Robertson Davies - The Rebel Angels

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Robertson Davies uses his magical touch to weave together the destinies of this remarkable cast of characters, creating a wise and witty portrait of love, murder, and scholarship at a modern university.

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"That's all about Maria?"

"Well, yes, it is. What else could there be?"

"God, Hollier, you are a fool. I remember your fortune well. Who is the Knave of Coins, the servant with a letter?"

"I don't know. He hasn't appeared yet. But the figure in your prediction that has brought me back to you is the Moon, the changeable woman, who speaks of danger. Who can that be but yourself? So naturally I turn to you for advice."

"Did you look good at that card? The Moon, high in the sky, and she is both the Old Woman, the full moon, and the Virgin, the crescent moon, and neither of them is paying attention to the wolf and the dog who are down on the earth barking at the Moon: and at the bottom of the card, under the earth, do you remember, there is the Cancer, and that is the earth spirit that governs the dark side of all the Moon sees, and the Cancer is many bad things – revenge and hate and self-destruction. Because it devours, you see; that is why the devouring disease bears its name. When I see the Moon card coming up, I always know that something bad could happen because of revenge and devouring hate and that it could ruin the person I am talking to. Now listen to me, Hollier, because I am going to tell you some things you won't like, but I hope I can help you by telling you the truth.

"You have been hinting for more than an hour that as an experiment – just as a joke, just to see what happens – I might try one of those old Gypsy spells on your enemy. What old Gypsy spells? Do you know of any? You talk as if you knew much more about Gypsies than I do. I only know maybe a hundred Gypsies, and most of them are dead – killed by people like you who must always be modern and right. All that spell business is just to concentrate feeling.

"But a curse? That needs the strongest feeling. Suppose I sell you a curse? I don't hate your enemy; he is nothing to me. So to curse him I have to be very well in with – What? - if I am to escape without harm to myself. Because What? is very terrible. What? does not deal in the Sweet Justice of civilized man, but in Balance, which is not nearly so much concerned with man, and may seem terrible and evil to him. You understand me? When Balance decides the time has come to settle the scales awful things happen. Much of what we do not understand is Balance at work. We attract what we are, you know, Hollier; we always get the dog or the fiddle that is right for us, even though we may not like it, and if we are proud Balance may be rough in showing us how weak we are. And the Lord of Balance is What?, and if I call down a curse just for your benefit, believe me. Balance must be satisfied, or I shall be in deep trouble. I do not think I want to stretch my credit with What? to oblige you, Hollier. I do not want to call on What?, who lives down there in the darkness where Cancer dwells, and whose army is all the creatures of the dark, and the spirits of the suicides and all the terrible forces, to get an old book for you. And do you know what frightens me about this talk we are having? It is your frivolity in asking such a thing of me. You don't know what you are doing. You have the shocking frivolity of the modern, educated mind."

Hollier was not taking this well. As Mamusia talked his face grew darker and darker until it was the colour people mean when they say a face is black; it was bloody from within. Now he faced her, and all the reasonable, professorial manner with which he had been talking for the past hour was gone. He looked terrible as I had never seen him before, and his voice was choked with passion.

"I am not frivolous. You cannot understand what I am, because you cannot know anything of intellectual passion -"

"Pride, Hollier, give it its real name."

"Be silent! You have said all you have to say, which is No. Very well then, say no more. You may have it your own way. When I came here I probably did hope that somehow you might consent to use your powers for my sake. I took you for a phuri dai and a friend. Now I know how far your friendship goes, and I have revised my ideas about the extent of your wisdom. I am no worse off than when I came. Good afternoon."

"Wait Hollier, wait! You do not understand what danger you are in! You have not understood what I have been saying! It is the feeling that is the power of the curse. If I say to What? "My friend here feels very deeply about so-and-so; what will you do for him?" I am only your messenger. To be the messenger I must have belief. You don't need me for a curse; you have already cursed your enemy in your heart, and you have reached What? without me. Man, I fear you! I have seen terrible hate before, but never in a man so stupid about himself as you are."

"Now you tell me I can do it without you?"

"Yes, because you have pushed me to it."

"So, listen to me, Madame Laoutaro: you have done one great thing for me this afternoon. I know now that I have both feeling and belief! I believe! Yes – I believe!"

"Oh God, Hollier my friend, I am in great distress for you! Maria, drive the professor home – and be very careful how you drive!"

I did not speak a word as I drove Hollier back to the gate of Spook. I had not spoken a word during his angry hour with Mamusia, though I was terrified by the awful feeling that mounted in that room, like a poison. What was there for me to say? As he got out of my car he slammed the door so hard I feared it might fall off.

2

The next day Hollier seemed calm, and said nothing to me about his row with Mamusia. Indeed, to judge from appearances, it affected him much less than it did me. I was being forced to come to new terms with myself. I had struggled hard for freedom from my Mother's world, which I saw as a world of superstition, but I was being forced to a recognition that it was out of my power to be wholly free. Indeed, I was beginning to think more kindly about superstition than I had done since the time, when I was about twelve, when I first became aware of the ambiguous place it had in the world in which I lived.

Everybody I knew at school was terribly hard on superstition, but I had only to watch them to see that all of them had some irrational prejudice. And where was I to draw the line between the special veneration some of the nuns had for particular saints, and the tricks the girls played to find out if their boy-friends loved them? Why was it all right to bribe St. Anthony of Padua with a candle to find you the spectacles you had mislaid but not all right to bribe The Little Flower to keep Sister St. Dominic from finding out you hadn't done your homework? I despised superstition as loudly as anyone, and practised it in private, as did all my friends. The mind of man is naturally religious, we were taught; it is also naturally superstitious, I discovered.

It was this duality of mind, I suppose, that drew me to Hollier's work of uncovering evidence of past belief and submerged wisdom. Like so many students I was looking for something that gave substance to the life I already possessed, or which it would be more honest to say, possessed me; I was happy and honoured to be his apprentice in this learned grubbing in the middens of supposedly outworn faith. Especially happy because it was recognized by the university as a scientific approach to cultural history.

But what was going on around me was getting uncomfortably near the bone of real superstition, or recognition that what I thought of as superstition might truly have some foundation in the processes of life. Long before Hollier told me he wanted me to take him to Mamusia again, I knew that what she had seen in the Tarot was manifesting itself in his life – and because in his, in mine as well. Growing difficulties and dissatisfaction with the way his work was going; the trouble-maker? – it was plain enough to me that Urquhart McVarish was the source of the disquiet and that Hollier's response was hatred – real hatred and not just the antagonism that is common enough in academic life. In the old expression, he was Cain Raised to get his hands on the Gryphius portfolio; the fact that he knew very little about what was in the letters merely served to persuade him that they were of the uttermost importance. What new light he expected on Rabelais and Paracelsus I could not guess; he dropped hints about Gnosticism, or some sort of crypto-protestantism, or mystical alchemy, about herbal cures, or new insights into the link between soul and body that were counterparts of the knowledge Ozy Froats was so patiently seeking. It seemed that he expected anything and everything if he could only get his hands on the letters that were tucked into the back flap of that leather portfolio. McVarish was thwarting him, and Cain was raised.

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