Deanna Raybourn - The Dead Travel Fast

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A husband, a family, a comfortable life: Theodora Lestrange lives in terror of it all.
With a modest inheritance and the three gowns that comprise her entire wardrobe, Theodora leaves Edinburgh – and a disappointed suitor – far behind. She is bound for Rumania, where tales of vampires are still whispered, to visit an old friend and write the book that will bring her true independence.
She arrives at a magnificent, decaying castle in the Carpathians, replete with eccentric inhabitants: the ailing dowager; the troubled steward; her own fearful friend, Cosmina. But all are outstripped in dark glamour by the castle's master, Count Andrei Dragulescu.
Bewildering and bewitching in equal measure, the brooding nobleman ignites Theodora's imagination and awakens passions in her that she can neither deny nor conceal. His allure is superlative, his dominion over the superstitious town, absolute – Theodora may simply be one more person under his sway.
Before her sojourn is ended – or her novel completed – Theodora will have encountered things as strange and terrible as they are seductive. For obsession can prove fatal.and she is in danger of falling prey to more than desire.

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I stood behind the tapestry a long time, listening to my own heartbeats drumming in my ears, but no other sounds penetrated the thick wool. At length I steeled myself to peer around the edge, and I gave a little sigh of relief. The count was tucked into his bed and was alone in the room, save for Dr. Frankopan, dozing quietly on the sofa in front of the fire. I dared not dwell upon the count, for the sight of him, swathed and stitched and lying motionless, had nearly caused me to cry out. The great bed and the perfect stillness of his repose bore too near a resemblance to a corpse laid out for burial; he wanted only a funeral wreath to complete his paleness. But his chest rose and fell with perfect ease, and I forced myself to carry on.

Dr. Frankopan slept as well, his slumbers punctuated by odd fits and starts and little snorts, and I was terrified lest he waken. The journey from the tapestry to the door seemed an eternity, but it could only have been a second or two before I had slipped through and gained the stairs without detection.

My hands sweated and the knob had been slippery in my palm, but I had managed it, and once outside, I hastened down the stairs as quickly and silently as I could. As I reached the bottom, I heard voices-Cosmina and Charles, and I froze, my very marrow stilled within my bones.

In a moment they would reach the corner and see me, exposed and defenceless upon the stairs, and all would be lost. Unless…

In a blind panic, I darted into the garderobe. There was not time enough even to draw the door closed behind me, so I threw myself behind it, counting upon the shadows to conceal me.

I heard them pass, so near I could have touched them, and I dared not even breathe until they were well upon the stair and out of earshot. They chatted seriously to each other, and I made a note of the fact that the countess and the Amsels would still be about, as well as the servants.

I crept from the garderobe to make my way to Frau Amsel’s room, but even as I did so I turned my steps towards another. I could not say what diverted me, but I walked as a lost soul, wandering in the night, will walk towards the faintest glimmer of light. Even then, I did not know what I would find when I reached my destination, but as I crept ever closer, I considered the question of trust, and where mine had been misplaced.

Charles and Cosmina were my friends, I reasoned, and yet when I heard them coming, I had instinctively hidden myself. Had I thought the matter over coolly, dispassionately, I would have reassured myself that neither of them would have betrayed me. But my basest instinct, the part of myself that was scarcely better than animal, desperate to survive, had fled from them.

I had been afraid. And as I moved through the shadows of the castle, I realised I always had been. I understood then that affection and fear can be entwined as tightly as lovers.

At last I came to the chamber I sought. It was empty and illuminated only by the light of the fire. I moved quickly, for I had little time, and my hands trembled as I searched. Fear and a rising hysteria were almost my undoing as I scoured the room and found nothing. But as I reached under the pillow, feeling blindly, my fingers closed over a piece of paper and something else, something smooth and cool that clicked softly between my fingers, and a third item I could not identify. I withdrew them all, and an eerie, unnatural calm settled over me. I understood, as I had not before, and I cursed myself for a fool.

“Have you found what you were looking for, my dear?” came the voice from the doorway.

I started, but Dr. Frankopan’s expression was kindly.

“I was just waking when I saw you leave the count’s room. I thought to follow you and see what you were about,” he told me.

“Where are the others?” I asked.

“With the count. He will waken soon, I think. But I had to look to you as well. What fresh mischief brings you to this place?”

He came closer and I held out the things I had found.

“These are mine. She had no right to them, and yet here they were, under her pillow.”

He took them from me. “A letter and a rosary?”

“The rosary was my mother’s. I lost it, or thought that I did, when we were at school. Cosmina has kept it all these years.”

He looked briefly at the letter. “It is a love letter,” he said softly. “But it has been torn to pieces.”

“And stitched back together,” I noted. The paper had been destroyed and then carefully mended, held together by black silk stitches that ran like scars between the beautiful words. “It was taken from my room before I even saw it. I think,” my voice broke upon the words, “I think she attempted to kill the count. She may even have killed Aurelia as well. Here, I believe this is proof of it.” I proffered the third object and he took it from me with a pointed reluctance.

He sagged into a chair, his face very white, his spirit defeated. “Oh, dear little Cosmina. What have you done?” he murmured.

He said nothing for a long moment, and neither did I. We were both of us mourning the loss of the girl we had known and reconciling ourselves to the fact that in her place was a monster-a creature who stole and lied and destroyed. I thought of the odd little rages to which she had been prone as a girl. I had thought her willful and obstinate. Now I saw she was something far more dangerous.

Suddenly, Dr. Frankopan roused himself. “You must forgive me, my dear. I should not have doubted you, not for a moment.”

“Of course,” I told him, blinking hard against the sudden tears that sprang to my eyes. Someone else believed me. The relief was almost too much to bear.

“But you are not safe here,” he said, pushing himself out of the chair. “No, you are not safe. Cosmina is a clever girl, and we do not know what tales she may spin to persuade the count and the countess that you have wronged them. We must get you right away, tonight. You will come to my cottage, and I will keep you safe until morning. If we are quick and quiet, no one will even know you have gone. I will bring word to Mr. Beecroft, and he can join you tomorrow. Thence, to Hermannstadt, and the obergespan , for the sheriff will know what to do. The time for pretending these things have not happened is past.”

He thrust the objects into his pocket for safekeeping. “Come, child, come. There is no time to lose. They will not keep long to his room. We must flee now, while we have the chance.”

He snatched up a cloak of Cosmina’s for me and we hurried from the room. I followed him blindly, my hand clasped in his, and I felt such a welling of emotion, I could hardly endure it-relief at my liberation, and sorrow at what I had discovered about Cosmina’s duplicity. But mantling it all was an overwhelming feeling of despair that I would not see the count again, for even as I fled my thoughts were entirely of him.

We gained the courtyard quickly and Dr. Frankopan pointed to the moon. “We do not even need a lantern. Gentle Selena lights our way,” he said solemnly.

But as we picked our path carefully down the Devil’s Staircase, I realised the implications of the full moon. No sooner had we left the safety of the castle than I heard the howling of the wolves, the eerie sound carried on the wind.

“Make haste, make haste,” he advised, springing down the steps with the speed of a man half his age. I followed, still clasping his hand, and more than once I would have fallen had he not righted me. At last we reached the village road, and I was not surprised to find the entire hamlet tucked snugly away for the night. Here and there a bit of woodsmoke escaped from a chimney, casting a hazy cloud over the face of the low-hanging moon. Little light spilled from the windows as they were shuttered tightly against the night and all that roamed abroad.

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