Charlie Huston - The Mystic Arts of Erasing All Signs of Death

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If you love crime fiction-preferably wickedly profane, unabashedly grisly, and laugh-out-loud funny "pulp" fiction-your number one New Year's resolution needs to be to read Charlie Huston. It only takes one to get you so hooked you'll read everything you can get your hands on, so take a couple of days off and give yourself room to binge on the brutal and hilarious Hank Thompson and Joe Pitt series, the blistering Shotgun Rule, and this latest and greatest stand-alone, The Mystic Arts of Erasing All Signs of Death. The best thing about reading a Huston novel is that you never see it coming-laughter, tears, the passing urge to vomit-everything is a surprise, creating a wholly unsettling and exciting reading experience. The Mystic Arts of Erasing All Signs of Death has all the makings of a perfect Charlie Huston novel-the down-but-not-out antihero, the outrageous supporting characters (each of whom deserves their own spin-off), the very bad situation involving money and violence, and the hilariously inappropriate dialogue that is Huston's signature-but with one surprising addition, hope. It does little good to break down the plot of a book this bizarre and brilliant. You're just going to have to trust us (and our Guest Reviewer, Stephen King), and read it.
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With a style that is razor sharp, an eye that never shies from the gritty details, and a taste for stories that simultaneously shock, disturb, and entertain, Charlie Huston is one of a kind. And The Mystic Arts of Erasing All Signs of Death is the type of story-swift, twisted, hilarious, somehow hopeful-that only he could dream up.
The fact is, whether it’s a dog hit by a train or an old lady who had a heart attack on the can, someone has to clean up the nasty mess. And that someone is Webster Fillmore Goodhue, who just may be the least likely person in Los Angeles County to hold down such a gig. With his teaching career derailed by tragedy, Web hasn’t done much for the last year except some heavy slacking. But when his only friend in the world lets him know that his freeloading days are over, and he tires of taking cash from his spaced-out mom and refuses to take any more from his embittered father, Web joins Clean Team-and soon finds himself sponging a Malibu suicide’s brains from a bathroom mirror, and flirting with the man’s bereaved and beautiful daughter.
Then things get weird: The dead man’s daughter asks a favor. Her brother’s in need of somebody who can clean up a mess. Every cell in Web’s brain tells him to turn her down, but something else makes him hit the Harbor Freeway at midnight to help her however he can. Is it her laugh? Her desperate tone of voice? The chance that this might be history’s strangest booty call? Whatever it is, soon enough it’s Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What’s the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn’t have a clue, but he’ll need to get one if he’s going to keep from getting his face kicked in. Again. And again. And again.
Full of black humor, stunning violence, singular characters, and neon dialogue, The Mystic Arts of Erasing All Signs of Death is classic Charlie Huston: a wild ride that’ll leave you breathless and shaken, grinning and begging for more.

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Po Sin held him there. Bang turned red.

I took a couple steps.

– Po Sin.

He looked at me. Looked at his nephew. And let go.

Bang slumped, gagged and wheezed. Po Sin put a hand on his chest.

– Dingbang? I. Dingbang.

Bang knocked the hand away.

– Don't call me that!

He pushed from the wall and ran to the end of the alley.

– Gonna pay for touching me, man! No one touches Bang!

He took a step, stopped, and pointed at me.

– You too, shitbag, you're dead!

And he rounded the corner of the alley and was gone.

Po Sin stood there for a second, turned and walked toward me.

– Sorry. He's my nephew. But. He.

– He's a dick, Po Sin.

He pulled the end of his moustache.

– Well. Yes. Like father like son. Nothing like working with family to bring out the best in a man.

– Or to make him want to strangle them.

He smiled.

– Don't know about you, but some of my family, I don't need to be anywhere near them to want to strangle ‘em.

– I find it helps that my mom lives out of state.

– Never had a problem with my mother. My dad I could have throttled a couple times.

– My dad spends all his time in a bar out in Santa Monica. That far west, may as well be another state. He's safe from me.

– Yeah, distance makes the heart grow fonder.

– I didn't say that.

He started for the service entrance.

– My mother and father are both permanently out of reach. And my brother. Well. We're out of touch. Last thing I need at this point is less family.

He stopped and stared at the end of the alley where Bang had disappeared.

I bent and picked up a shitbag and tossed it in the bin.

– He was asking for it, Po Sin.

He kept looking down the alley.

– He's a boy I'm a man.

He turned his head to me.

– A man should be able to retain his composure.

I looked at the shit at my feet.

He made for the entrance.

– It's about lunch. Finish up with that and we'll go grab a bite.

– Where?

He waved a hand over his shoulder.

– Doesn't matter. With a job like this, wherever we eat it's gonna taste like shit.

I watched him go inside. I massaged my finger and rotated my wrist and swung my arm around, making sure it all worked. Then I started. Putting more shit in the bin.

He was right about lunch.

