Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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Now?

And the voice said: Now .

She was up and running with all her might, aiming her body at the rear of the truck. A wide bumper and, above it, an open cargo area, concealed by swaying canvas. For a moment it seemed as if she’d moved too late, that the truck would race away, but in a burst of speed she caught it. Her hands found the lip of the gate, one bare foot and then the other left the road. Lacey Antoinette Kudoto, airborne: she was up and over and she was rolling in.

Her head hit the floor of the cargo compartment with a thump.

Boxes. The truck was full of boxes.

She scrambled to the front, against the rear wall of the cab. The truck slowed again as it approached the sentry hut. Lacey held her breath. Whatever happened now would happen; there was nothing she could do.

The hiss of air brakes; the truck jerked to a halt.

“Let me see the manifest.”

The voice belonged to the first sentry, the one who’d told Lacey to stop. The man-boy with his gun. She could discern, from the angle of his voice, that he was standing on the running board. The air suddenly tanged with cigarette smoke.

“You shouldn’t smoke.”

“Who are you, my mother?”

“Read your own manifest, dickhead. You’re carrying enough ordnance to blow us all halfway to Mars.”

A snickering laugh from the passenger seat.

“It’s your funeral. You see anyone down the road?”

“You mean, like a civilian?”

“No, I mean the abominable snowman. Yes, a civilian. A black woman, about five-six, wearing a skirt.”

“You’re kidding.” A pause. “We didn’t see anyone. It’s dark. I don’t know.”

The sentry climbed down from the running board. “Hang on while I check the back.”

Don’t move, Lacey , the voice said. Don’t move .

The canvas flaps opened, closed, opened again. A beam of light shot into the back of the truck.

Close your eyes, Lacey .

She did. She felt the beam of the flashlight rake her face: once, twice, three times.

You are a shield around me, O Lord-

She heard two hard pounds on the side of the truck, right beside her ear.

“Clear!”

The truck pulled away.

Richards wasn’t one bit happy. The crazy nun-what the blue fuck was she doing here?

He decided not to tell Sykes. Not until he knew more about it. He’d sent six men. Six! Just fucking shoot her! But they’d come back with nothing. He’d sent them back out, around the perimeter. Just find her! Put a bullet in her! Is that so hard?

The business with Wolgast and the girl had gone on too long. And Doyle-why was he still alive? Richards checked his watch: 00:03. He retrieved his weapon from the bottom drawer of his desk and checked the load and tucked it against his spine. He left his office and took the back stairs to Level 1 and exited through the loading dock.

Doyle was stashed over in civilian housing; the room had belonged to one of the dead sweeps. The sentry at the door was dozing in his chair.

“Get up,” Richards said.

The soldier jerked awake. His eyes floated with incomprehension; he didn’t look like he knew where he was. When he saw Richards standing above him, he rose quickly to attention. “Sorry, sir.”

“Open the door.”

The soldier keyed in the code and stepped away.

“You can go,” Richards said.

“Sir?”

“If you’re going to sleep, do it in the barracks.”

A look of relief. “Yes, sir. Sorry, sir.”

The soldier jogged down the catwalk, away. Richards pushed the door open. Doyle was sitting on the end of the bed, his hands folded in his lap, looking at the empty square on the wall where the TV had once been. An untouched tray of food rested on the floor, exuding a faint smell of rotting fish. As Doyle lifted his face, a thin smile creased his lips.

“Richards. You fuck.”

“Let’s go.”

Doyle sighed and slapped his knees. “You know, he was right about you. Wolgast, I mean. I was just sitting here thinking, When is my old friend Richards going to pay me a visit?”

“If it was up to me, I would have come sooner.”

Doyle looked like he was about to laugh. Richards had never seen such a good mood in a man who had to know what was about to happen to him. Doyle shook his head ruefully, still smiling. “I should have gone for those shotguns.”

Richards withdrew his weapon and thumbed the safety. “It would have saved some time, yes.”

He led Doyle across the compound, toward the lights of the Chalet. It was possible Doyle would take off running, but how far would he get? And, Richards wondered, why hadn’t he asked about Wolgast or the girl?

“Tell me one thing,” Doyle said, as they reached the parking area. A handful of cars were still there, belonging to the lab’s night shift. “Is she here yet?”

“Is who here?”

“Lacey.”

Richards stopped.

“So she is,” Doyle said, and chuckled to himself. “Richards, you should see your face.”

“What do you know about it?”

It was strange. A cool, blue light seemed to be shining from Doyle’s eyes. Even in the ambient glow of the parking lot, Richards could see it. Like looking into a camera at the moment the shutter opened.

“Funny thing, but you know?” Doyle said, and lifted his gaze toward the dark shapes of the trees. “I could hear her coming.”

Grey .

He was on L4. On the monitor, the glowing shape of Zero.

Grey. It’s time .

He remembered then, remembered all of it at last: his dreams and all those nights he’d spent in Containment, watching Zero, listening to his voice, hearing the stories he told. He remembered New York City and the girl and all the others, every night a new one, and the feel of the darkness moving through him and the soft joy in his jaw as he flew down upon them. He was Grey and not Grey, he was Zero and not Zero, he was everywhere and nowhere. He rose and faced the glass.

It’s time .

It was funny, Grey thought. Not funny ha-ha but funny strange, the whole idea of time . He’d thought it was one thing but it was actually another. It wasn’t a line but a circle, and even more; it was a circle made of circles made of circles, each lying on top of the other, so that every moment was next to every other moment, all at once. And once you knew this you couldn’t unknow it. Such as now, the way he could see events as they were about to unfold, as if they’d already happened, because in a way they had.

He opened the air lock. His suit hung limply on the wall. He had to close the first door to open the second, the second to open the third, but there was nothing that said he had to put the suit on, or that he had to be alone.

The second door, Grey .

He stepped into the inner chamber. Above his head, the showerhead hung like the face of some monstrous flower. The camera was watching him, but no one was on the other side; he knew that. And he was hearing other voices now, not just Zero’s, and he knew who these were, too.

The third door, Grey .

Oh, it was such happiness, he thought. Such relief. This letting go. This putting down and away. Day by day he’d felt it happening, the good Grey and the bad Grey coming together, forming something new, something inevitable. The next new Grey, the one who could forgive.

I forgive you, Grey .

He turned the wide handle. The gate was open. Zero uncurled before him in the dark. Grey felt his breath on his face, on his eyes and mouth and chin; he felt his hammering heart. Grey thought of his father, on the snow. He was weeping, weeping with happiness, weeping with terror, weeping weeping weeping, and as Zero’s bite found the soft place on his neck where the blood moved, he knew at last what the tenth rabbit was.

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