Charlie Huston - The Mystic Arts of Erasing All Signs of Death

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If you love crime fiction-preferably wickedly profane, unabashedly grisly, and laugh-out-loud funny "pulp" fiction-your number one New Year's resolution needs to be to read Charlie Huston. It only takes one to get you so hooked you'll read everything you can get your hands on, so take a couple of days off and give yourself room to binge on the brutal and hilarious Hank Thompson and Joe Pitt series, the blistering Shotgun Rule, and this latest and greatest stand-alone, The Mystic Arts of Erasing All Signs of Death. The best thing about reading a Huston novel is that you never see it coming-laughter, tears, the passing urge to vomit-everything is a surprise, creating a wholly unsettling and exciting reading experience. The Mystic Arts of Erasing All Signs of Death has all the makings of a perfect Charlie Huston novel-the down-but-not-out antihero, the outrageous supporting characters (each of whom deserves their own spin-off), the very bad situation involving money and violence, and the hilariously inappropriate dialogue that is Huston's signature-but with one surprising addition, hope. It does little good to break down the plot of a book this bizarre and brilliant. You're just going to have to trust us (and our Guest Reviewer, Stephen King), and read it.
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With a style that is razor sharp, an eye that never shies from the gritty details, and a taste for stories that simultaneously shock, disturb, and entertain, Charlie Huston is one of a kind. And The Mystic Arts of Erasing All Signs of Death is the type of story-swift, twisted, hilarious, somehow hopeful-that only he could dream up.
The fact is, whether it’s a dog hit by a train or an old lady who had a heart attack on the can, someone has to clean up the nasty mess. And that someone is Webster Fillmore Goodhue, who just may be the least likely person in Los Angeles County to hold down such a gig. With his teaching career derailed by tragedy, Web hasn’t done much for the last year except some heavy slacking. But when his only friend in the world lets him know that his freeloading days are over, and he tires of taking cash from his spaced-out mom and refuses to take any more from his embittered father, Web joins Clean Team-and soon finds himself sponging a Malibu suicide’s brains from a bathroom mirror, and flirting with the man’s bereaved and beautiful daughter.
Then things get weird: The dead man’s daughter asks a favor. Her brother’s in need of somebody who can clean up a mess. Every cell in Web’s brain tells him to turn her down, but something else makes him hit the Harbor Freeway at midnight to help her however he can. Is it her laugh? Her desperate tone of voice? The chance that this might be history’s strangest booty call? Whatever it is, soon enough it’s Web who needs the help when gun-toting California cowboys start showing up on his doorstep. What’s the deal? Is it something to do with what he cleaned up in that motel room in Carson? Or is it all about the brewing war between rival trauma cleaners? Web doesn’t have a clue, but he’ll need to get one if he’s going to keep from getting his face kicked in. Again. And again. And again.
Full of black humor, stunning violence, singular characters, and neon dialogue, The Mystic Arts of Erasing All Signs of Death is classic Charlie Huston: a wild ride that’ll leave you breathless and shaken, grinning and begging for more.

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– I mean, I knew he was sick. But. But I'm glad he left the note anyway. So I know for sure why he did it. Sort of.

She dropped the almond back in the bowl, picked out another.

– You think anyone would lie about that? I mean, no one would lie on their suicide note, would they?

I replaced the lamp I'd taken from the desk, minus the silk shade that had been sprayed, and looked over at her.

– You want to be a little more enigmatic with your questions? Seriously, if you try a little harder I might get curious or something.

She studied the almond between her fingers, rotating it.

– No. I don't mean anything. He was sick. He was going to die. Soon. Painfully. I know why he did it. I just never read a suicide note before. It made me wonder. I guess. But no. It all makes sense.

I adjusted the silver pen-and-pencil set on the desk and lined it up with the antique in-and-out box and an absurdly detailed model of a freight vessel, its deck stacked with tiny cargo containers, Chinese characters on their sides.

She tossed the almond in her mouth and chewed.

– Makes sense as only a person making their head explode can make sense, I mean.

I walked to the section of bookcase that was in line with the open bathroom door.

– He had some nice books.

She watched me.

– Yeah. He loved his books. Well, he loved having a den with lots of books on the walls anyway. He never actually read them. He loved how they looked, but if it wasn't business-related or on the topic of fishing, Dad didn't have time to read much.

She dropped her voice an octave.

Too much to do, sweetheart. Why bother reading about some made-up life when you can live it yourself?

She brushed curly dark hair from her forehead, bit her lip.

– Is that bad, that it kind of makes sense to me? What he did? Should I be worried?

I misted the spines of the books and watched white speckles appear over dozens of them.

– Fuck do I know. I just work here.