What with the smell of well-marinated crap in our hair and on our clothes and up our noses and down our throats, lunch didn't have much appeal for me. Not so, for the more experienced hands. I watched Po Sin tear into his third cheeseburger, and Gabe scrape the last of his chili from the bottom of the bowl.

Po Sin washed down a bite of burger with chocolate milkshake.

– Different things bother different people.

I picked up one of my fries and took a bite of it. It still tasted like shit.

– So you're saying I shouldn't be disturbed by the fact that having my nasal passages smelling like dung ruins my appetite? What relief. I was worried it was me, I was worried I might be some kind of deviant not wanting to eat when all I can smell is ass butter. What a load off, knowing that I'm not alone and everyone has their own problems.

Po Sin wiped his mouth.

– Thought that'd make you feel better.

I dropped the fry and pushed the unfinished bulk of my meal to the middle of the table.

– So what bothers you?

Po Sin grabbed some of my fries and shoved them in his mouth.

– Me? Nothing.

Gabe rubbed his nose.

– Nothing but kids.

Po Sin looked at me.

– Kids are hard. No one likes kids.

I looked away from Po Sin, watched some teenagers at the Fatburger counter shove each other around, laughing, and chose to ignore whatever the fuck point he was trying to make.

– I like kids. Kids are OK.

Gabe drained the last of his ice tea.

– Dead kids. No one likes dead kids.

Po Sin threw me another look, I refused to catch it, and he ate another fry.

– On a trauma job. When it's a kid. That's rough.

Gabe leaned back, the table warped in the lenses of the sunglasses he hadn't taken off since coming out of the hotel.

– Doesn't really count anyway. Kids bother everyone. None of the other stuff bothers you.

Po Sin shrugged.

– Do the job long enough, you see it all.

He dipped his head at Gabe.

– Gabe can't stand the smell of mold.

– Mildew.

– Right, mildew. Water damage. Doesn't like it.

I looked at Gabe.

– Mildew?

He didn't look at me.

– Yeah.

– Rancid mounds of feces are cool, but mildew freaks you out.

He scratched a scar that ran down the top of his left forearm.

– I don't like it much. That's all.

Po Sin's phone rang. He looked at it and answered.

– Clean Team. Uh-huh.

He felt his back pocket, found a notepad, and reached behind his ear for his stub of pencil.

– Sorry to hear that. Uh-huh. I'm sorry. Yes. Yes we do. Uh-huh. Well, we're on a job right now, but we could be there tonight. Or tomorrow morning. Uh-huh. I'm sorry to hear that. Yes it is. Yes it is. I'll. Yes. Well, I'd like to ask a few questions if I may. Well, it gives us an idea of what's involved. How many of us might be needed and such. Uh-huh. Well, most important is, have the police and the coroner released the scene? Good. OK. And can you tell me what room it happened in?

I watched him write bedroom on the notepad.

– Sure. And if I may, can I ask how? Right. I know.

Gunshot.

– And if I may, the type of weapon?

Handgun.

– Do you happen to know the caliber of the weapon?

9mm.

– I know. I know.

He took the phone from his ear and rolled his neck around. I could hear crying, cut off as he put it back at his ear.

– Can you tell me if any doors or windows were open? Can you tell me how many?

2 doors.

– Uh-huh. No. Well, it's pretty much impossible to give an estimate on the phone. Sure. What we'll do is, we'll come out, tonight or in the morning, whichever you prefer, and we'll take a look and we'll do an assessment and we'll tell you just how much time it will take and how much it will cost. No, free of charge, we do that free of charge.

He talked a little more, wrote down an address in Malibu and a phone number, and hung up and dropped the phone in his pocket. He picked up the last of his cheeseburger and put it in his mouth.

– Nine millimeter in the mouth. Gonna be an earner, that one.

Gabe nodded.

– The bigger the gun, the bigger the mess.

I knew that already. That bit of wisdom about guns and the messes that they make.

TILL HIS NEIGHBORS SMELLED HIM

After lunch we brought the last of the boxes down to the bin, followed by the few pieces of spavined furniture. With the floor cleared throughout, the one-bedroom apartment didn't look half big enough to have contained all that we had hauled out of it, and the stench seemed worse than ever.

I pointed at a stain on the carpet that seemed to be the epicenter of stink.

– What the fuck is that?

Po Sin came over, holding the mask to his face.

– That's where the decomp was.

– Huh?

– The guy who lived here, that's where he died and rotted till one of his neighbors smelled him.

I stared at the stain.

– What's the? Why's there a stain?

– Fluids, Web. A body dies, sits in a hot room in L.A. in July, you get a lot of fluids coming off it.

I stared, and the stain's Rorschach shape arranged itself into sprawled limbs and a bloated trunk.

– What's that black stuff?

Po Sin took a collapsible pointer from the pocket of his Tyvek, snapped his wrist and it shot open and he put it to use.

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