Richard Hawke - Speak of the Devil

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"From first line to last, Speak of the Devil moves with a rare combination of intrigue and intensity. Its engine runs on high octane adrenalin. Richard Hawke delivers a winner." – Michael Connelly
***
It’s a beautiful Thanksgiving morning in New York City. Perfect day for a parade, and Fritz Malone just happens to have drifted up Central Park West to take a look at the floats. Across the crowd-filled street he sees a gunman on a low wall, taking aim with a shiny black Beretta. Seconds later, the air is filled with bullets and blood. Fritz isn’t one to stand around and watch. A child of Hell’s Kitchen and the bastard son of a beloved former police commissioner, Fritz is all too familiar with the city’s rougher side. As the gunman flees into the park, Fritz runs after him. What he doesn't know is that he is also running into one of the most shocking and treacherous episodes of his life. Though Fritz assumed that chasing down bad guys is perfectly legal, the cops hustle him from the scene and deliver him to the office of the current commissioner, who informs Fritz that someone dubbed “Nightmare” has been taunting the city’s leaders for weeks, warning of an imminent attack on the citizenry. What’s worse, Nightmare has already let the officials know that the parade gunman was a mere foot soldier and that there’s more carnage to come unless the city meets his impossible demands. The pols don’t dare share this information with anyone – not even the NYPD. What they need for this job is an outside man. And in Fritz they think they've got one. Racing against the tightest of clocks, Fritz finds himself confounded by Nightmare’s multiple masks and messengers. The killer is simultaneously everywhere and nowhere. But as Fritz’s frantic investigation takes him from a convent in the Bronx to a hookers’ haven in central Brooklyn, the story behind the story – complete with wicked secrets on both sides of the law – begins to emerge. As Fritz zeroes in on the terrible, gruesome truth, the killer retaliates by making things personal, forcing Fritz to grapple with his deepest fear: sometimes nightmares really do come true. In his brilliantly paced and stunningly original debut, Richard Hawke delivers a tale of flawed and unforgettable people operating at the ends of their ropes. It’s literary suspense that doesn’t let go until the last page.

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“You’re Margaret King’s aunt?” I said.

Her lips were fat and cracked. “Yes.”

“I’m sorry to bother you, Mrs. King, but it’s very important that I talk with you. A friend of Margaret’s told me how to locate you. My name is Fritz Malone. I’m a private investigator working with the police on a case that… Well, it’s a matter of life or death.”

“What do you want with me?”

“There’s a man out there who I need to locate as fast as possible. I have reason to believe that your niece was acquainted with him in some fashion and-”

“My niece is dead.” She had a strong, clear voice, like a car horn.

“I know that,” I said. “I’m sorry.”

“What did Margaret have to do with this man? Who is he? I can’t help you.”

“The man is a murderer, Mrs. King.”

And then a creature did appear next to her shoes, a hairless dog not much bigger than a rat. Its eyes were like jellied marbles, and its toenails clicked as it shifted nervously from foot to foot to foot, like maybe it had to pee.

“I can’t help you,” the woman repeated. The dog let out a yelp. My shoe would have fit over it perfectly.

“I’m sorry,” I said again. “This will take just a few minutes, but I can’t accept no.”

“Did you say you’re with the police?”

“I’m working with the police.” I pulled out my wallet and showed her my card. It didn’t make her swoon. The dog yapped again and resumed his I’ve-got-to-pee dance. Another day and I might have shown my ID to the pooch, too. “Five minutes, Mrs. King. You can set your egg timer.”

A sharp sound erupted from her. I saw a flash of teeth. It must have been a laugh. She skidded the dog away from the doorway with her foot and stepped back. “Come in.”

The television set in the living room was on. Some TV movie. A pair of beautiful people having a lip-quivering competition while the camera closed in on their faces. Ruth King waddled to the set and was about to turn it off.

I blurted, “Wait. Could you keep it on?”

“What?”

“Could you just turn down the volume?”

She honked. “You watch this?”

If Angel was back in form, they’d be cutting away from the movie to report the carnage. Ruth King turned down the volume, then set her knuckles on her hips. I braced for the spell. “Do you want some water or something?” she asked.

“No, thanks.”

I reached into my pocket and pulled out the copy of Margaret’s suicide note that Sister Natividad had copied. And I froze. The woman noticed.

