Jeffery Deaver - The Sleeping Doll

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Special Agent Kathryn Dance – introduced in The Cold Moon – stars in the latest thriller from New York Times bestselling author Jeffery Deaver. When Special Agent Kathryn Dance is sent to interrogate the convicted killer Daniel "Son of Manson" Pell as a suspect in a newly unearthed crime, she feels both trepidation and electrifying intrigue. Pell is serving a life sentence for brutal murders years earlier that mirrored those perpetrated by Charles Manson in the 1960s. But Pell and his cult members left behind a survivor who – because she was in bed hidden by her toys – was dubbed the Sleeping Doll. Pell has long been both reticent and unrepentant about the crime. But Dance sees an opportunity to pry a confession from him for the recent murder – and to learn more about the depraved mind of this career criminal. But when Dance's plan goes terribly wrong and Pell escapes, leaving behind a trail of dead and injured, she finds herself in charge of her first manhunt. As the idyllic Monterey Peninsula is paralyzed by the elusive killer, Dance turns to the past to find the truth about what Daniel Pell is really up to. She tracks down the now-teenage Sleeping Doll to learn what really happened that night, and arranges a reunion of three women who were in his cult at the time of the killings. The lies of the past and the evasions of the present boil up under the relentless probing of Kathryn Dance, but will the truth about Daniel Pell emerge in time to stop him from killing again?

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"The one with Alzheimer's?"

"Yes. Now, he does have a brother."

Not an only child, as he'd claimed.

"He's older. Moved to London years ago. He runs the sales operation of a U.S. importer/exporter. Doesn't give interviews. All I have is a name. Richard Pell."

Dance said to Kellogg, "I'll have somebody track him down."

"Cousins?" the FBI agent asked.

"Aunt never married."

Tapping the bio he'd written. "Now, Pell's later teens, he was constantly in and out of juvenile detention-mostly for larceny, shoplifting, car theft. But he has no long history of violence. His early record was surprisingly peaceful. There's no evidence of street brawling, no violent assaults, no signs he ever lost his temper. One officer suggested that it seemed Pell would only hurt somebody if it was tactically useful, and that he didn't enjoy-or hate-violence. It was a tool." The writer looked up. "Which, you ask me, is scarier."

Dance thought of her earlier assessment, killing emotionlessly whenever it was expedient.

"Now, no history of drugs. Pell apparently's never been a user. And he doesn't-or didn't-drink any alcohol."

"What about education?"

"Now that's interesting. He's brilliant. When he was in high school he tested off the charts. He got A's in independent study classes, but never showed up when attendance was required. In prison he taught himself law and handled his own appeal in the Croyton case."

She thought of his comment during the interview, about Hastings Law School.

"And he took it all the way to the California Supreme Court-just last year they ruled against him. Apparently it was a big blow. He thought for sure he'd get off."

"Well, he may be smart but not smart enough to stay out of jail." Kellogg tapped a paragraph of the bio that described maybe seventy-five arrests. " That 's a rap sheet"

"And it's the tip of the iceberg; Pell usually got other people to commit the crimes. There're probably hundreds of other offenses he was behind that somebody else got nailed for. Robbery, burglary, shoplifting, pickpocketing. That's how he survived, getting people around him to do the dirty work."

"Oliver," Kellogg said.

"What?"

"Charles Dickens. Oliver Twist …You ever read it?"

Dance said, "Saw the movie."

"Good comparison. Fagin, the guy who ran the gang of pickpockets. That was Pell."

"'Please, sir, I want some more,'" Kellogg said in a Cockney accent. It was lousy. Dance laughed and he shrugged.

"Pell left Bakersfield and moved to L.A., then San Francisco. Hung out with some people there, was arrested for a few things, nothing serious. No word for a while-until he's picked up in Northern California in a homicide investigation."

"Homicide?"

"Yep. The murder of Charles Pickering in Redding. Pickering was a county worker. He was found stabbed to death in the hills outside of town about an hour after he was seen talking to somebody who looked like Pell. Vicious killing. He was slashed dozens of times. Bloodbath. But Pell had an alibi-a girlfriend swore he was with her at the time of the killing. And there was no physical evidence. The local police held him for a week on vagrancy, but finally gave him a pass. The case was never solved.

