Robert Rankin - Necrophenia

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Necrophenia: краткое содержание, описание и аннотация

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ON THE VERY LAST DAY EVER, EVERYTHING WILL HAPPEN The symptoms have been studied, the diagnosis is confirmed, the prognosis is bleak. The universe will cease to exist in just twelve hours – just twelve hours, during which time all of the loose ends must be tied up, all of the Big Questions answered and all of the Ultimate Truths revealed. It promises to be a somewhat hectic twelve hours. During which… a Brentford shopkeeper will complete a sitting room for God. A Chiswick woman will uncover the Metaphenomena of the Multiverse. An aging Supervillain will put the finishing touches to his plans for trans-dimensional domination. Serious trouble will break out at the New Messiah's Convention in Acton. And a Far-Fetched Fiction author will receive Divine Enlightenment. In TICK TO0CK KILL THE CLOCK, the world's leading exponent of Far-Fetched Fiction pulls out all the literary stops to produce a truly epic work of imagination: twelve interlocking tales, one for each hour left on the clock. Will the universe end with a bang or a whimper – or something else entirely, possibly involving a time-travelling Elvis Presley with a sprout in his head?

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I was about to open my mouth and say that I’d already heard this story and so could the vision tell me another one. A really really long one (in the hope that help in one form or another might arrive in the meantime). But I thought better of it and kept my mouth tight shut.

‘You see,’ the vision continued, ‘there is more to this than simply men dying for their monarch and country. These men, these heroes whose names appear upon the war memorials – these men are magical sacrifices made to appease the Gods of War and return peace to our land.

‘And this is not a metaphor. This is a fact. The War Memorials, you will notice, are nearly always in the form of obelisks. Magico-phallic megaliths erected at key points across the country, inscribed with the magical names of the sacrificial ones. These magico-phallic megaliths channel natural energy through the landscape, fertilising the soil, bringing joy. And bringing forth the next generation of heroes who must do the same. Such is the way it is and such has it been for thousands of years.

‘But since the end of the Second World War, when many heroic sacrifices were made and many magico-phallic obelisks raised, there have been ripples in the ether. Signs and portents in the heavens. Omens of the coming of Ragnarok.

‘All over the world, the magicians who advise our world leaders are doing what they can to deal with the situation. A dark force is moving over the face of the Earth and many sacrifices must be made to assuage it. In America the Grand Magus has advised the President to purchase the rights to a war in Vietnam to help take care of the problem. But over here we have no such war to engage in. The Pope and the Archbishop of Canterbury have been holding meetings and they hope to get a civil/religious war going in Belfast. Let us hope that they are successful. But on mainland Britain-’

‘No, hold on there,’ I said. Well, I couldn’t help myself. ‘Are you telling me that wars are started for magical reasons? Because in order to protect the planet from some immense overwhelming evil force, it is necessary to sacrifice heroic noble victims, so that their names become ritual words upon magico-phallic obelisks, which channel natural energies throughout Great Britain and keep everything hunky-dory?’

The vision nodded. ‘You have a better explanation?’ she asked.

‘No,’ I said. ‘Not at all.’

‘So, do you want to hear the story?’

‘Do you mean it hasn’t begun yet?’

‘Hardly at all. Do you want to hear it, before I destroy you?’

‘Yes,’ I told her. ‘I’d love to hear it. And take your time with the telling.’

26

I watched the vision as she spoke and tried to get some measure of her. If she was not the Mother of God – and it seemed a fair bet that she was not – then what? A demon, perhaps, clothed in false beauty? That sounded reasonable, considering that she promised death. Alien? No, I wasn’t going for alien. Nor fairy, although there was much of the fairy about her. I noted that I had not noted any evidence of wings, fairy-like, angelic or demonic. This lack of wings might have been significant. But then again-

‘Are you falling asleep?’ the vision asked of me. ‘Because if I’m keeping you up, as it were, it might be better if I just put you down, as it were, and have done with it.’

‘No, no, no,’ I said to the vision. ‘I’m all ears, me.’

‘Then I will continue. As I have said, a dark cloud of something has settled upon the Earth. A choking lifeless cloud. And those who can sense its presence are doing all they can to engage it in battle and defeat it.’

Mr Ishmael, I thought. But I didn’t speak his name.

‘Pongo Perbright,’ said the vision. ‘A hero, a noble man, a magical sacrifice. A man torn, for, as one who knew and understood what was expected of him and what his fate should have been, he became a tortured soul. He roared and raged and would have done harm to himself and others had he not been visited by a powerful magician who offered him a proposition. This powerful magician was an alchemist, and he possessed the method of transforming base metal into gold. And he offered this formula – for it is a formula – to Pongo.’

‘Why?’ I asked. ‘If you possess the secret of transforming base metal into gold, why would you share that secret with anyone else?’

‘Only because they might possess something even more valuable that they would be willing to exchange.’

‘And what would that be?’ I asked.

‘A soul,’ said the vision. ‘A warrior soul, a noble soul – the soul of a magical sacrifice.’

‘But surely Pongo wouldn’t have traded. He knew what he was and how important his sacrifice was.’

‘Indeed, but this alchemist was a most persuasive talker. He spoke in honeyed words to the poor, tortured soul that was Pongo Perbright. He convinced Pongo that he had been forgotten, cast aside, that he was no longer needed.’

‘I don’t think Pongo would have believed that if he was really noble,’ I said.

‘Well spoken,’ said the vision. ‘And indeed he would not. So the alchemist persuaded him that he could do so much good with the gold that he could create that God would take him directly into the Kingdom of Heaven as a reward.’

‘But he was to sign away his soul in exchange for this? That doesn’t make any sense.’

‘Who do you think it really was who spoke these honeyed words?’

‘I suspect it was the Devil,’ I said.

‘And your suspicion is correct. And so Pongo Perbright signed away his soul. And in exchange he was given a magical formula. He set up an alchemical laboratory right here in this very room. The formula is a complicated affair and requires certain ingredients. Ingredients that can only be found within a human being.

‘In order to achieve noble ends, he was going to have to force himself to commit evil crimes. Naturally, at first he baulked at this. But the evil alchemist, the Black Alchemist, we shall call him, returned to him again and again, reminding him of the contract that he had signed with his own blood. And reminding him of what great good he could achieve once he had perfected transmutation.

‘And under such pressure, that noble man-’

‘He murdered women.’ I said. ‘Six women. In Acton and Chiswick. I read of these murders – a modern-day Ripper, the press called him. Pongo Perbright committed these murders?’

‘Yes,’ said the vision and nodded. ‘And he ground up the parts required and created the philosopher’s stone, that agent which affords the transmutation of the base into the perfect. Alchemy, you see, is a magical principle, a philosophical principle. And this principle is that all things have the capability to achieve perfection. It is a philosophical concept. A man might perhaps achieve perfection by godly acts. As for minerals, the basest of metals, the lowly iron ones, crave in their way to achieve perfection in the shape of becoming that most perfect of metals, gold. The philosopher’s stone is the agent of this transmutation from baseness to perfection.’

I nodded thoughtfully. Captain Lynch had explained all this to me, although he had dwelled more on the making-of-gold part of things rather than the philosophical concepts.

‘And so,’ continued the vision, ‘through a great and unholy ceremony he brought the process to perfection. Within a great crucible he placed a pound of rough iron ore. And onto this he poured a single grain of the powder he had ground from the philosopher’s stone he had created. A single grain. That was all that was required. And there was a great flash of light. Because there is always a great flash of light when something terrific is about to (or is) occurring. And whoosh!’

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