Justin Cronin - The Summer Guest

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Winner of the PEN/Hemingway Award for his radiant novel in stories, Mary and O'Neil, Justin Cronin has already been hailed as a writer of astonishing gifts. Now Cronin's new novel, The Summer Guest, fulfills that promise – and more. With a rare combination of emotional insight, narrative power, and lyrical grace, Cronin transforms the simple story of a dying man's last wish into a rich tapestry of family love.
On an evening in late summer, the great financier Harry Wainwright, nearing the end of his life, arrives at a rustic fishing camp in a remote area of Maine. He comes bearing two things: his wish for a day of fishing in a place that has brought him solace for thirty years, and an astonishing bequest that will forever change the lives of those around him.
From the battlefields of Italy to the turbulence of the Vietnam era, to the private battles of love and family, The Summer Guest reveals the full history of this final pilgrimage and its meaning for four people: Jordan Patterson, the haunted young man who will guide Harry on his last voyage out; the camp's owner Joe Crosby, a Vietnam draft evader who has spent a lifetime 'trying to learn what it means to be brave'; Joe's wife, Lucy, the woman Harry has loved for three decades; and Joe and Lucy's daughter Kate – the spirited young woman who holds the key to the last unopened door to the past.
As their stories unfold, secrets are revealed, courage is tested, and the bonds of love are strengthened. And always center stage is the place itself – a magical, forgotten corner of New England where the longings of the human heart are mirrored in the wild beauty of the landscape.
Intimate, powerful, and profound, The Summer Guest reveals Justin Cronin as a storyteller of unique and marvelous talent. It is a book to treasure.

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I heard the screen door slam behind me and turned to see Harry walking down the lawn. The summer had made him tanner than I’d ever seen; he was wearing khakis and an oxford cloth shirt the color of butter, wrinkled and rolled to the elbows, and for just a moment as he came and stood beside me, his hands in his pockets, I caught my mind drifting in the fan of golden hair on his ropy forearms.

“Thank God that’s over,” he said. “I thought we’d have a mutiny if the rain kept up.” He ran a hand over the back of his head and lifted his chin toward the water. “What do you say we show the movie out here? It’d be a nice treat after today.”

“On the dock, you mean?”

“Sure, why not? With this breeze the bugs won’t be too bad.”

I liked the idea, and while Harry went to see about chairs and setting up the screen, I returned to the office to find out what title the rental company had sent us. Usually I was working in the kitchen when it arrived by UPS on Thursday mornings, three dented canisters containing two cartoons and a feature, but not that week, and it had sat for two days on the office desk without my having a free moment even to peek. Most were old black-and-whites you could just as easily see on TV at three in the morning, cornball romances or tough-guy private-eye stuff, but the guests loved them, and when the cartoons were over and the kids whisked off to bed, it usually took less than five minutes for the grown-ups to break out the hard stuff, everybody getting cheerfully soused and yelling out the lines they knew or else bawling their eyes out.

I saw we were in luck: a couple of Road Runners, always a crowd-pleaser, followed by Casablanca. I’d seen it a dozen times, of course, but I still vividly remembered the first time, munching on popcorn in a friend’s finished basement while her parents slept upstairs, the two of us later sneaking cigarettes in her bedroom and trying to hold them like Bogey while blowing the smoke out an open window. I grabbed a sweater and carried the canisters down to the dock, where the guests were beginning to gather. Some of the men were carrying chairs down from the dining room; Harry was fiddling with the projector, aiming a square of light at the screen and trying to get the angle just so. A hum of anticipation: the dreary day had been rescued. Above us, the first stars were coming out.

Harry looked up from the projector and grinned. “What’s playing?”

“You’ll see,” I said, and handed him the first canister. I felt it, too; the evening was like a marvelous present, waiting to be opened. “It’s perfect. People will know every line.”

After the cartoons, we broke for thirty minutes so everyone could get the youngest children down for the night, then Harry started up the movie again and the bottles and paper cups came out. The ricocheting click of the projector and Bogey’s smoke-cured voice muttering out his sorrows; Ingrid Bergman’s enormous eyes, like pools of light floating over the water; Sam’s tinkling piano and the elusive letters of transport and the final, mad dash for the airfield and the last plane out, all debts of love and honor served: “Maybe not today, maybe not tomorrow, but soon, and for the rest of your life…” As Rick and Louis walked away across the foggy tarmac, everybody shouted the final line and broke into applause.

