Justin Cronin - The Passage

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The Passage: краткое содержание, описание и аннотация

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"Read fifteen pages and you will find yourself captivated; read thirty and you will find yourself taken prisoner and reading late into the night. It has the vividness that only epic works of fantasy and imagination can achieve. What else can I say? This: read this book and the ordinary world disappears." – Stephen King
***
'It happened fast. Thirty-two minutes for one world to die, another to be born.'
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear – of darkness, of death, of a fate far worse.
As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he's done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey – spanning miles and decades – towards the time and place where she must finish what should never have begun.
With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.

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And This Place. He had come to it with a feeling of return, of a thing restored. He had drunk his fill of the world and here he rested, dreaming his dreams in the dark, until he awoke and he was hungry again and he heard the Zero, who was called Fanning, saying: Brothers, we’re dying . Dying! For there was hardly anyone left in the world, no people and no animals even. And Babcock knew that the time had come to bring those that remained to him, that they should know him, know Babcock and the Zero also, assume their place within him. He had stretched out his mind and said to the Many, his children, Carry the last of humankind to me; do not kill them; bring them and their words that they should dream the dream and become one of us, the We, the Babcock . And first one had come and then another and more and more and they dreamed the dream with him and he told them, when the dreaming was done, Now you are mine also, like the Many. You are mine in This Place and when I am hungry you will feed me, feed my restless soul with your blood. You will bring others to me from beyond This Place that they should do the same, and I will let you live in this way and no other. And those that did not bend their wills to his, that did not take up the knife when the time had come in the dark place of dreaming where Babcock’s mind met theirs, they were made to die so the others could see and know and refuse no longer.

And so the city was built. The City of Babcock, first in all the world.

But now there was Another. Not the Zero or the Twelve but Another. The same and not the same. A shadow behind a shadow, pecking at him like a bird that darted from sight whenever he tried to fix the gaze of his mind upon her. And the Many, his children, his great and fearful company, heard her also; he sensed her pull upon them. A force of great power, drawing them away. Like the helpless love he had felt so long ago, when he was just a boy, watching the red-hot tip rolling, rolling and burning against his flesh.

Who am I? they asked her. Who am I?

She made them want to remember. She made them want to die.

She was close now, very close. Babcock could feel it. She was a ripple in the mind of the Many, a tear in the fabric of night. He knew that through her, all that they had done could be undone, all that they had made could be unmade.

Brothers, brothers. She is coming. Brothers, she is already here.

FIFTY-TWO

“I’m sorry, Peter,” said Olson Hand, “I can’t keep track of all your friends.”

Peter had learned that Michael was missing just before sunset. Sara had gone over to the infirmary to check on him and found that his bed was empty. The whole building was empty.

They had fanned out in two groups: Sara, Hollis, and Caleb to search the grounds, Alicia and Peter to look for Olson. His house, which Olson had explained had once been used as the warden’s residence, was a small, two-story structure situated on a patch of parched ground between the work camp and the old prison. They had arrived to find him stepping from the door.

“I’ll speak with Billie,” Olson continued. “Maybe she knows where he went.” He seemed harried, as if their visit had caught him in the midst of some important duty. Even so, he took the trouble to offer one of his reassuring smiles. “I’m sure he’s fine. Mira saw him in the infirmary just a few hours ago. He said he was feeling better and wanted to have a look around. I thought he was probably with you.”

“He could barely walk,” Peter said. “I’m not sure he could walk at all.”

“In that case, he can’t have gone far, now could he?”

“Sara said the infirmary was empty. Don’t you usually have people there?”

“Not as a general matter. If Michael chose to leave, they’d have no reason to remain.” Something dark came into his face; he leveled his eyes at Peter. “I’m sure he’ll turn up. My best advice would be to return to your quarters and wait for his return.”

“I don’t see-”

Olson cut him off with a raised hand. “As I said, that’s my best advice. I suggest you take it. And try not to lose any more of your friends.”

Alicia had been silent until now. Suspended on her crutches, she bumped Peter with her shoulder. “Come on.”

“But-”

“It’s fine,” she said. Then, to Olson: “I’m sure he’s okay. If you need us, you know where to find us.”

They retreated through the maze of huts. Everything was strangely quiet, no one about. They passed the shed where the party had been held, finding it deserted. All the buildings were dark. Peter felt a prickling on his skin as the cooling desert night descended, but he knew this sensation was caused by more than just a change in temperature. He could feel the eyes of people watching them from the windows.

“Don’t look,” Alicia said. “I feel it too. Just walk.”

They arrived at their quarters as Hollis and the others were returning. Sara was frantic with worry. Peter related their conversation with Olson.

“They’ve taken him somewhere, haven’t they?” Lish said.

It seemed so. But where, and for what purpose? Olson was lying, that was obvious. Even more strange was the fact that Olson seemed to have wanted them to know he was lying.

“Who’s out there now, Hightop?”

Caleb had taken his position by the door. “The usual two. They’re hanging out across the square, pretending they’re not watching us.”

“Anyone else?”

“No. It’s dead quiet out there. No Littles, either.”

“Go wake up Maus,” Peter said. “Don’t tell her anything. Just bring her and Amy over here. Their packs, too.”

“Are we leaving?” Caleb’s eyes shifted to Sara, then back again. “What about the Circuit?”

“We’re not going anywhere without him. Just go.”

Caleb darted out the door. Peter and Alicia exchanged a look: something was happening. They would have to move quickly.

A moment later Caleb returned. “They’re gone.”

“What do you mean gone?”

The boy’s face was gray as ash. “I mean the hut’s empty. There’s no one there, Peter.”

It was all his fault. In their haste to find Michael, he’d left the two women alone. He’d left Amy alone. How could he have been so stupid?

Alicia had put her crutches aside and was unrolling the bandage from her leg. Inside, secreted there on the night of their arrival, was a blade. The crutch was a ruse: the wound was nearly healed. She rose to her feet.

“Time to find those guns,” she said.

Whatever Billie had put in his drink, the effects hadn’t worn off yet.

Michael was lying in the back of a pickup, covered with a plastic tarp. The bed of the truck was full of rattling pipes. Billie had told him to lie still, not to make a sound, but the jumpy feeling inside him was almost more than he could bear. What was she doing, giving him a concoction like that and expecting him to lie perfectly still? The effect was like shine in reverse, as if every cell in his body were singing a single note. Like his mind had passed through some kind of filter, giving each thought a bright, humming clarity.

No more dreams, she’d said. No more fat lady with her smoke and smell and awful, scratchy voice. How did Billie know about his dreams?

They’d stopped once, just a few moments after they’d left the infirmary, which they’d exited through the rear. Some kind of checkpoint. Michael heard a voice he didn’t recognize, asking Billie where she was going. From under the tarp Michael had listened anxiously to their exchange.

“There’s a broken line out in the eastern field,” she explained. “Olson asked me to move these pipes around for the crew tomorrow.”

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