Lisa Scottoline - Look Again

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New York Times bestselling author Lisa Scottoline enthralls millions of readers with her unforgettable characters, her keep you-guessing plots, and her exploration of emotional justice. Look Again begins with a single moment that changes one woman's life forever.
When reporter Ellen Gleeson gets a "Have You Seen This Child?" flyer in the mail, she almost throws it away. But something about it makes her look again, and her heart stops, the child in the photo is identical to her adopted son, W. Her every instinct tells her to deny the similarity between the boys, because she knows her adoption was lawful. But she's a journalist and won't be able to stop thinking about the photo until she figures out the truth. And she can't shake the question: if Will rightfully belongs to someone else, should she keep him or give him up? She investigates, uncovering clues no one was meant to discover, and when she digs too deep, she risks losing her own life, and that of the son she loves.
In this emotionally charged, heart-pounding thriller, Lisa Scottoline has broken new ground. Look Again questions the very essence of parenthood and raises a moral quandary that will haunt readers long after they've finished the last page, leaving them with the ultimate question: What would I do?

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Will shifted in his sleep, and she snuggled him. She couldn't resolve tonight whether her fears were founded or completely insane. But behind them lurked an unspoken question, one that she couldn't begin to acknowledge, much less articulate to herself. It had been lurking in the back of her mind from the moment she'd seen the infernal white card in the mail.

She hugged Will closer, there in the still, dark room, and the question hung in the air above the bed, suspended somewhere between mother, child, and the false stars.

If Will is really Timothy, what will I do?

Chapter Thirty-four

Ellen entered the newsroom the next morning, exhausted after only two hours of sleep. She hadn't been able to stop her brain from thinking about Will and Timothy, and she felt raw, achy, and preoccupied. She had on the same jeans and shirt she'd worn yesterday, but with a different sweater, and she hadn't had time to shower. She'd checked her email too many times on the way in, but there'd been no email from Amy Martin.

Get a grip.

"Good morning, dear," Meredith Snader said, passing her with an empty mug on the way to the coffee room, and Ellen managed a smile.

"Hey, Mer." She tried to put the Braverman business behind her, but her head was pounding. The newsroom was mostly empty, and she hustled down the aisle, trying to get her thoughts together for the meeting about the homicide piece. Through the glass wall of his office, she could see Marcelo at his desk and Sarah sitting across from him, laughing about something.

Great.

Ellen figured the laughter would stop when she told them she'd be late with her end of the story. She dropped her handbag on her desk, shed her jacket, and hung it on the coatrack, seeing that Sal and Larry were entering Marcelo's office, holding styrofoam cups of coffee and looking like the journalists Ellen had grown up idolizing. She hated that she was about to crash and burn in front of the local Woodward and Bernstein. She girded herself and headed to Marcelo's office, where he looked up expectantly from behind his desk.

"Come in, Ellen." Marcelo smiled, his eyes flashing darkly. "I didn't get your draft. Did you email it?"

Ellen arranged her face into a professional mask. "Marcelo, I don't have the piece done. I'm sorry."

Sarah looked over. Larry and Sal turned around. Marcelo blinked. "You don't have it?" he asked, lifting an eyebrow.

"No, sorry." Ellen's temples thundered. "I got a little bogged down and I need a few extra days."

"Maybe I can help. That's what they pay me for."

"No, you can't," Ellen blurted out, but Marcelo was still smiling, his head cocked and his eyes sympathetic.

"Let me see what you have so far. I'm not looking for perfection. I can't be, with these two slackers on the story." Marcelo gestured at Larry and Sal. "Their draft needed the usual overhaul."

"Kiss my ass," Sal said, and they all laughed except Ellen, who had to come clean.

"Marcelo, to be honest, there is no draft. Not yet." She felt vaguely sick, unmasked and vulnerable. They were all looking at her in surprise, Marcelo most of all.

"Nothing?" Marcelo frowned, confused.

"No worries," Sarah chirped up. "I've got it covered."

"Please wait." Marcelo held up a large palm, but Ellen was looking over at Sarah, too angry to let it go.

