Perri O'Shaughnessy - Keeper of the Keys

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The New York Times bestselling author of the acclaimed Nina Reilly series returns with a bold and gripping new work, a masterful stand-alone that will delight devoted fans – and garner legions of new ones. This haunting and original tale of love, obsession, and the secrets that we keep – especially from ourselves – begins with a sudden, inexplicable vanishing.
For ambitious, troubled architect Ray Jackson, the questions start one sultry California summer night when his wife, Leigh, disappears. No phone call, no ransom note, no body to reveal whether she has left of her own accord and is alive, or is dead. Although it's clear they had a passionate, close relationship, Ray Jackson is not looking for his wife. Why?
Enter Kathleen, old friend of Leigh's, who shows up demanding answers. Ray wants answers, too, but his questions seem strange and shady to Kat.
Suspected by his wife's best friend and the police, Ray launches a desperate, alarming search of his own. Using a collection of keys he has hoarded since he was a boy – keys to homes he once lived in – Ray invades each house, one by one.
Will he unlock secrets from his past that will help him make sense of a life that appears to be disintegrating? Or will he expose chilling secrets that may have scarred him past redemption?
Kat can't figure him out. Still, hoping to find answers to her own gnawing, emotional questions, she throws in her lot with him, at times terrified he killed her friend, and at other times convinced he's an innocent man.
Past and present collide as the deceits and subterfuges are exposed, and Ray Jackson is confronted with the most agonizing decision of his life – to face his own violence-laden past, acting to prevent another murder – or not. His choice will leave nothing and no one the same.

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“Maybe she’s in the village and she’ll be back,” Kat said. “She sure doesn’t seem to be here. Wait a minute. We may have just eradicated some tire tracks. Back up.” Ray backed into the street and left the motor idling as Kat jumped out to check. The gravel was compacted and she couldn’t see any tracks from either Leigh’s van or the Porsche.

What they could see, once they pulled into the driveway again, encompassed less than a quarter of the large, heavily treed lot. The cabin had once been painted barn-red, but the paint had weathered and peeled. A shuttered, ramshackle porch kept sunlight from entering the place in front. Behind the cabin, the hill sloped precipitously down, and the pylon Kat could see didn’t look thick enough to keep the cabin from sliding down the hill in the first rain.

And yet it had endured for sixty-five years. A For Sale sign had been placed by the driveway by the real estate agent, with a plastic container for holding sales brochures tacked to it, but any glowing descriptions that might once have filled it were long gone. Kat remembered Leigh telling her about feeding jays on the back porch. She wondered briefly about the Hubbels, their lives, whether they had enjoyed coming here with their little girl years before.

The pines, brown and rustling in a late-afternoon wind, appeared close to death. They must have something strong in them, Kat decided as she mounted the wooden steps, because they were living on almost no water. Ray slammed the car door and followed.

“Shoot,” Kat said. “I assumed the realtor would have a lockbox on the door. I have a master that will open just about any lockbox.” She showed it to him and he turned it over in his hands.

“Nice,” he said enviously.

“Now what?”

“No problem,” Ray said. He turned and his eyes sought out the porch’s hiding places. Then he went down the stairs to a round granite stone to the right of the porch. He bent over and pushed it aside. And there sat a dirty house key.

“How’d you know?” she said.

“I like keys. This is where they would keep it.”

“But you went straight to it.”

“I have never been here before. Okay?”

“Okay.”

Kat knew, had known the minute they pulled up, that no living being resided inside that boarded-up cabin but that didn’t stop her from looking around hopefully as she entered.

The cabin felt chilly. Ray, doing the guy thing, immediately went to locate a thermostat or heat source. Kat pulled her sleeping bag inside and shut the door behind herself.

The entryway, meager, held a small closet which hid coats. She peered inside, noting coats for every season, light, dark, thin, thick. Musty smelling.

