Jeffery Deaver: The Sleeping Doll

She was thinking of the trip to Southern California next weekend, the kids and dogs in tow. She was going to record a group of Mexican musicians near Ojai. They were fans of the website and had emailed Martine some samples of their music. Dance wanted to get some live recordings. The rhythms were fascinating. She was looking forward to the trip.

The roads here weren't crowded; the bad weather had returned. Dance saw only one car behind her on the entire road, a blue sedan trailing behind her a half-mile.

Dance turned off the road and headed to the Point Lobos Inn. She glanced at her phone. Still no message from O'Neil, she was troubled to learn. Dance could call him on the pretense of a case, and he'd call her back immediately. But she couldn't do that. Besides, probably better to keep some distance. It's a fine line when you're friends with a married man.

She turned down the inn's driveway and parked, listened to the end of the elegiac song. Dance recalled her own husband's funeral. It was logical that Bill, with a wife, two children and a home in Pacific Grove, should be buried nearby. His headstrong mother, though, had wanted him buried in San Francisco, a city he'd fled when he was eighteen, returning only on holidays, and not a lot of them. Mrs. Swenson had been strident when discussing her son's resting place.

Dance had prevailed, though she felt bad to see her mother-in-law's tears and had paid for the victory in small ways for a year afterward. Bill was now on a hillside where you could see plenty of trees, a stretch of Pacific Ocean and a sliver of the ninth hole at Pebble Beach-a gravesite for which thousands of golfers would have paid dearly. She recalled that, though neither she nor her husband played, they'd planned on taking lessons at some point.

"Maybe when we retire," he'd said.

"Retire. What's that mean again?"

She now parked and walked into the Point Lobos Inn office, then took care of the paperwork.

"We already had some calls," the clerk said. "Reporters wanting to get pictures of the cabin. And somebody's planning to give tours of where Pell got shot. That's sick."

Yep, it was. Morton Nagle would not have approved; perhaps the tactless entrepreneur would appear as a footnote in The Sleeping Doll .

As Dance was walking back to the car, she was aware of a woman nearby, looking out into the mists toward the ocean, her jacket fluttering in the breeze. As Dance continued on, the woman turned away from the view and fell into a pace that matched the agent's, not far behind.

She also noticed that a blue car was parked nearby. It was familiar. Was this the driver who'd been behind her? Then she noticed that it was a Ford Focus, and recalled that the vehicle stolen at Moss Landing had never been recovered. It too was blue. Were there any other loose ends that-

At that moment the woman walked up to her quickly and called, a harsh voice over the wind, "Are you Kathryn Dance?"

Surprised, the agent stopped and turned. "That's right. Do I know you?"

The woman continued until she was a few feet away.

She took off her sunglasses, revealing a familiar face, though Dance couldn't place it.

"We've never met. But we kind of know each other. I'm Daniel Pell's girlfriend."

"You're-" Dance gasped.

"Jennie Marston."

Dance's hand dropped to her pistol.

But before she touched the weapon's grip, Jennie said, "I want to turn myself in." She held her wrists out, apparently for the handcuffs. A considerate gesture Dance had never seen in all her years as a law-enforcement agent.

"I was supposed to kill you."

This news didn't alarm her as much as it might, considering that Daniel Pell was dead, Jennie's hands were cuffed and Dance had found no weapons on her or in the car.

"He gave me a gun, but it's back at the motel. Really, I'd never hurt you."

She didn't seem capable of it, true.

"He said no policeman had ever gotten into his mind like you had. He was afraid of you."

Threats have to be eliminated…

"So he faked your death?"

"He cut me." Jennie showed her a bandage on the back of her head. "Some skin and hair and blood. Your head bleeds a lot ." She sighed. "Then he gave me your address and your parents'. I was supposed to kill you. He knew you'd never let him get away."

"You agreed?"

"I didn't really say anything one way or the other." She shook her head. "He was so hard to say no to… He just assumed I would. Because I'd always done what he wanted. He wanted me to kill you and then come live with him and Rebecca in the woods somewhere. We'd start a new Family."

"You knew about Rebecca?"

"He told me." In a wisp of a voice: "Did she write the emails to me? Pretending to be him?"

"Yes."

Her lips pressed together tightly. "They didn't sound like the way he talked. I thought somebody else wrote them. But I didn't want to ask. Sometimes you just don't want to know the truth."

Amen, thought Kathryn Dance. "How did you get here? Did you follow me?"

"That's right. I wanted to talk to you in person. I thought if I just turned myself in, they'd take me right to jail. But I had to ask: Were you there when he was shot? Did he say anything?"

"No, I'm sorry."

"Oh. I was just wondering." Her lips tightened, a kinesic clue to remorse. Then a glance at Dance. "I didn't mean to scare you."

"I've had worse scares lately," Dance told her. "Why didn't you run, though? Maybe in a few weeks, when your body didn't wash up on shore, we'd've wondered. But you could've gotten to Mexico or Canada by the time we started searching."

"I guess I just got out from underneath his spell. I thought things'd be different with Daniel. I got to know him first-you know, not just the physical stuff-and we developed this real connection. Or I thought it was. But then I figured that was all a lie. Rebecca probably told him everything about me so he could hook me in, you know. Just like my husband and boyfriends. I used to get picked up in bars or at catering jobs. Daniel did the same thing, only he was just a lot smarter about it.

"All my life I thought I needed a man. I'd have this idea I was like a flash-light and men were the batteries. I couldn't shine without one in my life. But then after Daniel was killed I was in this motel room and all of a sudden I felt different. I got mad. It was weird. I could taste it, I was so mad. That, like, never happened to me before. And I knew I had to do something about it. But not moaning about Daniel, not going out and finding a new man. Which I always would do in the past. No, I wanted to do something for me . And what's the best thing I could do? Get arrested." She gave a laugh. "Sounds stupid, but it's all my decision. Nobody else's."

"I think that's a good one."

"We'll see. So, I guess that's it."

It pretty much was, Dance decided.

She escorted Jennie back to the Taurus. As they drove to Salinas, Dance mentally tallied up the charges. Arson, felony murder, conspiracy, harboring a fugitive, several others.

Still, the woman had surrendered voluntarily and appeared as contrite as they came. Dance would interview her later, if she agreed, and if Jennie was as sincere as she seemed, the agent would go to bat for her with Sandoval.

At the lockup in the courthouse Dance processed her into the system.

"Is there anybody you want me to call?" Dance asked.

She started to say something, then stopped and gave a soft laugh. "No. I think it's best, you know, just to start over. I'm fine."

"They'll get you a lawyer, then maybe you and I could spend some more time talking."

"Sure."

And she was led down the very hallway her lover had escaped from almost one week before.

It was perhaps a spectacularly bright Saturday afternoon two or three hundred feet up, but the grounds of Monterey Bay Hospital were leached gray by the dense fog.