Afterward the group dispersed, but no one was in the mood to sleep. Islands of conversation drifted all around the lawn and cabins, punctuated by bursts of boozy laughter. This always happened once or twice a summer: out of the blue a spontaneous party would seize the place like a fever, and nobody would make it to bed until three or four in the morning. I’d had a couple of drinks myself, Scotch with something sweet in it that someone had passed me in a paper cup. Once the chairs and projector were put away in the storage closet, I went upstairs and dressed in my suit to clear my head with a swim. Party or no, I would still be up by six to cook breakfast, even if nobody showed.

The water was cold from the rain, but I swam my laps easily, my brain still cloudy from the liquor. When I was done I lay on my back, just floating, my face lifted to a veil of stars so thick I felt I could brush them with my hand. It was almost over, my strange, happy summer, and I would have stayed that way forever if I could have, floating and looking, to freeze the feeling in my mind. Then I heard running footsteps and a splash.

“God, it’s freezing!” Harry dove beneath the surface again and reappeared a few feet in front of me, treading water. “Tell me again why you do this.”

I righted myself and took a step toward him. “You can stand here, you know.”

He bobbed on his toes. “Oh. So I see.”

He reached his hand to my face and kissed me then, or I kissed him; who kissed who I couldn’t say. We kissed each other, the taste of it mixed up with the metallic flavor of the lake and the sweetened Scotch I’d drunk and all the time in which we’d never kissed each other. When we stopped I said, “What are we doing?” And then, “I’m cold.”

“Where will you go, Lucy?”

“I don’t know,” I said. “I don’t know, I don’t know.”

“You can come with me. We can go anywhere.”

“Anywhere is not a good idea, Harry,” I said. “If there’s one thing I know, I’m not a girl who can just go anywhere.”

“You’re shivering.”

My chin and then my whole body were trembling. I wanted him to kiss me again. “I’ve been meaning to tell you, Harry. Your eyes. There’s something about them, how blue they are. So very, very blue.”

“It’s all right, then?”

“Yes,” I said, and felt it fold around me: the feeling of a secret, and the moment of bottled time. “It’s all right. It’s all right, Harry.”

“They’ve forgotten us,” Harry was saying. “We’re like this place. Nobody knows it but us.”

We were kissing again, still kissing. “But we’ll know. That’s the thing, isn’t it? We’ll know.”

“That’s right,” he said. “We’ll always know.” Then he took my hand and said, “Come on.”

And that was how it happened.

Two weeks later, Harry was gone. He left behind three things. The first two I found in his cabin, meant for me. A check for forty-one thousand dollars, made out to the county. And the pills he’d planned to use to kill himself, the same ones he had used to help Meredith die.

In the two weeks that Harry and I were lovers, he told me about Meredith, and not just what happened at the end. He told me about how they had met, and fallen in love, and what she wore the day they married, and about the day Sam was born and seeing Hal that autumn evening in the driveway, holding his basketball: all of it. He took his time, letting the night pass as he told the story, the two of us curled like cats on the creaky cot in his cabin; when he finished the sun was rising, and together we swam in the lake that now seemed like it was only ours and went to the kitchen to warm ourselves with coffee and wait for the sounds from the dining room, the footsteps and clearing throats, that would mean another twelve hours would pass before we could be alone again. About the pills and his plans for them, he didn’t say; but when I was cleaning out his cabin the afternoon after I’d discovered that the Jag was missing from the spot where it had sat, collecting tree sap and pollen, since June, and found them in the medicine cabinet, and then saw what they were and who they were for, I knew. You saved me, the pills said to me, and in my head I answered, No, you saved me, Harry. I think we saved each other. I opened the bottle and counted them out in my palm: thirteen, shaped like tiny eggs. Thirteen ways to sleep and dream your life away. I was standing next to the open toilet; I opened my fingers and watched them fall into the water, one by one by one, knowing they were another secret I was meant to keep, and would.

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