Justin Cronin - The Summer Guest

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Winner of the PEN/Hemingway Award for his radiant novel in stories, Mary and O'Neil, Justin Cronin has already been hailed as a writer of astonishing gifts. Now Cronin's new novel, The Summer Guest, fulfills that promise – and more. With a rare combination of emotional insight, narrative power, and lyrical grace, Cronin transforms the simple story of a dying man's last wish into a rich tapestry of family love.
On an evening in late summer, the great financier Harry Wainwright, nearing the end of his life, arrives at a rustic fishing camp in a remote area of Maine. He comes bearing two things: his wish for a day of fishing in a place that has brought him solace for thirty years, and an astonishing bequest that will forever change the lives of those around him.
From the battlefields of Italy to the turbulence of the Vietnam era, to the private battles of love and family, The Summer Guest reveals the full history of this final pilgrimage and its meaning for four people: Jordan Patterson, the haunted young man who will guide Harry on his last voyage out; the camp's owner Joe Crosby, a Vietnam draft evader who has spent a lifetime 'trying to learn what it means to be brave'; Joe's wife, Lucy, the woman Harry has loved for three decades; and Joe and Lucy's daughter Kate – the spirited young woman who holds the key to the last unopened door to the past.
As their stories unfold, secrets are revealed, courage is tested, and the bonds of love are strengthened. And always center stage is the place itself – a magical, forgotten corner of New England where the longings of the human heart are mirrored in the wild beauty of the landscape.
Intimate, powerful, and profound, The Summer Guest reveals Justin Cronin as a storyteller of unique and marvelous talent. It is a book to treasure.

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Another two weeks passed. On a bright afternoon in mid-September, I took my last swim of the year. The leaves were pouring down; the water was cold as ice under a thinning autumn sun. Around the lake, the woods flamed with a thousand hues of red and orange. I did my laps quickly, my mind on nothing, and when I was done I spread a towel on the dock to give my skin a final taste of summer.

I might have slept awhile, and dreamed, or else my thoughts were simply drifting, pushed by the currents of heat that moved along my body. I thought of my first night in my apartment in Portland, and the aurora borealis I had watched from the window in March, that curtain of shimmering, angelic light; I thought of Joe, disappearing up the gangplank of the Jenny-Smith, his footsteps echoing on the cold metal, and the winter sun in the curtains of the motel room where I awoke two days later; and Harry rising from the water to kiss me. A hundred images from my life, and then a hundred more, unspooling like film in the clicky projector, the sound growing louder and louder until I knew it was my heart, clicking in my chest; and beneath it the feeling, almost beyond words, that something new was moving inside me: something was happening, something was coming near. What in the world?

I sat bolt upright, too fast. My head felt weightless, made of air. A black wave rose to my throat, and the next thing I knew was the world turned upside down as I hung my head over the edge of the dock to vomit; and what the third thing was.

NINETEEN

Joe

I made it all the way to California before I turned around. Another ocean on another coast: the buildings, the light, the sea itself, everything was strange and wrong, bleached by the light in a way that seemed dirty. I’d arrived in LA the night before on a bus from Nogales; the hour was too late to find a place to stay, so I’d slept on a hard bench in the station, then in the morning found my way on a series of city buses to the pier in Santa Monica. I was twenty pounds underweight, my jeans and T-shirt stiff with grime; my beard, flecked with equal parts red and gray, climbed halfway up my cheeks. I’d traded the duffel bag for a backpack in New Mexico, where I’d briefly worked crating artichokes, a vegetable I’d never eaten. It was March, still winter back home. The air around the Santa Monica pier smelled of flowers and the sea. On the concrete path that edged the shore, grown men and women were roller-skating, something I thought only children did. Other people were walking, so I did too, down the shore to Venice, past the weight-lifting cages and T-shirt stands and head shops, and farther still, until I found myself on a section of beach that looked like nobody ever went there, beneath the airport glide path. I slept that night under an empty lifeguard station, listening to the heavy roar of the planes that flew so low I could feel the air compress around me as they passed; in the morning I walked back north and found a little coffee shop where I ate a buttered roll and washed up in the men’s room. My face in the chipped mirror was one I hardly recognized. A feeling of finality washed over me; I’d gone as far as I could, and it wasn’t enough. “Go home,” I said to my reflection. “It’s over. Go home, Joe.” I stepped back into the restaurant and asked the counterman if he knew where the nearest freeway on-ramp was, and he told me, with an impatient wave of his hand, that I was practically standing on it. Go out the back door, he said, walk another two blocks, and that’s the 10. Take you all the way to Florida.

