my shoulder, his arm grazing mine as he reached out to turn another page. There was a whisper of warm breath across my neck, just where the skin was bared between the coil of my hair and the collar of my gown. “You must come and look at them whenever you like. They are too heavy to take to your room, but the library is at your disposal.”

His arm pressed mine so slightly I might have imagined the touch. I stepped back and pretended to study an ancillary sphere.

“That is very generous of you, sir.”

He closed the folio but did not move closer to me. He merely folded his arms over his chest and stood watching me, a small smile playing over his lips.

“It costs me nothing to share, therefore it is not generous,” he corrected. “When someone offers what he can ill afford to give, only then may he be judged generous.”

I looked up from my perusal of the sphere. “Then I will say instead it is kind of you.”

“You seem determined to think well of me, Miss Lestrange. But Cosmina tells me you are an authoress. What sort of host would I be if I did not provide you with a comfortable place to work should you choose?”

He smiled then, a decidedly feline smile, predatory and slow. I did not know how to reply to him. I had no experience of such people. Sophistry was not a skill I possessed. Cosmina had told me the count had lived for many years in Paris; doubtless his companions were well-versed in polished conversation, in the parry and thrust of social intercourse. I was cast of different metal. But I thought again of my book and the use I might make of him there. He was alluring and noble and decidedly mysterious, all the qualities I required for a memorable hero. I made up my mind to engage him as often as possible in conversation, to study him as a lepidopterist might study an excellent specimen of something rare and unusual.

“You surprise me,” he said suddenly.

“In what manner?”

“When Cosmina told me she was expecting her friend, the writer from Edinburgh, I imagined a quite terrifying young woman, six feet tall with red hair and rough hands and an alarming vocabulary. And instead I find you.”

He finished this remark with a look of such genuine approbation as quite stopped my breath.

“I must indeed have been a surprise,” I said, attempting a light tone. “I like to believe I am clever, but I am no bluestocking.”

“And so small as to scarcely reach my shoulder,” he said softly, leaning a bit closer. He shifted his gaze to my hair. “I had not thought Scotchwomen so dark. Your hair is almost black as mine, and your eyes,” he trailed off, pausing a moment, his lips parted as he drew a great deep breath, smelling me as an animal might.

“Rosewater,” he murmured. “Very lovely.”

I stepped backwards sharply, ashamed at my part in this latest impropriety. “I must beg your leave, sir. I ought to find Cosmina.”

Amusement twitched at the corners of his mouth. “She is with the countess. My mother has spent a restless night and it soothes her to have Cosmina read to her.”

“I am sorry to hear of the countess’s indisposition.”

“So the responsibility of entertaining you falls to me,” he added with another of his enigmatic smiles.

“I would not be a burden to you. I am sure your duties must be quite demanding. If you will excuse me,” I began as I moved to step past him.

“I cannot,” he countered smoothly. And then a curious thing occurred. He seemed to block me with his own body, and yet he did not stir. It was simply that I knew I could not move past him and so remained where I was as he continued to speak. “It is my duty and my pleasure to introduce you to my home.”

“Really, sir, that is not necessary. I might take a book to my room or write letters.” But even as I spoke, I knew it was not to be. There was a peculiar force to his personality, and I understood then that whatever resistance I presented him was no more than the slenderest twig in his path. He would take no note of it as he proceeded upon his way.

“Letters-on such a fine day, when we might walk together? Oh, no, Miss Lestrange. I will begin your education upon the subject of Transylvania, and you will find I am an excellent tutor.”

He offered me his arm then, and as I took it, I thought for some unaccountable reason of Eve and the very little persuasion it took for the serpent to prevail.

I spent the morning with him, and he proved an amiable and courteous host. He behaved with perfect propriety once we quit the library, introducing me to the castle with a connoisseur’s eye for what was best and most beautiful, for the castle was beautiful, but tragically so. Everywhere I found signs of decay and neglect, and I became exceedingly puzzled as to what had caused the castle to fall to ruin. It had obviously been loved deeply at one time, with both care and money lavished upon it in equal measure, but some calamity had caused it to lapse into decline. It was not until we had finished the tour of the castle proper-the public rooms only, for he did not take me to the family wing nor to the tower where I slept-and emerged into the garden that I began to understand.

The morning was a cool one, but I had my shawl and the garden was walled, shielded from the wind by heavy stones. The garden was surprisingly large and had been planted with an eye to both purpose and pleasure. A goodly part was used as a kitchen garden, untidy but clearly productive, with serried rows of vegetables and the odd patch of herbs bordered by weedy gravel paths. But at the end of this was a door in the wall and beyond was a forgotten place, thick with overgrown rosebushes and trees heavy with unpicked fruit. A fountain stood in the middle, the pretty statue of Bacchus furred with mold, the water black and rank and covered with a foul slime.

I turned to find the count staring at the garden, his jaw set, his lips thin and cruel.

“I apologise,” he said tightly. “I have not yet seen it. I did not realise it had fallen into disuse. It was once a beautiful place.”

I could feel anger in him, controlled though it was, and I hurried to smooth the moment. “It is not difficult to see what lies beneath. The fountain is a copy of one at Versailles, is it not? My grandfather showed me a sketch he made during his travels as a young man. I recognise the heaps of grapes.”

“Yes,” he said, almost reluctantly. “My grandfather commissioned a copy when he planted his first vineyard. He was very proud of the first bottle of wine he produced.”

“It is an accomplishment. He did well to be proud of it,” I agreed.

To my surprise, he smiled, and it was not the casual smile he had shown before but something more heartfelt and genuine. “He needn’t have been. It was truly awful. The vines were pulled out and tilled over. But he was very fond of his Bacchus,” he finished, his eyes fixed upon the ruined statue.

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