Will Staeger - Painkiller

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A TV and film executive, Staeger displays a real knack for creating cinematic scenes in his engaging first thriller. Cooper, a burnt-out former CIA operative living in a cheap bungalow on the British Virgin Island of Tortola, isn't too happy when "Cap'n Roy," the local police chief, dares to call him at 6 a.m. (Indeed, he gets out of bed and smashes the window in his front door with a baseball bat.) A badly burned, broken and tattooed male body has washed up on the beach, and Roy wants Cooper to dispose of it without disturbing the tourists. Given the corpse's unusual wounds, a shady expat coroner in the U.S. Virgin Islands agrees to conduct an autopsy. The tattoo entices Cooper into digging further, and he soon unearths evidence of a huge buildup of weapons in China. At the same time, Julie Laramie, a low-level agent working for the CIA, stumbles across the same Chinese plot, only to have her superiors threaten to ax her if anything leaks. It's only a matter of time-plus a few more highly visual action moments-before Cooper and Laramie have to secretly link up and trust each other to save the world.

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“Ocholito, ¡vámonos! ¡Policía!” she spat in the direction of the stairwell.

Cooper took an elbow and pivoted to extend a leg across her intended course; she caught his shin and toppled violently. He came around the table and stood over her, and as she withdrew what looked like a Swiss Army knife from the panties beneath the leather skirt, Cooper slugged her in the jaw. She went limp, a pond of flesh on the floor, and Cooper heard footsteps before observing the odd sight of an extremely short man in a red top hat charging mostly nude down the stairwell and out the door. Daylight burst into the room, blinding him, and as he felt his way out, the thought occurred to him that he had just witnessed the escape of The Cat in the Hat from the upstairs apartment.

Hustling into the alley, he found only a rusted Hyundai propped up on cinder blocks beside a Dumpster. He crouched, advancing gun-first around the Dumpster, then let his gun arm drop.

His back against the wall just past the Dumpster, Manny was lighting a particularly long joint for The Cat in the Hat. The Cat, whom Cooper presumed to be Ocholito, toked a lungful of weed and nodded his approval.

Cooper resheathed his Browning in the small of his back and took his first good look at the little man. Four foot nine at best, he wore a knotty beard that looked as though it would never grow all the way out, and like the taller man Cooper had seen conferring with Manny at the gallera, Ocholito was dark enough to make the cop look pale. The red top hat was half as tall as the man himself, and Ocholito wore a robe-satin, red like the hat, and unsecured, his manhood hanging unabashedly exposed to the Puerto Rican sunshine. Cooper now understood why Ocholito preferred, as Manny had put it, a whole lotta woman: in his own way, the four-foot-nine Ocholito was a whole lotta man.

Ocholito passed the doobie, and Manny sucked down a lungful of his own. Once he’d held it awhile, Manny said, “Mi amigo here, he’s looking for some answers nobody going to have but you, Ocho.”

“Oh yeah, c’est vrai?”

Ocholito’s voice was deep and oddly rough, like somebody with sand lodged in his larynx.

Cooper pulled the picture of the tattoo, thinking he ought to open a PI firm-we handle your problems when you’re already dead, just contact us in our dreams and we’re on the case. Hundred percent pro bono. Keeping his distance, he reached out to hand the snapshot to Ocholito.

“A kid who washed up dead in Road Town,” he said, “had that tattooed on the back of his neck. Voodoo symbol for death, the way I understand it. Had some tracks on his arms too. What I’d like to know is who uses the tatt-kid was running drugs, got caught stealing, I’d like to know who he was muling for. Somebody wearing that sign, maybe it makes him a banger-Eighty-seventh Street Voodoo Crips, I don’t know. Maybe you do.”

The Cat in the Hat glared at him, causing Cooper to observe that one of Ocholito’s eyelids was permanently wrinkled shut. The little man snatched the picture with manicured fingernails painted a high-gloss black and looked at the snapshot.

“Where your boy die again?”

“Body washed up on Tortola. Where he died? Anybody’s guess.”

The Cat in the Hat returned the picture and shook his head.