"Then he gets the Family together in Seaside. A few more years of theft, shoplifting. Some assaults. An arson or two. Pell was suspected in the beating of a biker who lived nearby, but the man wouldn't press charges. A month or so after that came the Croyton murders. From then on-well, until yesterday-he was in prison."

Dance asked, "What does the girl have to say?"

"Girl?"

"The Sleeping Doll. Theresa Croyton."

"What could she tell you? She was asleep at the time of the murders. That was established."

"Was it?" Kellogg asked. "By who?"

"The investigators at the time, I assume." Nagle's voice was uncertain. He'd apparently never thought about it.

"She'd be, let's see, seventeen now," Dance calculated. "I'd like to talk to her. She might know some things that'd be helpful. She's living with her aunt and uncle, right?"

"Yes, they adopted her."

"Could I have their number?"

Nagle hesitated. His eyes swept the desktop; they'd lost their sparkle.

"Is there a problem?"

"Well, I promised the aunt I wouldn't say anything to anybody about the girl. She's very protective of her niece. Even I haven't met her yet. At first the woman was dead set against my talking to her. I think she might agree eventually but if I gave you her number, I doubt very much she'd talk to you, and I suspect I'd never hear from her again."

"Just tell us where she lives. We'll get the name from Directory Assistance. I won't mention you."

He shook his head. "They changed their last name, moved out of the area. They were afraid somebody in the Family would come after them."

"You gave Kathryn the names of the women," Kellogg pointed out.

"They were in the phone book and in public records. You could've gotten them yourself. Theresa and her aunt and uncle are very unpublic."

" You found them," Dance said.

"Through some confidential sources. Who, I guarantee, want to stay even more confidential now that Pell's escaped. But I know this's important… I'll tell you what I'll do. I'll go see the aunt in person. Tell her you want to talk to Theresa about Pell. I'm not going to try to persuade them. If they say no, that's it."

Kellogg nodded. "That's all we're asking. Thanks."

Looking over the bio, Dance said, "The more I learn about him, the less I know."

The writer laughed, the sparkle returning to his face. "Oh, you want to know the why of Daniel Pell?" He dug through his briefcase, found a stack of papers and flipped to a yellow tab. "Here's a quote from one of his prison psych interviews. For once he was being candid." Nagle read:

"Pell: You want to analyze me, don't you? You want to know what makes me tick? You surely know the answer to that one, Doctor. It's the same for everybody: family, of course. Daddy whipped me, Daddy ignored me, Mommy didn't breastfeed me, Uncle Joe did who knows what. Nature or nurture, you can lay everything at your family's feet. But if you think too much about 'em, next thing you know, every single relative and ancestor you ever had is in the room with you and you're paralyzed. No, no, the only way to survive is to let 'em all go and remember that you're who you are and that's never going to change.

"Interviewer: Then who are you, Daniel?

"Pell (laughing): Oh, me? I'm the one tugging the strings of your soul and making you do things you never thought you were capable of. I'm the one playing my flute and leading you to places you're afraid to go. And let me tell you, Doctor, you'd be astonished at how many people want their puppeteers and their Pied Pipers. Absolutely astonished."

"I have to get home," Dance said, after Nagle had left. Her mother and the children would be anxiously awaiting her for her father's party.

Kellogg tossed the comma of hair off his forehead. It fell back. He tried again. She glanced at the gesture and noticed something she hadn't seen before-a bandage protruding above the collar of his shirt.

"You hurt?"

A shrug. "Got winged. A takedown in Chicago the other day."

His body language told her he didn't want to talk about it, and she didn't push. But then he said, "The perp didn't make it." In a certain tone and with a certain glance. It was how she told people that she was a widow.

"I'm sorry. You handling it okay?"

"Fine." Then he added, "Okay, not fine. But I'm handling it. Sometimes that's the best you can do."

On impulse she asked, "Hey, you have plans tonight?"

"Brief the SAC, then a bath at the hotel, a scotch, a burger and sleep. Well, okay, two scotches."

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