I arrived in town on April Fool’s Day, in the cab of a logging truck that had brought me up from Portland. The driver let me out on Main Street, near the boarded-up bulk of the Lakeland Inn, before zooming off; clenching the collar of my threadbare jean jacket against the wind, I hiked up to the pay phone to call the lodge.

I had been gone a little over four years-four years, five months, and an odd number of days-and I knew I should have felt something, joy or sadness or maybe just relief. But the truth is, all I felt was tired. There was no other place for me to go, no spot on earth for me but the one I was finally in, even if that would be taken from me soon enough. I wondered how long it would take before I was arrested, who would see me first and make the call. But even this question aroused in me little more than a passing curiosity, as if I were thinking of another person entirely, some unlucky soul I had heard about on the television news in Albuquerque or over a pitcher of beer in a taproom in Omaha. As I stood in the booth, breathing on my bare hands for warmth and listening to the phone in the lodge ringing for the twentieth, unanswered time, a VW Squareback coasted by me. The driver, a youngish woman I didn’t recognize-Shellie Wister, though I didn’t know that then-turned her head to give me a long, appraising look as she passed. For an instant I felt my stomach twist with fear, then thought how stupid this was. For all anybody could tell from the window of a moving car, I was just some vagrant, using the telephone.

The only thing to do was walk. I stepped from the booth and looked at the sky, a churning bulk of gray. The ground was bare, but that meant nothing; I had left in snow, and unless I missed my guess, I would be returning in it too.

I arrived at the camp in darkness, half frozen. For the last five miles I had walked with my fingers in my mouth. Only a single light glowed from the living room. The weather had held off, but you could taste snow in the air. I tried the front door but it was locked, so I went around back to the kitchen, where we had always hidden a key on a nail, and let myself in.

I should have been hungry, but the cold had taken my appetite away; it was all I could do to get a fire going and huddle on the sofa with a blanket around me. Eventually I slept, and awoke to a sweep of headlights across the ceiling. The sound of the front door squeaking open on its hinges, and voices murmuring in the hall: one was my father’s, the other I knew but couldn’t place. I watched from the sofa as the two men made their way into the darkened room and fumbled for the light switch.

“Joey, Jesus Christ!”

My father, backlighted in the golden glow of the lamp, stood before me. My first impression was that he had become old, an old man. His face had yellowed like newspaper; his hair was nearly gone. He stood oddly, leaning slightly to one side, supporting his weight on a silver cane, which, at the instant I saw it, he dropped with a slap on the hard plank floor. The last of his strength seemed to be leaving him at just that moment.

“Joey, Joey, my God.”

I rose and put my arms around him. “It’s all right, Dad. I’m home.”

“Joey, Joey.”

“I tried to call. I got no answer.”

“We were at the hospital.” The voice was the second man’s; I’d almost forgotten he was there. I brought the image into focus: Paul Kagan.

“The hospital.” I looked at Paul. “What’s wrong? Is he all right?”

My father shook his head. “It’s not me. It’s Lucy.”

“Lucy? What’s wrong?”

“When did you come back?” my father said. “You should have told me, Joey.”

“Dad, what are you talking about? What’s at the hospital?”

“Your daughter, Joey.” He looked me firmly in the eye. “Lucy wouldn’t tell me, but I knew. Your daughter was born last night.”

And so a family story was made: how I had returned the previous summer, unknown, under cover of darkness, to be with Lucy; and how eight months later, knowing the child we had conceived on that visit was about to be born, I had come home to claim her, and face the music of my life. A story in which I was in one way a hero, and another way not; but a story nevertheless, built foursquare on the moment when my father looked me in the eye and told me Kate was mine, and I didn’t say a word, my silence saying yes. I never learned if he knew the truth, and even in the final weeks of his life I didn’t find the courage to ask him. But my heart tells me he did not; one thing my father never could do was lie. He might have had an easier life if this had been possible, but it simply wasn’t.

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