Perri O'Shaughnessy - Keeper of the Keys

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Keeper of the Keys: краткое содержание, описание и аннотация

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The New York Times bestselling author of the acclaimed Nina Reilly series returns with a bold and gripping new work, a masterful stand-alone that will delight devoted fans – and garner legions of new ones. This haunting and original tale of love, obsession, and the secrets that we keep – especially from ourselves – begins with a sudden, inexplicable vanishing.
For ambitious, troubled architect Ray Jackson, the questions start one sultry California summer night when his wife, Leigh, disappears. No phone call, no ransom note, no body to reveal whether she has left of her own accord and is alive, or is dead. Although it's clear they had a passionate, close relationship, Ray Jackson is not looking for his wife. Why?
Enter Kathleen, old friend of Leigh's, who shows up demanding answers. Ray wants answers, too, but his questions seem strange and shady to Kat.
Suspected by his wife's best friend and the police, Ray launches a desperate, alarming search of his own. Using a collection of keys he has hoarded since he was a boy – keys to homes he once lived in – Ray invades each house, one by one.
Will he unlock secrets from his past that will help him make sense of a life that appears to be disintegrating? Or will he expose chilling secrets that may have scarred him past redemption?
Kat can't figure him out. Still, hoping to find answers to her own gnawing, emotional questions, she throws in her lot with him, at times terrified he killed her friend, and at other times convinced he's an innocent man.
Past and present collide as the deceits and subterfuges are exposed, and Ray Jackson is confronted with the most agonizing decision of his life – to face his own violence-laden past, acting to prevent another murder – or not. His choice will leave nothing and no one the same.

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Kat took the stand, trying to remain objective, answering questions about square footage, coverage, comps. This house had lovely landscaping, which added an extra thirty grand to its value.

She explained how she had arrived at her valuation, describing the number of bedrooms, legally only two, not three, since one had no closet, the state of the paint and rugs, poor, the repairs necessary to bring the property up to snuff. She testified that having only one bathroom cut into value, showed pictures of the street that revealed a run-down, undesirable ambiance.

By the time she was done, not a single person in the courtroom liked her.

On the way to the house in Long Beach, she called the Jackson house. When a machine answered, she hung up without leaving a message, a little nervous about her mood and what she might unleash if she let her mouth start up.

What would she blurt? “Hi, Leigh? It’s me, Kat. Let’s meet up and see a movie and hang out together like we used to do a hundred years ago, when my brother was alive and we were younger and hadn’t done reprehensible things.”

She called Leigh’s business number again. “Sorry to bug you but-I’m Leigh’s old friend-”

“Oh, yes, you again,” said Leigh’s receptionist, suddenly not sounding so certain, suddenly young. “I’m sorry. Leigh hasn’t been in.”

“Is she sick?”

“I don’t know. I haven’t spoken with her. In fact, I don’t know what to do. I’m stuck here with no boss, you know? It’s strange. And the really strange part is-” She stopped.

Maybe she had thought twice about unloading her troubles on a stranger.

“Tell me.” Kat used her most authoritative voice.

And the younger woman caved. “She never misses a day, unless she tells me. See, on Friday, she left early for a funeral or something-she was upset and said she wouldn’t be back, so she asked me to come in yesterday.”

“On a Sunday?”

“We had some work to make up and she said she’d pay me double! She never showed up. Now here it is Monday, and she doesn’t come in and I can’t reach her. No one answers her mobile phone. This is weird. And I’m due a check today. I need my money for rent. What should I do?” the receptionist asked.

“Have you spoken with her husband?”

“I finally called him at work. He sounded mad and said he didn’t know where she was. I don’t even know if I should come in tomorrow. I mean, I don’t run this place. She’s my boss. She’s supposed to tell me what to do.”

It was strange, Leigh not showing up for work and not calling. “You should continue to come to work until you hear either from Leigh or her husband,” Kat advised, again slipping into her older, wiser persona.

“We have clients calling, wanting to know how the work is going. I don’t know what to say.”

“Tell them it’s in progress. There will be a slight, a very slight, delay. And you’ll get your check soon; don’t worry.”

Relieved sigh. “Okay.”