"What do you mean, you have it covered?" she asked.

Sarah ignored the question. "Marcelo, Ellen refused to talk with my source, Julia Guest, so I did and wrote it up. I think it puts a human face on the issue quite nicely." She handed him some sheets from a stack she cradled against her chest. "Check it out."

Ellen felt stunned. Sarah had just stuck a knife in her back. The girl wanted her job and was taking no prisoners.

"Who's this source again?" Marcelo was asking, eyeing the pages.

"She's been active in the efforts to stop the violence and has organized the community on the issue. She knows all the players and she feeds to the Mayor's Office."

"What's her stake in this?"

"She organized last month's demonstrations and one of the vigils."

"Is she in local politics?"

"Not officially."

"Thanks, but that's not what I had in mind." Marcelo, troubled, handed her back the pages. "It sounds to me as if she has no stake. If she doesn't have a stake, she's not the story."

Ellen cleared her throat. "I interviewed one of the mothers who lost a son, a second-grader who was murdered. I also spoke with the boy's teacher and the funeral director who prepared his body."

Sal whistled. "Grieving mothers are a homerun."

Larry nodded. "I like the funeral angle, too. It's different. Original."

Marcelo looked relieved. "Okay, Ellen. Good. So you just don't have the draft yet. When can you finish it?"

"Next Friday?"

"She's been working on that Sulaman follow-up," Sarah interrupted, and Ellen turned on her, not bothering to hide her feelings.

"What are you talking about?"

"You've been working on Sulaman, right?" Sarah asked calmly, lifting an eyebrow. "That's the real reason you blew this deadline, isn't it?"

"That's not true!" Ellen shot back, but she could see that Sarah had gotten Marcelo's attention.

"Yes, it is," Sarah continued, her tone measured. "I know because Susan Sulaman called yesterday. She said she'd been calling you and couldn't reach you, so the switchboard sent the call to the newsroom, and I picked up. She said you'd interviewed her and wanted to know if you'd talked your editor into running the story."

Marcelo's eyes flared, and Ellen's face burned.

"You have no idea what I've been doing, so stay out of my business!"

"I knew you wouldn't make the deadline." Sarah remained calm, but Ellen raised her voice.

"Your story is separate from mine!" She couldn't stop herself from shouting even though everyone had fallen into shocked silence. Her head was about to explode. "It's not your concern whether I make my deadline or not!"

"Beg to differ." Sarah sniffed. "I pitched the piece in the first place and you're screwing it up. We're all ready, why aren't you?"

"Ladies, hold on." Marcelo stood up behind his desk, raising his hands. "Everyone, please, give Ellen and me a minute."

"Good luck," Sal said with a smile, plucking his coffee from the edge of the desk, and Larry followed suit, both of them edging past Ellen, who turned her head away when Sarah brushed by her, trailing perfume and adrenaline. After they had left, Marcelo put his hands firmly on his hips.

"Close the door, please," he said quietly.

Ellen did, then faced him.

"What's going on? You never miss a deadline." Marcelo looked mystified, and his tone sounded more disappointed than angry. "Is she right? Was it the Sulaman follow-up that delayed you?"

"No."

"Did you interview the mother?"

"Yes. Only once."

"When?"

Ellen could hardly remember. She rubbed her face. Everything before the white card was a blur, as if a line had been drawn down the middle of her life, dividing it into Before and After. HAVE YOU SEEN THIS CHILD? Her head hurt so much she felt dizzy. "Tuesday?"

"But I asked you not to." Marcelo's tone wasn't disappointed, Ellen realized, but hurt.

"I'm so sorry. I just had to."

"Why?"

"I was just curious, I had to see her again." Ellen knew it sounded lame, and Marcelo looked grave, his eyebrows sloping down.

"Ellen, let's be honest with one another. Ever since I let Courtney go, I feel you've been distant. You've acted differently toward me. It's as if we're on different sides."

"No, we're not, I swear."

"Please, don't work against me. We have too much work for anybody to be doing that. We're doing more with less, and every day it gets worse."

"I'm not working against you."

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