The first room past the entry, presumably the living room, had a red leather couch, comfortably worn, two floral chenille chairs, and a coffee table with an undone puzzle on it. She reflected, casting a cold professional eye on it, that this look would not appeal to the desirable market, an affluent suburbanite. It looked to be exactly what it was, a moldy old cabin nobody had ever improved. No wonder the Hubbels had no nibbles. Instantly, turned on like a faucet, she imagined the possibilities. Paint the paneling a light taupe or soft apricot. Replace the moldy carpet. Replace the lighting fixtures, dated and dusty. Replace the appliances. Spend twenty grand and make fifty.

Ray stood in the doorway. “I got the heat going.”

“That’s a plus,” she said. “Shall we have a look around?” They went together, turning on lights and opening shutters, glancing into the tiny kitchen, the upstairs bedroom with its pink chenille-covered queen bed. The downstairs area was shut off from the rest of the house by a closed door that led off the living room. The staircase down, narrow and rickety, bothered Kat. Maybe it was the harsh, naked lightbulb that lit the stairwell, or the lack of windows. She followed Ray down and they found themselves in a large room with a fireplace at the far end, a den, perhaps, with a couple of couches and a window with a nice view of the nearby hillsides.

“This isn’t so bad,” Kat said. They went into a narrow hallway. Way in the back was a small bedroom with a double bed complete with pillows but no overhead light, just a dim lamp which Ray snapped on. “The second bedroom,” Kat said. One window faced out from the hillside, covered with a cotton curtain. A closet took up one corner. Kat looked inside. No bodies.

“She’s not here,” Ray said. He sat down on the bed, which creaked alarmingly, and put his head in his hands.

“We haven’t looked everywhere yet.”

“You mean, the cupboards, in case I stuffed her under the sink or something?”

“Let’s make sure you didn’t,” Kat said. “You’ve surprised me before.”

It didn’t take long. They found old clothing in the bureau drawers and a storage closet filled with things the family had left behind. They wandered around the property in the gathering darkness. A sliver of moon shone down as Kat held a flashlight under the house. Then they went inside and found an opening to the low attic in one of the closets, and took a look up there. A lot of insect droppings, signs of asbestos. Probable termite infestation, a sale-killer. But no sign of a body.

Leigh was not there, and they found no sign that she had been.

The two were defeated, even anxious. They came all this way, and now had nothing. Ray brought the second bottle of French wine from the car. Kat located small glasses in the kitchen, and wiped them well. They drank the wine warm in front of the rock fireplace, where Ray had built a small fire. He placed two more logs on the fire, and shifted the logs, sending sparks flying. “Y’know, we are trespassing or burglarizing or something.”

“I’ll just say I’m doing a detailed appraisal. You remembered to open the flue?”

He smiled. “Obviously. You sound just like Leigh, who never trusts me. Yes, I opened the flue before setting these logs on fire. I’m not suicidal anymore, in spite of what you might think.”

“And I have plans,” she said, knowing she sounded haughty but unable to help herself. “Every single one of them involves me living past the age of forty.”

“Kat,” he said, eyes lit with the reflection of fire.

“Yes?”

“I’m grateful to you, whatever happens.”

She didn’t believe him but felt bad to be such a doubter.

She slept in the basement bedroom paneled in a plastic wood veneer. In the middle of the night, she woke up. She pummeled her pillows, rearranging them, closed her eyes.

Still no sleep.

She checked out the clock. Three a.m.

Too early to rise, too late to read.

She punched her pillows again, putting one where a man would be, if a man were around.

Closed her eyes. The air felt close and heavy and she wished she had opened the window.

Thought about Ray and Leigh.

Opened her eyes.

Saw a shadow on the wall that didn’t belong there.

Felt an aching hollow inside her as the shadow moved and grew larger. The curtain was closed. It was dark. How could there be a darker shadow? The illusion hovered off the ground.

Now she saw that it wasn’t on the wall but stood out from the wall, a black mass shaped and sized like a floating door. But it was alive, she could feel it, aware of her, watching her.

She froze; stopped breathing. Held her eyes in exactly the same place. Did not dare to widen them.

“It’s me.” In the doorway, silhouetted by the hall light, a figure stood.

And for a terrifying, emotional moment, she thought she saw Tom, and he was furious with her, madder than she remembered seeing him ever before. He moved closer. She found her voice. Her scream must have echoed for miles up and down the old Tahquitz valley.

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