“Do you know Leigh’s husband?”

“Not really.” A pause. “She brags about him sometimes, how successful he is, how smart. But she makes as much as he does. Sometimes more.”

“Really?”

“She’s not famous like him. She’s nobody as far as his world is concerned but she has a fabulous reputation around here. People adore her furniture. That’s what this town worships, quality. You wouldn’t believe some of her clients. Movie stars, directors, producers-”

“So where is she, I wonder?”

“If you talk to her, tell her Ashley is having a fit. I mean, I hope she’s okay, but damn. I can’t run this place alone, and I can’t work for nothing.”

картинка 3

Ray worked at Wilshire Associates, an architectural firm, in an office he kept intentionally low-tech. Other than a laptop and a big flat-screen monitor he attached when needed, he spent most of his time at a large, north-facing drafting table that overlooked the tall shining glass windows with a view of West L.A., drawing freehand with soft, smeary charcoal pencils. The architectural offices, on the fifth floor of a building on the boulevard, featured one whole wall of windows almost two stories high. He and Martin Horner, as partners and senior architects, had the views. Associates and assorted other support rabble skulked on the darker backside of the floor, which, true to the classy image the firm enjoyed cultivating, also had windows, only smaller.

Today he worked at his tilted table on the Antoniou mansion. Deadline for the preliminary drawings was only three days away, on Thursday. Achilles Antoniou, a restaurant owner originally from Athens, thought Ray was designing the Parthenon warmed over for his eight-bedroom spread in Laguna Cliffs, and Ray had started out with enough Doric columns to satisfy him, but this morning he had tossed the preliminary drawings and started over with a stunning modern structure that would give Antoniou the thing he was actually looking for, social cachet. Ray could talk him into the new design, he was sure.

He had never done this before, ignored the client’s vague wishes. He had always teased them out and brought them to life before.

Today he felt unable to do that. Everything else in his life had gone to hell. He did not want this project to go the same way. Antoniou would get what he needed, not what he thought he needed. And so would Ray.

People knew better than to interrupt him when he was sketching, and Suzanne fielded his calls, so he spent most of the morning alone. At quarter to one, he put his pencil down. He would grab something from the vending machines, then take off. He checked the hallway. No one. Good.

Too late, he spotted Martin, and Martin spotted him.

“Hang on, Ray. I need to talk to you. I’ll just be a minute here.”

Ray grunted and sat down in a chair at a messy desk. Meanwhile, Martin, continuing a process that had gone on for quite some time already judging by the client’s fatigued look, worked his charm by the overgrown acacia tree in the far corner, where the windows were high and the view awe-inspiring. “We create a vision for you, something supremely yours, something that says, hey, I’ve made it, and I get to make things look how I think they should look.”

The potential client, a director with fashionably thick intellectual glasses and a beard, who was famously rich and image-conscious, nodded.

“You want an indoor-outdoor pool, we provide it. The parties will never end.”

The potential client took off his glasses and wiped them with a sparkling clean ironed handkerchief.

That’s a no, Ray thought to himself, but not to worry. Martin was on top of it. “Or a Japanese garden with pines imported from Kyoto and nephrite boulders taken from the coastal waters off Big Sur. We can do that, too.”

The beard moved as though the guy was preparing to smile. Bingo.

“A teahouse,” Martin crooned. “Wabi-sabi walls, golden bamboo. Gravel walks. Ginkgos. Peace. A wonderful torii gate. We can build you that.”

“I have always wanted to visit the temples at Kyoto.”

“You could look for some very special addition to your garden there. Or look for tea-bowls. I know a dealer in the Ginza who has eighteenth-century bowls from a Zen monastery. I’ll call him. You are gonna impress the hell out of your neighbors. Not that you care about that.” Martin got a full nod there, wild enthusiasm from this cautious man.

Not a great architect, Martin was a great people-reader. Ray often watched client sessions with reverence. These people danced with Martin, and they danced to Martin’s music, however vulgar and jerky.

“Look, I know you’ve interviewed a few other firms. That’s just smart business, and you’re a savvy guy; everybody knows that. An investment like this, of course you’ve got to be careful. But here’s what we can give you that they can’t.”

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