Deanna Raybourn - The Dead Travel Fast

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A husband, a family, a comfortable life: Theodora Lestrange lives in terror of it all.
With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh – and a disappointed suitor – far behind. She is bound for Rumania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence.
She arrives at a magnificent, decaying castle in the Carpathians, replete with eccentric inhabitants: the ailing dowager; the troubled steward; her own fearful friend, Cosmina. But all are outstripped in dark glamour by the castle's master, Count Andrei Dragulescu.
Bewildering and bewitching in equal measure, the brooding nobleman ignites Theodora's imagination and awakens passions in her that she can neither deny nor conceal. His allure is superlative, his dominion over the superstitious town, absolute – Theodora may simply be one more person under his sway.
Before her sojourn is ended – or her novel completed – Theodora will have encountered things as strange and terrible as they are seductive. For obsession can prove fatal.and she is in danger of falling prey to more than desire.

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He kissed me again and again until I thought I would die from breathlessness and longing. When we broke apart I looked to the night sky. Above us, a single star shimmered into life.

“Venus,” I said, pointing with a trembling hand. “You see, you have taught me well. I shall not forget.”

20

I did not forget, and it was the memory of that enigmatic and fascinating man that warmed me through the months that followed. I left Transylvania an older and marginally wiser woman, with a book of poetry in my pocket and the pieces of my heart resting beside. There was a new coolness to me, a reserve that none could penetrate, and my hauteur served me well in the new life I fashioned for myself.

I did not go to Scotland; there was nothing within its grey streets to lure me back. I went instead to London, where I wrote and walked and waited to be made whole again. To his credit, Charles was a prop to me, advancing funds against the sale of my book to permit me to take furnished rooms in a pleasant quarter of the city and visiting often in the capacity of friend as well as publisher. We had endured much together, and sometimes, when the hour grew late and the moon hung low, we spoke of Transylvania and the extraordinary time we shared there. It had finally occurred to me that the greatest mystery-whether the strigoi actually existed or whether Cosmina had been a murderess-could have been solved by the expedient of searching the garderobe for traces of blood. A human villain would have rinsed the blood down the sluice to create the fiction of a vampire; an actual vampire would have fed upon it. But it was far too late to make such conclusions now, and I knew the question would never be settled within my mind. Was the countess a strigoi who had committed her own murder and seen her niece carried away for the crime? Or was she a consumptive old woman who had formulated a murderous plot? I should never know, and after a time, I realised I did not wish to. There were times I did not wish to think upon my time in Transylvania at all, and others in which I wished to relive every moment. Charles was a great comfort to me in both moods.

“Do you ever hear from him?” he asked me once. I did not ask whom he meant.

“No. And I am glad of it,” I told him truthfully. It was difficult enough to lay the ghost of his memory without the thorn-prick of letters to disturb my peace. But each night before I slept, I read Baudelaire, until the pages grew thin and worn with handling.

To his credit, Charles never renewed his addresses. “Having met the count, I would not dare,” he told me once, with a sort of pointed jollity. I understood his meaning. The count was larger than life; no mere mortal man could ever hope to challenge him on any ground, much less carry the field.

But Charles was a comfortable companion during those long months, and the following year when my book was published, it was Charles who arranged for readings in the most popular salons and stood beside me to fend off an enthusiastic public. The book had been brought out to surprising acclaim-surprising to me, although Charles claimed that he expected nothing less from a thrilling tale of vampires and werewolves and abducted heiresses. I was much in demand, and once or twice found myself addressing rather more exalted company than that to which I was accustomed. The most important of these was a reading Charles had engaged before the Society of Literary Fellowes, a collection of titled gentlemen-founded by a viscount-who dabbled in letters and thought themselves terribly daring for consorting with authors. The society met in the townhouse of the viscount, in a fashionable square in Belgravia, and I dressed myself carefully for the occasion, in new finery of blood-red velvet, befitting an authoress of sensational tales, I thought. I was much sought after that evening, and presented to so many titled heads I could not help but think I was the lone commoner in the room. The elevated company made me rather nervous, and I paused to collect my nerve as I began to read, slowly at first, but then gaining speed and confidence with the excited gasps and sighs of my audience. I finished to warm applause, and for an hour after I was importuned with still more people clamouring for introductions and pressing me with questions about my researches.

“How did you find Transylvania, Miss Lestrange?” asked the viscount himself. “I am told it is a wild and friendless place, full of bandits and bloodthirsty creatures.”

I strove for an answer that would be both truthful and just. “I found it unlike anyplace else in the world,” I told him at last. “It is a land of myth and legend, and yet the peasants are kindly and generous. It is a curious alchemy of medieval and modern. Manners are free, for a man and woman may walk together without either chaperone or censure, but one must always be alert, for to stir out of doors is to make oneself vulnerable to wolves and other creatures.”

As I expected, the ladies shivered in delight, while the gentlemen regarded my answer soberly. “I shall have to organise a holiday,” the viscount said. “I should quite enjoy hearing these local legends from the horse’s mouth as it were.”

“I shouldn’t dare,” his wife said with a shudder. She was a pretty little thing, with blond curls and half her husband’s years, swathed in forget-me-not blue to match her eyes. She turned to me. “I am so pleased the book ended happily. I was desperately afraid the baron would not come for dear Rowena.”

I smiled at her. “You have penetrated my secret, my lady. I am a coward. I have not the courage to deny my readers a happy ending.”

Her eyes widened. “Oh, you must not say you are a coward, for I am quite devoted to your book and will not hear a word against you, not even from your own lips.”

Her seriousness was touching, and I inclined my head. “Very well. Then I will say I am more generous to my characters than I am to myself. I give them the happy ending I have not yet fashioned.”

I would have turned then, but she stayed me with a hand to my arm. “One thing more, Miss Lestrange. I was particularly moved that your heroine was able to give the whole of her heart to her beloved guardian, even though she suspected him of being a werewolf. Do you not find it extraordinary that a woman should be so accepting of such a thing?”

I thought of the count then, and the impenetrable mysteries he had constructed for me, the questions he had seeded so carefully in my mind, leaving me to puzzle over, until I had come to understand that some things were never meant to be known.

“I believe in the human heart, and the power of it to love, even when such love is unwise or even unwanted. It is an enduring thing, love is. It will weather the fiercest storm and stand, bowed but unbroken. And when life is gone, love itself may still live on. That is what I find extraordinary, my lady.”

I excused myself then, and turned to find Charles at my elbow.

“There is another gentleman who begs an audience,” he said, his colour high and his manner a little stiff.

I followed, and there he was. Charles tactfully melted away and the crowd seemed to have dispersed a little, for we were alone in the corner of the great salon. It was a long moment before I could find my voice, and when I did, it was so low he had to bend to hear me.

“You look well,” I told him, for he did. The great slashing scar had faded to a thin, white line that-as I had suspected it would-merely emphasised the elegance of his bones and took nothing from his looks. There was a touch of silver at one temple, and I noticed the black armband of mourning crepe pinned to his sleeve.

“I am well,” he said, and the melting honeyed tones were just as I remembered them. He brandished a book, and I saw that it was mine. “I have just concluded it.”

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