John Adams - The Improbable Adventures of Sherlock Holmes

Instead of answering, I bent down, picked up the felt shadows, rolled them into a ball, and put them in my coat pocket. I felt quite odd doing it: much as I had felt when in the grip of the fever which almost took my life in India.

"Capital fellow, Watson!" Holmes cried. "You've solved your first case, become an accessory to murder, and it's not even tea-time! And here's a souvenir for myself-an original Jory Hull. I doubt it's signed, but one must be grateful for whatever the gods send us on rainy days." He used his penknife to loosen the artist's glue holding the canvas to the legs of the coffee-table. He made quick work of it; less than a minute later he was slipping a narrow canvas tube into the inner pocket of his voluminous greatcoat.

"This is a dirty piece of work," Lestrade said, but he crossed to one of the windows and, after a moment's hesitation, released the locks which held it and opened it half an inch or so.

"Say it's dirty work undone," Holmes said in a tone of almost hectic gaiety. "Shall we go, gentlemen?"

We crossed to the door. Lestrade opened it. One of the constables asked him if there was any progress.

On another occasion Lestrade might have shown the man the rough side of his tongue. This time he said shortly, "Looks like attempted robbery gone to something worse. I saw it at once, of course; Holmes a moment later."

"Too bad!" the other constable ventured.

"Yes," Lestrade said, "but at least the old man's scream sent the thief packing before he could steal anything. Carry on."

We left. The parlour door was open, but I kept my head down as we passed it. Holmes looked, of course; there was no way he could not have done. It was just the way he was made. As for me, I never saw any of the family. I never wanted to.

Holmes was sneezing again. His friend was twining around his legs and miaowing blissfully. "Let me out of here," he said, and bolted.

An hour later we were back at 221B Baker Street, in much the same positions we had occupied when Lestrade came driving up: Holmes in the window-seat, myself on the sofa.

"Well, Watson," Holmes said presently, "how do you think you'll sleep tonight?"

"Like a top," I said. "And you?"

"Likewise, I'm sure," he said. "I'm glad to be away from those damned cats, I can tell you that."

"How will Lestrade sleep, d'you think?"

Holmes looked at me and smiled. "Poorly tonight. Poorly for a week, perhaps. But then he'll be all right. Among his other talents, Lestrade has a great one for creative forgetting."

That made me laugh.

"Look, Watson!" Holmes said. "Here's a sight!" I got up and went to the window, somehow sure I would see Lestrade riding up in the wagon once more. Instead I saw the sun breaking through the clouds, bathing London in a glorious late-afternoon light.

"It came out after all," Holmes said. "Marvellous, Watson! Makes one happy to be alive!" He picked up his violin and began to play, the sun strong on his face.

I looked at his barometer and saw it was falling. That made me laugh so hard I had to sit down. When Holmes asked-in tones of mild irritation-what the matter was, I could only shake my head. I am not, in truth, sure he would have understood, anyway. It was not the way his mind worked.

Tim Lebbon's latest novel is Bar None, a novel of "chilling suspense, apocalyptic beauty and fine ales." Other recent work includes The Island, and forthcoming is an original 30 Days of Night novel, which is due out early next year, as is Tell My Sorrows to the Stones, a collaboration with Christopher Golden. Lebbon is a New York Times bestselling author, and the winner of the Stoker Award, and three British Fantasy Awards.

Our next tale is the first of three in this volume to come to us from Shadows Over Baker Street, a book of stories that blend the world of Sherlock Holmes with the Cthulhu Mythos of H. P. Lovecraft. Lovecraft was perhaps the most influential horror writer of the twentieth century. He was a scholar of weird fiction, having written a pioneering survey called Supernatural Horror in Literature, and his own groundbreaking fiction appeared mostly in the pulp magazine Weird Tales. For centuries horror stories had been bound up with notions of eternal damnation, and Lovecraft, a committed philosophical materialist, felt that such notions had become hokey and shopworn. Edwin Hubble's startling discovery that our galaxy was just one of billions had inspired Lovecraft to write a new kind of horror story-tales set in a vast, incomprehensible universe, where human beings were tiny and insignificant, and in danger at any moment of being snuffed out by vast, uncaring forces. Holmes says, "When you eliminate the impossible, whatever remains, however improbable, must be the truth." Lovecraft felt that the truth would drive us to insanity. Where these two worldviews collide, our next story begins.

What I saw that night defied belief, but believe it I had to because I trusted my eyes. Seeing is believing is certainly not an axiom that my friend would have approved of, but I was a doctor, a scientist, and for me the eyes were the most honest organs in the body.

I never believed that they could lie.

What I laid eyes upon in the murky London twilight made me the saddest man. It stripped any faith I had in the order of things, the underlying goodness of life. How can something so wrong exist in an ordered world? How, if there is a benevolent purpose behind everything, can something so insane exist?

These are the questions I asked then and still ask now, though the matter is resolved in a far different way from that which I could ever have imagined at the time.

I was on my way home from the surgery. The sun was setting into the murk of the London skyline, and the city was undergoing its usual dubious transition from light to dark. As I turned a corner into a narrow cobbled street I saw my old friend, my mentor, slaughtering a man in the gutter. He hacked and slashed with a blade that caught the red twilight, and upon seeing me he seemed to calm and perform some meticulous mutilation upon the twitching corpse.

I staggered against the wall. "Holmes!" I gasped

He looked up, and in his honest eyes there was nothing. No light, no twinkle, not a hint of the staggering intelligence that lay behind them.

Nothing except for a black, cold emptiness.

Stunned into immobility, I could only watch as Holmes butchered the corpse. He was a man of endless talents, but still I was amazed at the dexterity with which he opened the body, extracted the heart and wrapped it in his handkerchief.

No, not butchery. Surgery. He worked with an easy medical knowledge that appeared to surpass my own.

Holmes looked up at me where I stood frozen stiff. He smiled, a wicked grin that looked so alien on his face. Then he stood and shrugged his shoulders, moving on the spot as if settling comfortably into a set of new clothes.

"Holmes," I croaked again, but he turned and fled.

Holmes the thinker, the ponderer, the genius, ran faster than I had ever seen anyone run before. I could not even think to give chase, so shocked was I with what I had witnessed. In a matter of seconds my outlook on life had been irrevocably changed, brought to ground and savaged with a brutality I had never supposed possible. I felt as if I had been shot, hit by a train, mauled. I was winded and dizzy and ready to collapse at any moment.

But I pinched myself hard on the back of my hand, drawing blood and bringing myself around.

I closed my eyes and breathed in deeply, but when I opened them again the corpse still lay there in the gutter. Nothing had changed. However much I desired to not see this, wished it would flee my memory, I was already realising that this would never happen. This scene was etched on my mind.