Jeffery Deaver - The Sleeping Doll

Still, it wasn't Daniel Pell who occupied her thoughts, but Juan Millar.

Edie was tired, the old bones not behaving, and she was grateful she'd decided not to work overtime-it was always available for any nurse who wanted it. Death and taxes weren't the only certain aspects of life; the need for health care was a third, and Edie Dance would have a career for as long as she wished, anywhere she wished. She couldn't understand her husband's preference for marine, over human, life. People were so fascinating, helping them, reassuring them, taking away their pain.

Kill me…

Stuart would be back with the children soon. She loved her grandchildren, of course, but she also truly enjoyed their company. Edie knew how lucky she was that Katie lived nearby; so many of her friends had children hundreds, even thousands, of miles away.

Yes, she was happy Wes and Mags were staying here, but she'd be a lot happier when that terrible man was arrested again and thrown back in jail. Katie's becoming a CBI agent had always bothered her a lot-Stu actually seemed pleased, which irritated her all the more. Edie Dance would never suggest a woman give up a career-she'd worked all her life-but, my God, carrying around a gun and arresting murderers and drug dealers?

Edie would never say it, but her secret desire was that her daughter would meet another man, remarry and abandon police work. Katie had been a successful jury consultant. Why not go back to that? And she and Martine Christensen had that wonderful website, which actually made a little money. If the women devoted themselves to it full-time, think how successful it could be.

Edie had loved her son-in-law dearly. Bill Swenson was sweet, funny, a great father. And the accident that had taken his life was a true tragedy. But that was several years ago. Now it was time for her daughter to move on.

Too bad Michael O'Neil wasn't available; he and Katie were a perfect match (Edie couldn't see why on earth he was with that prima donna Anne, who seemed to treat her children like Christmas decorations and cared more about her gallery than her home). Then that FBI agent at Stu's party, Winston Kellogg, seemed pretty nice too. He reminded Edie of Bill. And then there was Brian Gunderson, the man Katie'd dated recently.

Edie never worried about her daughter's good sense when it came to picking partners. Her problem was like the one plaguing Edie's golf swing-the follow-through. And she knew the source. Katie'd told her about Wes, his unhappiness at his mom's dating. Edie had been in nursing for a long time, both pediatric and adult. She'd seen how controlling children can be, how clever and manipulative, even subconsciously. Her daughter had to approach the subject. But she simply wouldn't. Her approach was duck and cover…

But it wasn't Edie's role to talk to the boy directly. Grandparents have the unqualified joy of children's company, but the price for that is abdicating much of the right to parental intervention. Edie'd said her piece to Katie, who'd agreed but, apparently, ignored her completely by breaking up with Brian and-

The woman cocked her head.

A noise from outside, the backyard.

She glanced up to see if Stu had arrived. No, the carport was empty, except for her Prius. Looking out the front window she saw the police officer was still there.

Then she heard the sound again… The clatter of rocks.

Edie and Stu lived off Ocean, on the long hill descending from downtown to Carmel Beach. Their backyard was a stepped series of gardens, boarded by rock walls. Walking the short path to or from the neighbor's adjoining backyard sometimes set loose a tiny spill of gravel down the face of those walls. That's what the noise sounded like.

She walked to the back deck and opened the door, stepped outside. She couldn't see anyone and heard nothing else. Probably just a cat or a dog. They weren't supposed to run free; Carmel had strict pet laws. But the town was also very animal friendly (the actress Doris Day owned a wonderful hotel here, where pets were welcome), and several cats and dogs roamed the neighborhood.

She closed the door and, hearing Stu's car pull into the driveway, forgot all about the noise. Edie Dance walked to the refrigerator to find a snack for the children.

The interview with the Sleeping Doll had come to an intriguing conclusion.

Back in her office, Dance called and checked up on the girl and her aunt, both safely ensconced in the motel and protected by a 250-pound monolith of a CBI agent who carried two large weapons. They were fine, Albert Stemple reported, then added, "The girl's nice. I like her. The aunt you can keep."

Dance read over the notes she'd taken in the interview. Then read them again. Finally she called TJ.

"Your genie awaits, boss."

"Bring me what we've got so far on Pell."

"The whole ball of wax? Whatever that means."

"All the wax."

Dance was reviewing James Reynolds's notes from the Croyton murder case when TJ arrived-only three or four minutes later, breathless. Maybe her voice had sounded more urgent than she'd realized.

She took the files he carted and spread them out until they covered her desk an inch thick. In a short time they'd accumulated an astonishing amount of material. She began riffling through the pages.

"The girl, was she helpful?"

"Yep," the agent replied absently, staring at a particular sheet of paper.

TJ made another comment but she wasn't paying any attention. Flipping through more reports, more pages of handwritten notes, and looking over Reynolds's time line and his other transcriptions. Then returning to the piece of paper she held.

Finally she said, "I've got a computer question. You know a lot about them. Go check this out." She circled some words on the sheet.

He glanced down. "What about it?"

"It's fishy."

"Not a computer term I'm familiar with. But I'm on the case, boss. We never sleep."

"We've got a situation."

Dance was addressing Charles Overby, Winston Kellogg and TJ. They were in Overby's office and he was playing with a bronze golf ball mounted on a wooden stand, like a gearshift in a sports car. She wished Michael O'Neil were here.

Dance then dropped the bomb. "Rebecca Sheffield's working with Pell."

"What?" Overby blurted.

"It gets better. I think she was behind the whole escape."

Her boss shook his head, the theory troubling him. He was undoubtedly wondering if he'd authorized something he shouldn't have.

But Winston Kellogg encouraged her. "Interesting. Go on."

"Theresa Croyton told me a few things that made me suspicious. So I went back and looked over the evidence so far. Remember that email we found in the Sea View? Supposedly Pell sent it to Jennie from prison. But look." She showed the printout. "The email address says Capitola Correctional. But it has a 'dot com' extension. If it was really a Department of Corrections address it would've had 'dot ca dot gov.'"

Kellogg grimaced. "Hell, yes. Missed that completely."

"I just had TJ check out the address."

The young agent explained, "The company's a service provider in Denver. You can create your own domain, as long as the name's not taken by somebody else. It's an anonymous account. But we're getting a warrant to look at the archives."

"Anonymous? Then why do you think it was Rebecca?" Overby asked.

"Look at the email. That phrase. 'Who could ask for anything more in a girl?' It's not that common. It stuck with me because it echoes a line in an old Gershwin song."

"Why is that important?"

"Because Rebecca used the exact expression the first time I met her."

Overby said, "Still-"

She pushed forward, not in the mood to be obstructed. "Now, let's look at the facts. Jennie stole the Thunderbird from that restaurant in L.A. on Friday and checked into the Sea View on Saturday. Her phone and credit card records show she was in Orange County all last week. But the woman who checked out the You Mail It office near the courthouse was there on Wednesday. We faxed a warrant to Rebecca's credit card companies. She flew from San Diego to Monterey on Tuesday, flew back on Thursday. Rented a car here."