Charlie Huston - The Mystic Arts of Erasing All Signs of Death

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If you love crime fiction-preferably wickedly profane, unabashedly grisly, and laugh-out-loud funny "pulp" fiction-your number one New Year's resolution needs to be to read Charlie Huston. It only takes one to get you so hooked you'll read everything you can get your hands on, so take a couple of days off and give yourself room to binge on the brutal and hilarious Hank Thompson and Joe Pitt series, the blistering Shotgun Rule, and this latest and greatest stand-alone, The Mystic Arts of Erasing All Signs of Death. The best thing about reading a Huston novel is that you never see it coming-laughter, tears, the passing urge to vomit-everything is a surprise, creating a wholly unsettling and exciting reading experience. The Mystic Arts of Erasing All Signs of Death has all the makings of a perfect Charlie Huston novel-the down-but-not-out antihero, the outrageous supporting characters (each of whom deserves their own spin-off), the very bad situation involving money and violence, and the hilariously inappropriate dialogue that is Huston's signature-but with one surprising addition, hope. It does little good to break down the plot of a book this bizarre and brilliant. You're just going to have to trust us (and our Guest Reviewer, Stephen King), and read it.
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With a style that is razor sharp, an eye that never shies from the gritty details, and a taste for stories that simultaneously shock, disturb, and entertain, Charlie Huston is one of a kind. And The Mystic Arts of Erasing All Signs of Death is the type of story-swift, twisted, hilarious, somehow hopeful-that only he could dream up.
The fact is, whether it’s a dog hit by a train or an old lady who had a heart attack on the can, someone has to clean up the nasty mess. And that someone is Webster Fillmore Goodhue, who just may be the least likely person in Los Angeles County to hold down such a gig. With his teaching career derailed by tragedy, Web hasn’t done much for the last year except some heavy slacking. But when his only friend in the world lets him know that his freeloading days are over, and he tires of taking cash from his spaced-out mom and refuses to take any more from his embittered father, Web joins Clean Team-and soon finds himself sponging a Malibu suicide’s brains from a bathroom mirror, and flirting with the man’s bereaved and beautiful daughter.
Then things get weird: The dead man’s daughter asks a favor. Her brother’s in need of somebody who can clean up a mess. Every cell in Web’s brain tells him to turn her down, but something else makes him hit the Harbor Freeway at midnight to help her however he can. Is it her laugh? Her desperate tone of voice? The chance that this might be history’s strangest booty call? Whatever it is, soon enough it’s Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What’s the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn’t have a clue, but he’ll need to get one if he’s going to keep from getting his face kicked in. Again. And again. And again.
Full of black humor, stunning violence, singular characters, and neon dialogue, The Mystic Arts of Erasing All Signs of Death is classic Charlie Huston: a wild ride that’ll leave you breathless and shaken, grinning and begging for more.

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Jaime took his eyes from the water below us as I worked the Apache up the steep incline of the bridge, past the parti-colored bulk of a Swedish cruise ship moored on our right.

– Mean, what went wrong? Motherfucker turned her out. That's what went wrong. Not that I give a fuck. Bitch wanted to whore, that's her business. Not like she stuck with it anyway. Moms is talent. Adult films. Got a name.

Feeling, I will admit, more than a bit awkward, I clarified.

– No, I mean, what went wrong with the almond deal? Why'd you cut Tal-bot and all that?

He played with the zipper on the envelope.

– That shit. What went wrong. What went wrong with that shit was Soledad's dad went totally off script and started improvising. Killed himself. Fuck do you think went wrong?

– But you didn't get involved until he was already.

– Yeah. So? Still, motherfucker had been alive, it all would have worked out.

I kept my own counsel, unable to find a hole in his logic.

He provided enlightenment.

– Not my business, this shit. I'm a dream merchant, yeah? Commodities aren't my thing. I mean some X, sure, but not produce. Took me a bit of time because they needed someone on the other end.

– Like who?

– Like a buyer. Harris, he lost his buyer on the other end, the one his relative had him hooked up with. He came down here, it wasn't just that he needed to get the load shipped, he needed a new buyer. Soledad's pops supposed to have one all lined up.

– So?

So? So whatever the buyer's name was ends up splattered all over the wall with the rest of the contents of Westin Nye's brain. Asshole. You, not him.

We crested the midpoint of the bridge and the Ports of Los Angeles and Long Beach rolled away below us, spiked with endless cranes, crossed with rail sidings, piled with containers. Industrial wasteland parceled and fenced and knitted together by wide roadways traveled by caravans of eighteen-wheelers, all of it reeking of oil and exhaust.

L.L. loved it down here. Wrote it into any number of unmade screenplays.

One of the great American metaphors, Web. The outer reach of manifest destiny, the point from which we ship the material instruments of our cultural dominance. The physical bookend to the work we do in Hollywood. Fuck, you could shoot an amazing chase scene here. Blow the shit out of The French Connection.

