Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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All perfectly normal, except that those six hours were a blank, like an empty drawer in his brain. He’d obviously done the things he was supposed to, filed his reports and backed up the drives, moved the rabbit cages in and out, even exchanged a few words with Pujol or the other techs who came in. And yet he couldn’t remember any of it. He’d slide his card to enter the observation room and the next thing he knew his shift was over and he was coming out the other side.

Except for little things: fleeting things, small but bright somehow, little bits of recorded data that seemed to catch the light like confetti as they fluttered down through his mind throughout the day. They weren’t pictures, nothing as clear and straightforward as that, and nothing he could hold on to. But he’d be sitting in the commissary, or back in his room, or crossing the yard to the Chalet, and a taste would bubble from the back of his throat, and a queer juicy feeling in his teeth. Sometimes it struck him so hard it actually made him freeze in his tracks. And when this happened, he’d think of funny things, unrelated, a lot of which had to do with Brownbear. Like the taste in his mouth would push a button that would start him up thinking about his old dog, who, truth be told, he hadn’t really thought about much at all until recently, not for years and years, until that night he’d had that dream in Containment and tossed all over the floor.

Brownbear and his reeking breath. Brownbear dragging something dead, a possum or raccoon, up the front steps. That time he got into a nest of bunnies under the trailer, tiny little balls of peach-colored skin, not even covered with fur yet, and crunched them one by one, their little skulls popping between his molars, like a kid sitting in the movies with a box of Whoppers.

Funny thing: he couldn’t say for sure Brownbear had actually done that.

He wondered if he was sick. The sign over the sentry station on L3 made him nervous, in a way it hadn’t before. It seemed to be talking right to him. ANY OF THE FOLLOWING SYMPTOMS… One morning, returning from breakfast, he’d felt a tickle in this throat, like maybe he was getting a cold; before he knew it he’d sneezed hard into his hand. His nose had been running a little ever since. Then again, it was spring now, still cold at night but rising into the fifties or even sixties during the afternoon, and all the trees were budding out, a faint haze of green, like a spatter of paint over the mountains. He’d always been allergic.

And then there was the quiet. It took Grey a while to notice what this was. Nobody was saying anything-not just the sweeps, who never spoke much to begin with, but the techs and soldiers and doctors, too. It wasn’t like it happened all at once, in a day or even a week. But slowly, over time, a hush had settled over the place, sealing down on it like a lid. Grey had always been more of a listener himself-that’s what Wilder, the prison shrink, had said about him: “You’re a good listener, Grey.” He’d meant it as a compliment, but mostly Wilder was just in love with the sound of his own voice and happy to have an audience. Still, Grey missed the sound of human voices. One night in the commissary he counted thirty men hunched over their trays, and not one of them was saying a word. Some weren’t even eating, just sitting in their chairs, maybe nursing a cup of coffee or tea and staring into space. Like they were half asleep.

One thing: Grey was fine in the shut-eye department. He slept and slept and slept, and when his alarm went off at 05:00, or noon if, as likely as not, he’d been on the late shift, he’d roll over in bed, light a smoke from the pack on the nightstand, and stay still for a few minutes, trying to decide if he’d dreamed or not. He didn’t think he had.

Then one morning he sat down at a table in the commissary to eat-French toast stamped with butter, a couple of eggs, three sausages, and a bowl of grits on the side; if he was sick it sure hadn’t killed his appetite any-and when he lifted his face to take his first bite, a dripping slab of toast just inches from his lips, he saw Paulson. Sitting there, right across from him, two tables away. Grey had caught sight of him once or twice since their conversation, but not up close, not like this. Paulson was sitting over a plate of eggs he hadn’t touched. He looked like shit, his skin stretched so tight over his face you could see the edges of his bones. For an instant, just one, their eyes met.

Paulson looked away.

That night, checking in for his shift, Grey asked Davis, “You know that guy Paulson?”

Davis wasn’t his usual cheerful self these days. Gone were the jokes and the dirty magazines and the headphones with their buzz saws of leaking music. Grey wondered what in hell Davis did all night at the desk; though it was also true that Grey didn’t know what he himself was doing all night, either.

“What about him?”

But Grey’s question stopped right there; he couldn’t think what else to ask.

“Nothing. Just wondering if you knew him was all.”

“Do yourself a favor. Stay away from that asshole.”

Grey went downstairs and got to work. It wasn’t until later, running a scrub brush around a toilet bowl on L4, that he thought of the question he’d meant to ask.

What is he so afraid of?

What is everyone so afraid of?

They were calling him Number Twelve. Not Carter or Anthony or Tone, though he was so sick now, lying alone in the dark, that those names and the person they referred to seemed like somebody else, not him. A person who had died, leaving only this sick, writhing form in his place.

The sickness felt like forever. That’s the word it made him think of. Not that it would last forever; more that he was sick with time itself. Like the idea of time was inside him, in each cell of his body, and time wasn’t an ocean, like somebody had told him once, but a million tiny wicks of flame that would never be extinguished. The worst feeling in the world. Someone had told him he’d be feeling better soon, much better. He’d held on to those words for a while. But now he knew they were a lie.

He was aware, dimly, of movements around him, the comings and goings, the pokings and prickings of the men in the space suits. He wanted water, just a sip of water, to slake his thirst, but when he asked for this, he heard no sound from his lips, nothing except the roaring and ringing in his ears. They’d taken a lot of his blood. It felt like whole gallons of it. The man named Anthony had sold his blood from time to time; he’d squeeze the ball and watch the bag fill up with it, amazed at its density, its rich red color, how alive it looked. Never more than a pint before they gave him the cookies and the folded bills and sent him on his way. But now the men in the suits filled bag after bag, and the blood was different, though he couldn’t say just how. The blood in his body was alive but he didn’t think it was only his own anymore; it belonged to someone, something, else.

It would have been good to die about now.

Mrs. Wood, she’d known that. And not just about herself but about Anthony too, and when he thought this, for a second he was Anthony again. It was good to die. There was a lightness in it, a letting go, like love.

He tried to hold on to this thought, the thought that made him still Anthony, but bit by bit it slipped away, a rope pulled slowly through his hands. How many days had passed he couldn’t tell; something was happening to him, but it wasn’t happening quick enough for the men in the suits. They were talking and talking about it, poking and prodding and taking more of his blood. And he was hearing something else now, too: a soft murmur, like voices, but it wasn’t coming from the men in the suits. The sounds seemed to come from far away and from inside him all at once. Not words he knew but words nonetheless; it was a language he was hearing, it had order and sense and a mind, and not just one mind: twelve. Yet one was more than the others, not louder but more . The one voice and then behind it the others, twelve in sum. And they were speaking to him, calling to him; they knew he was there. They were in his blood and they were forever, too.

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