Lisa Scottoline - Look Again

I'm the public.

Ellen pulled into a parking lot of crushed shells and turned off the ignition. She'd make it quick, but she put her DNA samples under the seat anyway, then got out of the car and walked to the house. The stucco had been repainted and the tiles on the roof meticulously maintained, but the mansion was much older than the houses surrounding it on the drive. The lot was at least three acres of lush lawn, the breeze was fragrant, and the place a reminder of a slower, older Florida. She walked up the breezeway, climbed stairs of red Mexican tile, and went inside the door, looking around.

The entrance hall had a black-and-white tile floor and was dominated by a huge staircase, covered with an Oriental carpet. There were three large rooms off the hall, furnished as meeting rooms, and she entered the center room, which overlooked an expanse of green lawn and a small circular fountain.

"May I help you?" a voice asked, and she turned around. It was a woman with a dark brown bob, light eyes with friendly crow's-feet, and a warm smile. "Were you looking for something?"

"I was driving past the sign, and I'm not from around here. I thought the building was so pretty, I wanted to see it."

"Why, thank you. We're very proud of Charbonneau House and the work we do here."

"What is that, may I ask?"

"We promote theater arts and other cultural events to children in the community." The woman, professional in a crisp white blouse and a khaki cotton skirt, with red espadrilles, gestured to the main hallway. "In addition to the conference rooms and classrooms, we have a full theater in the back, which seats seventy-five people. We have a large backstage and several dressing rooms. We stage three productions a year and we just finished our run of Once Upon a Mattress."

"How nice," Ellen said, meaning it. "And I see there's Charbonneau House and Charbonneau Drive. I assume it's related to the Charbonneau family?"

"Yes, exactly. The Charbonneaus are one of the oldest families in the area, and they've donated the house for the community's use." The woman gestured to an oil portrait in an ornate golden frame, one of two flanking the windows. "That's our benefactor, Bertrand Charbonneau, who unfortunately passed away about five years ago, at the age of ninety-one."

"How interesting." Ellen looked at the painting, of a reedy, silver-haired man in glasses and a light green business suit, leaning against a wall of bookshelves. She tried not to stare at the picture, to see if there was any resemblance to W. Her head was already swimming, and the bag in the car would eliminate any guesswork.

"Bertrand was a wonderful man, a friend of my father's. He was one of the community's first residents and developed much of the real estate here. This house, his childhood home, was only one of his many gifts to our community."

Ellen was trying to piece together where, if anywhere, Carol Charbonneau Braverman fit in, but didn't want to show her hand, especially since this woman knew the family. "I gather Bertrand Charbonneau had an interest in theater?"

"His wife Rhoda had a brief career as an actress before she retired to raise their children. Even then, she remained very active in children's theater." The woman strolled over to the other oil portrait, and Ellen followed her. The painting showed another man, this one in a casual brown sweater, by a pool. The plaque read Richard Charbonneau.

"So this must be Bertrand's son?" Ellen asked, scanning the man's features. He had the same blue eyes she'd seen on Carol, and W. It was the tour of Will's bloodlines, maybe, but she'd know soon enough.

"Yes, Richard was my father's contemporary. He and his wife Selma continued their father's efforts. Unfortunately, they both passed away many years ago, in a car accident."

"That's too bad. Do you think the family will carry on this tradition? It really seems like a wonderful idea."

"No worries there." The woman smiled pleasantly. "Richard and his wife had a daughter, Carol, and she works with the children every Wednesday and Friday morning. She understands all aspects of children's theater and even directs a play a year."

"Well, that's wonderful." Ellen's chest tightened, and she looked away from the portrait, hiding her emotion. If Will was really Timothy, then Bertrand Charbonneau would be his great-grandfather and Richard Charbonneau his grandfather. Will would be part of a wonderful family, born to extraordinary wealth. She thought ahead, to the day she'd get the DNA results, when she'd have to make a decision, or not.

You'll have to make a choice I wouldn't wish on my worst enemy.

"Will that be all?" the woman asked, cocking her head.

"Yes, thanks," Ellen answered, turning away.

She said another good-bye, walked from the room, and hurried out the entrance hall to the door. By the time she hit the walkway, her pace picked up from a light jog to a full-out run, and her footfalls crunched the seashells. She wanted to forget Charbonneau House, Charbonneau Drive, and her DNA samples, which would answer a question she never wanted to ask. Her chest heaved and panted, and she reached the car out of breath, then she flung open the door, grabbed the paper bag from under the seat, and raised her arm to throw it across the gorgeous lawn.

Her hand halted in midair. She thought of Will, and stopped herself. It was his birthright, not hers. His truth, not hers. She'd come here to learn whether he belonged to her or to the Bravermans, but neither was true. He belonged to himself.

She lowered her arm. She walked back to the car, sat in the driver's seat, and stowed the bag on the passenger seat.

It was time to go home.

The ticketing line wound back and forth, and Ellen assessed it, worriedly. She didn't want to miss the flight and she'd been lucky to get a seat. She couldn't wait to see Will, and she felt almost herself again, having changed back into her sweater and jeans, which she needed in the air-conditioned terminal anyway.

She checked her watch. She'd scarfed down a turkey sandwich in the first fifteen minutes of her wait in line, and now she had nothing to do but look at the other travelers who had nothing else to do. The girl in front of her bobbed to music playing on her iPod, and the man in front of her was a middle manager, his thumbs flying over his Black-Berry keyboard at the speed of carpal tunnel syndrome. A man before him talked on a cell phone in rapid Spanish, which reminded her of Marcelo. She'd called him this morning but he hadn't answered, so she'd left a message saying she'd be back to work tomorrow.

"Excuse me, is our line even moving?" asked an older man behind her, and Ellen stood on tiptoe to see the ticket counter. Only one agent was manning the counter, and two of the self-service kiosks bore Out of Order signs.

"Honestly, no." Ellen smiled, but the man grumbled.

"I can walk to Denver faster."

"You got that right." Ellen looked away, and her gaze fell to the first-class line, only four people deep. "I wonder how much first class costs."

"Highway robbery," the old man shot back, and the line shifted forward an inch.

Her gaze drifted back to the first-class line, where a pretty redhead had just arrived, rolling a Louis Vuitton bag behind her, her head held high. She looked vaguely familiar and when she dug in a black purse, Ellen remembered where she had seen her before. It was the young woman who lived across the street from Carol Braverman.

Her name is Kelly Scott and her family has more money than God.

Ellen watched the redhead fan herself with some papers, looking sexy in black stilettos and a cobalt blue dress, whose bold color stood out among the Miami pastels. Businessmen passing by gave her more than a second glance, running their eyes over her body and shapely legs.