Other things could be blown the shit out of at the port. I remember drinking a milk shake in a diner between a truck wash and a strip club up on East Anaheim Street while L.L. had his pipes cleaned by one of the strippers who worked both long-hauler conveniences.

I put aside my reverie.

– So, no buyer. What else went wrong?

He looked back at San Pedro, over the bridge and across the water.

– I couldn't find a forwarder who would handle the load. Turned out I was gonna have to deal with people I didn't want to have to deal with. Horn ero. And he wanted that grand for the paperwork, up front. Seeing as all my liquid capital is tied up with the YouTube kids, I'm a little cash poor just now. So I had to move some X and that took time.

– You blew your end of the deal.

– I did not blow my end. Obstacles came up that I hadn't been able to avoid. Shit took longer than I thought. They wanted turnaround like yesterday. But from working in the industry, I'm geared toward things moving at a steady pace. I'm used to weighing the pros and cons of decisions when millions could be at stake. Someday. These guys, they want to sell shit and get paid right away.

– Strange how thieves might be in a hurry.

– Fucking cool it with the smartass, asshole. Here, over here.

– Here?

– Yeah.

We came off the 47 onto Ocean Boulevard, past the twin domes of the waste reclamation plant, a monstrous installation far too evocative of colossal and perfectly symmetrical breasts for Jaime not to comment.

He pointed.

– Looks like big tits.

I declined to respond.

– Big titties.

I changed the subject.

– So what happened when you couldn't do what they wanted when they wanted it?

He threw his hands up.

– Fucking Talbot gets all in my face. Starts talking about the delay means costs and how they're gonna have to come out of my ten percent. Bullshit.

– Yeah, total bullshit. And that was before you knew they weren't even paying the full ten percent.

– Fucking right! Shit. Telling me I was gonna have to cover their hotel and meals for the extra days. As if.

I took a moment to replay what he'd said. Decided I had to be wrong. Realized I probably wasn't. Thought I'd ask. Thought I'd rather not know for sure. And finally couldn't help myself.

– Um, they wanted you to cover their expenses?

– Believe that shit?

– For like a couple days, right?

– Fucking gall!

– They wanted you to cover their room and board for a couple days was what they wanted? Am I correct about that?

– Yeah, that's what I'm saying. You need it in some other brand of English?

– You cut Talbot and started this whole round of shit because?

– Because motherfucker was reneging on a business agreement. I mean, shit may fly in Butte County, but not in Hollywood.

I stared at the rear of the bobtail we were stuck behind.

– Jaime. You cut a man. His boss, his uncle got pissed. He got so pissed, he killed the man you cut.

– And?

I cranked the wheel over and took us off Ocean onto the access road to Terminal T and pulled to the side of the road.

– Dots not connecting, are they? Pointless for me to continue? Yes, I can see that's the case. I won't even bother with the part where they must have been watching your hotel room when I showed up. The part where they followed me and Soledad up to L.A. and snatched her and, by the by, stole my boss's van. Oh, and that, that bit of grand theft auto, for the record, that led to another van being firebombed and shots being fired into a place of business. But I will refrain from lining it up so you can see how all these events result from you not being willing to pick up someone's fucking per diem. Asshole.

He brushed his hand at me.

– Not my fault. People responsible for themselves. Nobody in this, nobody that didn't put themselves in it.

I raised my hand.

– I'd beg to differ. My ass is in this because I got dragged in by a psycho cowboy who told me to get his almonds or something bad would happen to someone I like.

He leaned close.

– No, you're in this because my sis called you in the middle of the night for a little help and you came running as fast as you could because you wanted to get in tight with her and tap that ass.

It would have been nice to tell him he was wrong. More to the point, it would have been nice if he had been wrong. But he wasn't.

I slumped back in the seat.

– OK. Fuck you. Fuck me. Fuck us all. We're all fucked. Now what?

He unzipped the bank envelope and took out a pistol and pointed it at me.

– Now we discuss terms. Points of gross and shit.

– They have your sister!

– Man, I don't care. I mean, I care. And I'm gonna get her back, but I don't want any misunderstanding, I'm getting my fucking ten percent.

– Wait, is that the real ten percent, or the fake ten percent you were too stupid to realize wasn't really ten percent because you are so fucking stupid?

– Man, did I show you this?

He picked up the gun from the dash again and showed it to me.

– That's all you've shown me for the last half hour.

He pointed it at me.

– So stop fucking around.

– You stop pointing that thing at me! I told you in the first place, I cannot think when you point that at me! I'm like a freak that way, all my brain juice runs out my ass when some moron who doesn't know his multiplication tables points a gun at me and might accidentally pull the trigger because he thinks it's his nose and he's trying to pick it!

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