Jonathan Strahan - Eclipse Three

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Eclipse Three: краткое содержание, описание и аннотация

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In a brilliant, wide-ranging anthology, Strahan presents stories by authors as diverse as Karen Joy Fowler, Elizabeth Bear, and Paul Di Filippo. Ellen Klages contributes “Lotion,“ a story about imaginary numbers and the strange powers of math, in which a young girl discovers the magical potential of pure math. Ellen Kushner’s “Dolce Domum” is, perhaps, not about what its characters think it is. Bear’s “Swell” is a fairy tale about a musician seeking her voice, in which a mermaid’s gift is not as wonderful as at first glance it seems. Molly Gloss’ “The Visited Man” presents a lonely pensioner who lives upstairs from le douanier Rousseau and the relationship that develops after the painter brings the retiree a stray cat. As for the previous Eclipse anthologies, Strahan has picked stories whose authors care about both the craft of storytelling and the stories they tell. Each piece is distinctive and haunting.

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With a sinking, sick rage, Dafyd knew what he had to do if he was to live.

"You swore before God," Dafyd said, softly enough that only the pair of them could hear him. "Now, oathbreaker, you will surrender or you will die."

Palliot glanced around him, uncertain. Afraid.

And, his mother's son after all, Dafyd gathered his breath and spoke louder, his head high, declaiming with every ounce of theater that he could muster.

"Ursin Palliot, you have been tested by God! As His agent upon this earth, I bear witness to your failure. Kneel before me. Kneel before God and confess your sins, or else die here and die forever!"

Dafyd lifted his sad, shattered sword, and it might have been a blade of fire. Palliot took a step back.

"Look in my eyes," Dafyd said, softly again. He used the same tone Rosmund had in speaking of shaved dice and marked cards: sorrowful, sympathetic, and made terrible by its truth. "You cannot win."

For a moment, Dafyd thought Palliot would kneel, and then that the man would strike him down.

Ursin Palliot, Duke of Lakefell and Warden of the South, turned and fled. When he passed the border mark, every man and woman in the court drew in a breath, and then their voices rose as one-like breaking waves, thunder, a landslide of rock and stone-to bear witness to the trial's end.

Dafyd dropped his sword, turned, and spat. At the exultant Duchess's side, Rosmund smiled, and then shrugged, and then looked away. Only the two of them understood that in his victory, Dafyd had lost. Dafyd Laician, once Duke of Westford, and now-by the grace of God-King.

Yes We Have No Bananas by Paul Di Filippo

1. Invasion of the Shorebirds

Thirty years' worth of living, dumped out on the sidewalk, raw pickings for the nocturnal Street Gleaners tribe. Not literally yet, but it might just as well be-would be soon, given the damn rotten luck of Tug Gingerella. He was practically as dead as bananas. Extinct!

How was he going to manage this unwarranted, unexpected, inexorable eviction?

Goddamn greedy Godbout!

The space was nothing much. One small, well-used, five-room apartment in a building named The Wyandot. Bachelor's digs, save for those three tumultuous years with Olive. Crates of books, his parents' old Heywood-Wakefield furniture that he had inherited, cheaply framed but valuable vintage lobby poster featuring the happy image of Deanna Durbin warbling as Mary Poppins. Shabby clothes, mostly flannel and denim and Duofold, cargo shorts and Sandwich Island shirts; cast-iron cornbread skillets; favorite music on outmoded media: scratch slates, holo transects, grail packs, and their various stacked players, natch. Goodfaith Industries metal-topped kitchen table, Solace Army shelves, a painting by Karsh Swinehart (a storm-tossed sailboat just offshore from local Pleistocene Point, Turneresque by way of Thomas Cole).

All the beloved encumbering detritus of a life.

But a life lived to what purpose, fulfilling what early promise, juvenile dreams? All those years gone past so swiftly…

No. Maundering wouldn't cut it. No remedies to his problems in fruitless recriminations and regrets. Best to hit the streets of Carrollboro in search of some aid and comfort.