– Right, I forgot, you're the retard who doesn't know how to say the right thing.

She picked up another almond, moved it toward her mouth, stopped.

– Should I be eating these things?

I looked at the bowl of nuts, well out of line with the bathroom door.

– Urn. Truth?

– No, lie to me, that would make me feel so much better.

I wiped my cheek on my shoulder.

– I doubt they could get hit with anything over there.

She started to put the nut in her mouth.

I turned back to the bookcase.

– But then again, this is my second day on the job and I'm the same lame fucker who made fun of how your dad wasted himself. So you might not want to listen to someone so clearly retarded.

She dropped the nut back in the bowl.

– Yeah, you got a point.

She got off the chair and walked over to me and looked at the books.

I misted them again and she reached out and touched the tip of her finger to a white spot that had appeared on a photograph on one of the shelves: a sunburned man with a thick moustache, large arms and shoulders, standing on a dock next to a striped marlin, well over 200 pounds, hanging from a tackle rig.

– Damnit. Goddamn it.

– What the fuck are you doing?

I helped Po Sin muscle the bagged and gutted mattress down the hall to the front door.

– Working.

He stopped, pausing in front of the door that led into the den, watching the girl as she took several books down from the shelves and boxed them.

– Looks to me like she's working.

He looked at me again, shook his head, and backed toward the front door and out into the sun.

We leaned the mattress against the van and I pointed back at the house.

– She wanted to go through them herself. She said she didn't want to keep the fabric-covered ones because she could see some of the marks.

Po Sin rested his ass in the open back door of the van and it dropped on its shocks.

– Fuck that. I mean, what are you doing talking with her?

I raised my hands over my head.

– You said talk to her!

– I said apologize, I didn't say engage in a damn tète-à-tète with her.

– She wanted to talk, man. What am I supposed to say? Oh, miss, so sorry, my boss is a total prick and will freak out if I have a conversation with you in your own house while you're grieving the loss of your father who just killed himself. Maybe you should take this dime and go call someone who's allowed to give a fuck.

Po Sin turned his head and looked through the ranked cedars to the clogged traffic on the PCH.

– Gonna take forever to get home.

I kicked a rock.

– Yeah.

He pushed himself up, the van bounced, free of ballast.

– Giving a fuck, Web, that's not exactly the MO you've been working under for some time now.

I watched traffic.

Po Sin watched it, too.

– And people in her situation, they are prone to acting in ways they would not under normal circumstances. Start doing shit like talking to the help about their personal tragedies. Situation like that can become quickly awkward. People can all of a sudden realize they are not acting like themselves and freak out on everyone around them. And people employed to eliminate evidence that their loved ones ever existed can make attractive targets when they lash out. And that can make the job much more difficult than it needs to be. And this is my livelihood here. My business that I built from the ground up. And I don't need to have it getting all fucked up because some shell-shocked young woman mistakes your disinterest in pretty much anything for some kind of blasé charm, and ends up getting more deeply injured than she already is and has an inevitable emotional detonation and refuses to pay her fucking bill. I have enough problems, thank you.

– Don't worry, I know he's a disaffected asshole. No danger of me getting sucked into his emotional black hole or anything.

We turned from the traffic.

She stood at the top of the driveway, wind blowing her hair across her face and rippling the hem of her knee-length black jersey dress, a box of books in her arms.

– So you guys want to look and see if you want any of these?

• • •

– You sure?

– Yeah, of course. No, wait.

I stood away from the box of books I was sliding into the back of the van and she reached in and pulled one out.

– Not this one.

I looked at the title.

– You like that?

She looked at it herself.

– No, I'm keeping it because I think it sucks.

– Well that makes sense then, because it really does suck.

She bit her lip.

– My dad loved Sister Carrie.

– Oh fuck, I'm sorry, I.

She clutched the book to her heart and threw her wrist across her forehead.

– He treasured this book and called me his little Carrie. This book was a bond between us. A treasure we shared.

I stuffed my hands in my pockets.

– Yes, please fuck with me some more, I like it so much when you make me feel like an asshole. And it's such an obvious challenge to you, I can see how you can't help yourself.

She dropped her arms and smiled.

– Sorry. You're just so funny when you try to apologize. You're so bad at it. You can't hide the fact that you don't think you should have to do it.

– Again, I'm glad my being an asshole is a source of entertainment.

– It is, it is.

Gabe came out of the house, carrying the fogger and a half-empty jug of Microban. He walked between us and set them in the back of the truck.

– All done.

He looked at the box of books, the girl pointed at them.

– Help yourself if you want.

He shook his head and peeled his Tyvek off, stripping to his black slacks and white short sleeve.

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