Chris Jordan - Torn

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Torn: краткое содержание, описание и аннотация

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In a small New York town, a deranged young man holds over one hundred school children hostage. and he blames the school for what he's about to do.
After a tense, thirty-six-hour police standoff, the gymnasium suddenly explodes into flames. Fortunately, all the students have escaped. All, that is, save ten-year-old Noah Corbin. Noah's mother, Haley, is frantic. Was her boy killed in the explosion? Did he somehow wander away from the scene, hurt and confused?
Did someone take him?
Haley hires ex-FBI agent Randall Shane because she needs the truth, however devastating the answers may be. But as Randall investigates, Haley is forced to admit a dark family secret.one that leads to a desolate area of the Rocky Mountains, where an entire county is owned by a cult that controls the leaders of the community: businessmen, government officials, even the police. Men who have grown rich and powerful in their secrecy. A secrecy they are sworn to protect. No matter what.

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“Team Leader? Where are we?”

“Chopper on the roof. They’ll be attempting to breach the blast shutters with a torch. A dozen agents on the ground, searching for the tunnel entrance. Sonar detectors have been deployed-if there’s a tunnel, we should be able to detect it up to a depth of fifty feet or so, depending on the density.”

“Good,” she says. Keeping in mind that an Assistant Director or ‘A-Dick’ can’t be seen to be chewing her fingernails, however much she might be tempted as a stress-reliever.

“The thing about The Guns of Navarone?” he says. “It was an impossible task but they got it done.”

“Forget the movies, Team Leader. No Hollywood heroics, please. Go by the book. Nobody dies. You are to take no unnecessary risks.”

He grins. “We’re the HRT. We eat risk for breakfast.”

“Speaking of breakfast, is there any coffee available?”

The Team Leader hands her a Thermos flask. “High-test,” he promises.

Inside the Pinnacle, in the perpetual twilight of the closed blast shutters, word spreads from Ruler to Ruler, many of whom weep inconsolably.

Their great leader, the One True Voice, is gone.

No one seems to be quite sure what will happen next. With Arthur Conklin dead, who will speak for them? Many favor the homely familiarity of Wendall Weems, the founder’s closest friend. Others prefer the fiery approach of the founder’s wife-his widow now-Evangeline Dowdy Conklin.

Eva the Diva makes the first move, speaking from her late husband’s studio. Throughout both the Pinnacle and the Bunker, flat-screens come to life, and Eva appears, dabbing at her eyes, her voice thick with sorrow.

“Arthur has taken flight,” she announces. “Early this morning his body ceased to function and he removed himself to the next level. Before he went, Arthur spoke to me at length. I am still processing his many revelations, and will share them with you in the months and years to come. But for now, hear this. Arthur’s last wish is that his transition be an occasion of reconciliation between the factions. Therefore we will gather in our respective areas to mourn his passing, and to prepare ourselves for the future. Only then will we open our doors to the outsiders who have come here in their ignorance.

“A few moments ago I spoke with Ruler Weems. Our conversation was cordial. He will be convening a special meeting with his people, and I with mine. There is no profit in fighting amongst ourselves. Between us, we will come to an equitable solution. Rest assured that we will find a way to face the new day with a new mind.”

Evangeline shuts off the camera and exits the studio, heading for her war room. Her plan is falling neatly into place. Within the hour she will have solidified her grip on the organization. Wendy and his people will follow Arthur into the next world, wherever that might be, and trouble her no more.

“Vash!” she calls out. “Is everything ready?”

He’s been busy in the war room, calmly programming a complex portion of the system’s software. He looks up, his expression betraying no emotion.

“Is good,” he says. Then he smiles, his cool eyes warming up, drinking her in. “Bad for them. Good for us.”

9. Good Night, Irene

When the flat-screen TV came to life in Irene Delancey’s empty bedroom, announcing the death of Arthur Conklin, I nearly jumped out of my skin. Not just because it startled me, but because of what the announcement might mean. When a cult leader dies-excuse me, is “removed to the next level”-“outsiders gather”-that must be Shane’s FBI friends-it can’t be good. An organization in crisis, factions fighting for control, the whole place in lockdown, it all sounds as if it’s spiraling out of control. That can’t be good for us.

The woman making the announcement had seemed serene in tone, but I don’t believe her for a second. Something about her is off, way off. She has the look of madness; confident, chilling madness.

As soon as the screen goes dark again, Shane tries to make a call, but with no view of the sky, not to mention all the concrete and steel between us, the fancy satellite phone can’t get a signal. No phone, and therefore no way to know how long it will take the FBI to find a way inside. And in my mind at least, if we don’t locate Noah in the next few minutes, something terrible is going to happen. Call it mother’s instinct, or plain anxiety, but there it is, the absolute need to find my son now rather than later.

“Two possibilities,” Shane says, surveying the empty bedroom. “Either she heard us coming, or something else frightened her. Same result, whatever the cause. She’s hiding and she took your son with her.”

“How do you know that?”

He holds up the book left on Mrs. Delancey’s bedside table. “Noah told me,” he says with a gleam in his eye. “He left a message.”

“Oh my god! Let me see!”

The book is, no surprise, Arthur Conklin’s The Rule of One. Apparently the true believers keep it close at hand, like the Bible. The surprise is the scrap of paper tucked into the book, hastily scrawled in pencil:

WE ARE HIDING.

NOAH CORBIN, AGE 10

P.S. TELL MY MOM

I know that handwriting! No question, it’s Noah, and aside from the brief glimpse of video provided by Ruler Weems, the first real tangible proof that he’s not only alive, but well. Despite whatever poison they’ve been feeding him, he knows his name is Corbin, not Conklin. Plus he wants his mother to know where he is. That’s a good sign, right? Right?

“S-sorry,” I blubber, totally losing it, clutching the little note to my heart.

Doubtful a big strong shoulder would help, but there’s no way of knowing, because Shane isn’t offering. He’s not being unkind or uncaring, but neither is he offering to comfort me. It’s clear that he shares my concern about finding Noah right away, and that must take precedence. No time for emotional meltdowns, save the tears for later.

“I suspect she hasn’t gone far,” he says, waiting for me to get it together. “If she wanted to hide, her options would have been limited.”

“But we checked all the rooms on this floor,” I say, frantic.

“No,” he says firmly. “We didn’t. You looked in the doors, saw the dustcovers, and backed out. Very quietly, too, I might add.”

He’s right, of course. We’d been searching for rooms that were lived in, not places to hide. Stupid! In an instant I’m back in the hall, racing for the next suite, housekeeper disguise forgotten. Bursting through the door, I run to the adjoining room-all the layouts are the same-and find it just as empty. Dustcovers, stillness. My instincts telling me the air in here has not been disturbed recently, that the mustiness has been honestly come by.

Check everything. Look everywhere. Bathrooms, closets, under the bed.

Whipping back a shower curtain, I come face-to-face with a madwoman. Her hair is a mess, her eyes are red, she looks as frantic as me. She is me.

What kind of place is this, putting mirrors behind the claw-foot tubs?

By the time I get to the last of the guest suites, every door has been opened, every closet looked into, every shower curtain whipped back, and still there’s no sign of Noah, no clue as to where he’s been taken.

My head is light with the pounding of my heart. In despair I fall to my knees and cover my face as it all comes crashing together. The conflicting tides of fear and frustration and just plain old need, the need to have my child in my arms at last. I’ve come this far, the madwoman of Humble, the crazy mom who won’t give up, because somehow I can feel that my child is alive, and where he might be, but whenever I almost get there somebody moves him farther away.

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