Charlie Huston - The Mystic Arts of Erasing All Signs of Death

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If you love crime fiction-preferably wickedly profane, unabashedly grisly, and laugh-out-loud funny "pulp" fiction-your number one New Year's resolution needs to be to read Charlie Huston. It only takes one to get you so hooked you'll read everything you can get your hands on, so take a couple of days off and give yourself room to binge on the brutal and hilarious Hank Thompson and Joe Pitt series, the blistering Shotgun Rule, and this latest and greatest stand-alone, The Mystic Arts of Erasing All Signs of Death. The best thing about reading a Huston novel is that you never see it coming-laughter, tears, the passing urge to vomit-everything is a surprise, creating a wholly unsettling and exciting reading experience. The Mystic Arts of Erasing All Signs of Death has all the makings of a perfect Charlie Huston novel-the down-but-not-out antihero, the outrageous supporting characters (each of whom deserves their own spin-off), the very bad situation involving money and violence, and the hilariously inappropriate dialogue that is Huston's signature-but with one surprising addition, hope. It does little good to break down the plot of a book this bizarre and brilliant. You're just going to have to trust us (and our Guest Reviewer, Stephen King), and read it.
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With a style that is razor sharp, an eye that never shies from the gritty details, and a taste for stories that simultaneously shock, disturb, and entertain, Charlie Huston is one of a kind. And The Mystic Arts of Erasing All Signs of Death is the type of story-swift, twisted, hilarious, somehow hopeful-that only he could dream up.
The fact is, whether it’s a dog hit by a train or an old lady who had a heart attack on the can, someone has to clean up the nasty mess. And that someone is Webster Fillmore Goodhue, who just may be the least likely person in Los Angeles County to hold down such a gig. With his teaching career derailed by tragedy, Web hasn’t done much for the last year except some heavy slacking. But when his only friend in the world lets him know that his freeloading days are over, and he tires of taking cash from his spaced-out mom and refuses to take any more from his embittered father, Web joins Clean Team-and soon finds himself sponging a Malibu suicide’s brains from a bathroom mirror, and flirting with the man’s bereaved and beautiful daughter.
Then things get weird: The dead man’s daughter asks a favor. Her brother’s in need of somebody who can clean up a mess. Every cell in Web’s brain tells him to turn her down, but something else makes him hit the Harbor Freeway at midnight to help her however he can. Is it her laugh? Her desperate tone of voice? The chance that this might be history’s strangest booty call? Whatever it is, soon enough it’s Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What’s the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn’t have a clue, but he’ll need to get one if he’s going to keep from getting his face kicked in. Again. And again. And again.
Full of black humor, stunning violence, singular characters, and neon dialogue, The Mystic Arts of Erasing All Signs of Death is classic Charlie Huston: a wild ride that’ll leave you breathless and shaken, grinning and begging for more.

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He gestured at the back of the station wagon.

– There's only room for one.

I continued rolling up my sleeves.

– Thank God, I thought I was gonna have to put my jacket on again.

Just past the 3 Day Suit Broker he took a right on Federal, cruised slow, and pulled to the curb beyond Lasky Coachworks. I looked out at the auto shops and A-American Self Storage.

– Nice spot. Looking to get lucky?

He unbuckled his seatbelt and turned and pulled a red fuel bottle from one of the camping gear milk crates behind his seat.

– Hand me that jug we bought.

I picked up one of the bags from the Goodwill and pulled out the little clay moonshine jug with a cartoon of a drunken hillbilly stenciled on the side.

– Gloves. Gloves.

I looked at the black leather gloves Gabe was slipping onto his hands.

– Didn't I tell you to bring gloves?

– There's a dead body in the vehicle.

Gabe finished filling the jug with camp fuel and handed me the red bottle.

– Hold that between your legs.

I placed the bottle between my thighs, the fumes strong in my face.

– A dead body Gabe. And I'm virtually certain you're preparing to do something extremely illegal. Wouldn't it be best if whatever that is were done in the absence of a corpse?

He held out a hand.

– Get that glider out.

I took the Styrofoam glider from the Goodwill bag.

– Yes, let's play with this. Let's play with this and talk about the sudden attack of crazy you are suffering from.

– Break it up into pieces. Little ones. No, smaller. Small enough to fit in the jug. Good.

He took the pieces I handed him and dropped them down the neck of the jug.

– Now the cork.

I handed him the cork and watched as he worked it into the jug, using the heel of his palm to pound it snug, flush to the lip.

I dropped the mauled remains of the glider back in the bag.

– OK, so we're not going to toss the glider around. But. Fuck. Fuck, Gabe. What the fuck are we doing here?

– That baggie of junk jewelry in there.

I dug it out.

He shook his head.

– No, dump out the jewelry, just give me the bag. And that bandanna, stuff it down into the fuel bottle.

I used my index finger to stuff the Bon Jovi bandanna he'd bought into the fuel bottle.