Tug shuffled into a plaid lumberjacket, red-and-black Kewbie castoff that had wandered south across the nearby border like some migrating avian apparel and onto the Solace Army Store racks, took the two poutine-redolent flights down to ground level at a mild trot, energized by his spontaneous and uncharacteristic determination to act, and emerged onto Patrician Street, an incongruously named grand-dame-gone-shabby avenue cutting south and north through the Squirrel Hills district, and full of gloriously decaying sister buildings to The Wyandot, all built post-War, circa 1939: The Lewis and Jonathan, The Onondowaga, The Canandaigua, The Lord Fitzhugh, and half a dozen others.

Mid-October in Carrollboro: sunlight sharp as honed ice-skate blades, big irregularly gusting winds off Lake Ondiara, one of the five Grands. Sidewalks host to generally maintaining citizens, everyday contentment or focus evident, yet both attitudes tempered with the global stresses of the Big Retreat, ultimate source of Tug's own malaise. (And yet, despite his unease, Tug invariably spared enough attention to appraise all the beautiful women-and they were all beautiful-fashionably bundled up just enough to tease at what was beneath.)

Normally Tug enjoyed the autumn season for its crisp air and sense of annual climax, prelude to all the big holidays. Samhain, Thanksgiving, the long festive stretch that began with Roger Williams' birthday on December 21 and extended through Christmas and La Fête des Rois…

But this year those nostalgia-inducing attractions paled, against the harsh background of his struggle to survive.

Patrician merged with Tinsley, a more commercial district. Here, shoppers mixed with browsers admiring the big gaudy windows at Zellers and the Bay department stores, even if they couldn't make a purchase at the moment.

Carrollboro's economy was convulsing and churning in weird ways, under the Big Retreat. Adding ten percent more people to the city's population of two-hundred-thousand had both boosted and dragged down the economy, in oddly emergent ways. The newcomers were a representatively apportioned assortment of rich, poor and middle-class refugees from all around the world, sent fleeing inland by the rising seas. "Shorebirds" all, yet differently grouped.

The poor, with their varied housing and medical and educational needs, were a drain on the federal and state government finances. They had settled mostly in the impoverished Swillburg and South Wedge districts of Carrollboro.

The skilled middle-class were undercutting wages and driving up unemployment rates, as they competed with the natives for jobs in their newly adopted region, and bought up single-family homes in Maplewood and Parkway.

And the rich-

The rich were driving longtime residents out of their unsecured rentals, as avaricious owners, seeking big returns on their investments, went luxury condo with their properties.

Properties like The Wyandot, owned by Narcisse Godbout.

Thoughts of his heinous landlord fired up Tug and made him quicken his pace.

Maybe Pavel would have some ideas that could help.

2. Ocarina City

Just a few blocks away from the intersection of Tinsley with Grousebeck, site of the Little Theatre and Tug's destination, Tug paused before Dr. Zelda's Ocarina Warehouse, the city's biggest retailer of fipple flutes.

Carrollboro had been known as Ocarina City ever since the late 1800s.

The connection between metropolis and instrument began by chance in the winter of 1860, when an itinerant pedlar named Leander Watts passed through what was then a small town of some five-thousand inhabitants, bearing an unwanted crate full of Donati "Little Goose" fipple flutes, which Watts had grudgingly accepted in Manhattan in lieu of cash owed for some other goods. But thanks to his superb salesmanship, Watts was able to unload on the citizens of Carrollboro the whole consignment of what he regarded as useless geegaws.

In their heimal isolation and recreational desperation, the citizens of Carrollboro had latched on to the little ceramic flutes, and by spring thaw the city numbered many self-taught journeymen and master players among the populace.

From Carrollboro the fascination with ocarinas had spread nationally, spiking and dying away and spiking again over the subsequent decades, although never with such fervor as at the epicenter. There, factories and academies and music-publishing firms and cafés and concert halls and retail establishments had sprung up in abundance, lending the city its nickname and music-besotted culture.

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