Cooper said, “Doesn’t mean anything to you?”

“Personne, nobody kill him,” Ocholito said in that sandy voice.

Cooper waited for further clarification. Getting none, he said, “Trust me, the boy was killed.”

“Nobody kill him ’cause he already dead.”

Cooper eyed the snapshot, seeing nothing more than he’d seen any other time he’d looked at it. “You’re telling me you can see from a picture of his neck he was already dead when they shot him?”

“That picture you showin’ me,” Ocholito said, “ain’t no tatt.”

“No?”

“Non. What you got in your hand, that be a picture of a brand.” Cooper wasn’t sure how he could tell, but he knew what was coming before Ocholito said his next words. “Et mon ami,” Ocholito said, “the brand you holdin’ be the mark of a zombie.”

Manny and Ocholito traded tokes. Cooper examined each man as he smoked, attempting to determine whether this might all have been a practical joke, planned months in advance by Manny, The Cat in the Hat, and Cap’n Roy.

“Assuming,” Cooper said, “I buy into that particular side of voodoo myth, I’d still like to know who uses the, uh, brand.”

“Nobody here.”

“Here, meaning-”

“Only place that shit go down for real, be Haiti, or maybe the DR. Pas ici.”

“Zombies,” Cooper said, “being in short supply outside of Hispaniola.”

“No, there plenty in Louisiana too,” Ocholito said and grinned. A gold tooth gleamed when he smiled. “But that about it.”

“Who in Haiti would use it?”

“Je ne sais pas.”

Cooper stomached his proximity with Ocholito’s naked member and stepped closer.

“Horseshit,” he said.

Ocholito’s expression and stance remained fixed, Cooper reading him immediately as a man who dealt with disrespect in ways that did not reside in the moment. Overendowed and not to be fucked with-outside of his exhibitionism and taste in women, Le Chat dans le Chapeau, Cooper thought, has it going on.

“I’ll give you some advice, mon ami,” Ocholito said. His voice had deepened to where he sounded like a Buddhist monk in song. “Journey you about to go on, maybe things be better, you stay home. You ready to pay the price?”

“Depends.”

Ocholito smiled again. “Maybe we bring you into the voudaison,” he said, “find you a loa. Mine, he give me powers most people only dream about. But the price be steep.”

“You asking me to sell my soul? Cosmic debt I’ve been running up pretty much drained that bank account.”

The Cat in the Hat emitted a Buddhist-monk chuckle. “We’ll see about that.”

Ocholito looked at Manny, giving him some kind of signal; needing no translation and too annoyed to negotiate, Cooper pulled a stack of fifties from his wallet and handed The Cat in the Hat four hundred bucks. Ocholito snagged the money with his high-gloss fingernails, and Cooper stepped off, giving Ocholito back his private space. The little man sucked down the last of the joint, held his breath for thirty seconds, exhaled, and nodded.

“Once you out of the country,” he said, “you out of the loop. So I ain’t your best source. Pas encore. But that picture you showing me be some version of the brand the bokor, black-magic witch doctor, burn into the skin of somebody fail to make the sacrifice he been told to make. Basically it be the brand marking somebody that bokor done zombified. Anybody spend time in the voudaison tell you that-but where, when, who done burned it in, well, je ne sais pas, mon ami. Your guess be as good as mine, since them bokors be workin’ outside of mainstream voodoo.”

He flicked the remnants of the joint to the pavement and to Cooper’s great relief folded closed the robe and knotted its strap above his equine protuberance.

“Somebody might be more up to speed,” Ocholito said, “be a man name of Benoit. Reynold Benoit, M.D. He live mainly in Port-au-Prince; by day, he work in conventional medicine, out of Hôpital H. L. Dantier.”

Cooper stored this. “And by night?”

Ocholito grinned, showing off that gold gleam. “That,” he said, “be why I’m giving you his name.”

Cooper nodded.

“Well, Little-eight,” he said, “I’d love to continue our conversation, but Manny’s backlog of unsolved cases beckons.”

He jerked his chin at Manny, walked around the Dumpster, and cut back through the store, finding no sign of the fortune-teller on his way to the car.

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