– This is fucked up, man.

– Now pull it out, carefully, and put it in here.

He held the baggie open right next to the fuel bottle. I pulled the bandanna free, and dropped it in the baggie, a little fuel dribbling my thighs.

– Now seal that bottle and put it away and tear off a strip of duct tape from that roll.

I screwed the cap back onto the bottle, put it in its milk crate, found the silver roll of tape and tore off a strip and handed it to him and watched as he used the tape to attach the sealed baggie to the side of the jug.

– Hold this.

He offered me the bomb.

I measured the distance I had traveled down this road I was on. I tried really fucking hard to figure out how I got from sprawling on the couch in Chev's tattoo parlor to the moment when a stoic ex-gangbanger corpse fetcher was asking me to take possession of his jumbo Molotov cocktail. I measured and weighed the consequences of my actions in the next few minutes.

Sort of.

– Fuck it. Give me that thing.

I held it while Gabe spilled rubbing alcohol from his first-aid kit onto a rag and carefully wiped down the jug, shifting my grip so he could get every surface.

Done with the fingerprint wipe, he nodded and patted his pockets.

– Don't suppose you have a light?

I brightened significantly.

– What? Hell no! I don't smoke! Wow, too bad, guess that means we have to delay the big firebombing.

He reached into one of the milk crates, took out a bag of disposable lighters, and allowed the corner of his mouth to tip slightly upward.

– I was just joking. Here, let me have that thing.

I let him have the thing, delighted to have discovered just what kind of scenario brought out the prankster in him.

I watched as he got out of the car and walked to a weathered brick building that I had taken for one of the garages, but saw now by its sign was not.

– Oh, oh fuck. Gabe, shit no.

But he was well beyond hearing my little gasps of dismay, and flicked the lighter and held the flame to the edge of the baggie, patiently waiting till it caught fire and ignited the fuel-soaked bandanna within. Pocketing the lighter, he raised the jug high and brought it down, throwing it at an angle under the van at the curb.

The jug shattered, spilling flaming jelly over the asphalt under the van, fire tickling the undercarriage and licking up the sides. Gabe walked back to the Cruiser, silhouetted by the flames, and climbed in.

He looked at the small inferno, looked at me, the fire in the lenses of his sunglasses.

– Well, that should make it clear to them where we stand.

He started the car and pulled easily from the curb, rolling slowly by the burning van as the front door of Aftershock Trauma Cleaning slammed open and a wiry bald man just barely five feet tall, brandishing a broom handle, ran out followed by Dingbang and several other Aftershockers.

The wiry guy made straight for the Cruiser, the broom handle cocked over his shoulder. Behind him, Dingbang was fumbling with a set of keys, trying to find one to open the driver's door on the van, dancing side to side to avoid the thrashing flames.

Gabe stuck a hand under his seat.

– Stupid sons of bitches.

The wiry guy was coming at my window, mouth moving, spittle flying, curses lost in the roar of the flames. My window rolled down as he reached the car, the broom handle bouncing off the chrome trim instead of shattering the glass.

Fuckinguslesslyingshitdogeatingfuckwadambushingdicksuckers!

He started to bring the handle back up.

I twisted around, trying to squirm between the seats to join the dead body in the back of the station wagon.

Gabe shoved me back down in my seat, leaned across me, and stuck the gun in his hand out the window.

– Drop that shit and back up out the way, Morton.

Morton pulled up, dropped the broom handle and backed up out the way.

Fuckingniggerfuckingshitdogfuckingniggernigger.

Gabe pointed the gun at the van where Dingbang was still trying to get the door open while the flames grew higher.

– Cover your ears, Web.

I covered my ears and jerked and screamed each of the three times Gabe pulled the trigger. My screams were somewhat louder than those of the men scattering on the street, away from the van where all three bullets had dimpled the hood next to Dingbang, sending him first to the ground and then crawling behind a dumpster at the curb.

Only Morton kept his place, pointing at Gabe, mouth tight shut now. Shaping the finger of his other hand into a pistol, he pointed it at his own head, and pulled the trigger.

Gabe shifted the aim of his gun, centered the bead on Morton's chest.

– Not wise, Morton, threatening a man with a pistol in his hand.

Morton seemed to make a similar assessment of the situation and dropped both hands to his sides. But was, I can only assume, the kind of man who can't leave well enough alone.

– Fuck you, nigger.

Gabe nodded.

– That's enough of that.

I covered my ears again, and the windows of the Aftershock shop exploded one after another while I did the flinch and scream thing again.

He settled back into his seat, tucked the gun between his thighs, put the car in gear, and drove slowly past where Morton had thrown himself on the street, screaming newly invented obscenities that I couldn't hear for the sharp ringing in my ears.

Of course, I did hear it when the van's gas tank blew and a fireball climbed up the sky, but we were some ways down the street by then.

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