“What’s wrong?”

“Um. Nothing. I… I’ll take you up on that offer after all. The water.”

She stepped into the kitchen, trailed by her hairless rat. I could feel the blood rushing into my face. My breath even went short, as if I were suddenly back in a tunnel.

Angel Ramos was not our man. Rather, he was maybe one of our men, the way Roberto Diaz had been one of them. But he wasn’t the only man. He was not the thinking man. If he was involved at all, he was muscle. He was a man who could pull a trigger or leave off a bomb or swing a knife, but this thing that had kicked up last Thursday was not his scheme. I knew it. The nagging feeling that had been with me on some level since the moment I’d entertained a doubt at the Flea Club… it was the right feeling after all. Doubt everything . I’d known it the second I pulled Margaret’s suicide note out of my pocket.

Angel Ramos. In Fort Petersen. A punk, a hood, a lowlife since he was old enough to light his first cigarette.

Sister Margaret King. A nun way the hell up in Riverdale.

Trying to fit those two together had been like trying to force magnets at their similar poles. Why in the world would Angel Ramos jerk Leavitt and Carroll around for a million dollars only to hand it all over to an order of nuns that he had no apparent connection to? It had never made sense, and it was never going to make sense, because that’s not what had happened.

The person who left the note instructing the Sisters of Good Shepherd to go collect their “gift” at the Cloisters had made one thing clear to anyone who was paying close attention. And Sister Natividad had paid close attention. The fact that she hadn’t drawn the obvious conclusion was not her fault. That was my fault. I’m the one with the license to snoop. Such things are my business, not the business of some young Filipino nun with a ready blush.

The one thing made clear by the person who left the Cloisters note-and my bet was that it was evident in Nightmare’s earlier notes as well-was that the person who had written that note had also had access to Margaret King’s suicide note. That wasn’t Angel Ramos, unless he’d happened across Margaret’s body in the park before the jogger did and decided on a whim to copy down the contents. And I wasn’t buying that scenario.

The note had been found by the police in Margaret’s coat pocket. Doubtless it had circulated among a few of the blue, though probably not all that many. Once the M.E. had confirmed the obvious, that Margaret King’s injuries were self-inflicted and that this was in fact a case of suicide, the thin file was complete. No further investigation.

The dead nun’s note would have been passed on to her family. Her next of kin.

Ruth King returned with a glass of water, trailed by the dog. I put the note back in my pocket as casually as I could. It felt like I was stuffing in a thirty-pound goose. I accepted the glass of water and drained it. “I’m sorry to ask this, but is your husband still alive?”

“Albert? He died ten years ago.”

“I see. Do you have any other family? Any children?”

“You mean James?”

“James.”

“That’s my son.”

“Does James live in the area?”

“He lives in Manhattan.”

“What can you tell me about him? I mean, if you were to say what kind of person he is.”

“I don’t understand.”

I was grasping, I knew, but I couldn’t shake the feeling that there was something in my fist. “Let me ask you this. James and Margaret, they were cousins, right? What kind of relationship would you say they had?”

She darkened. “He hated her. He blamed her for Albert’s death.”

“For your husband’s death?”

“That’s what he says.”

“How did your husband die, if you don’t mind my asking?”

“He grew weak. His heart gave out.” She gave another honk. Not with humor this time. “It’s a long story.”

“Could you sum it up quickly for me?”

“Sure I can. We took Margaret in after her parents were killed. Then she-”

“Wait. I’m sorry, Margaret’s parents were killed ? When was that?”

“I told you, it’s a long story. I thought you said you were in a hurry.”

“I can hear this.”

She shifted on her feet. “Albert’s brother and his wife, June, were killed in their sleep by an intruder. Years ago. It was a dopehead trying to get some money. They caught him. He’s in jail and that’s where I hope he rots. Margaret was in her bedroom when it happened. She was sixteen. She heard it happening, the whole thing, and she hid under her bed. That’s the only reason she lived. When he was finished butchering Ronnie and June, the man went into her room, too. But he didn’t see her hiding. Girl peed herself lying there on the floor. Can you imagine? After this, she moved in with us. Then she had… You know about her attack?”

“I know about that. They never caught the man.”

“For three months the damn girl pretended it didn’t happen, or when she’d finally admit it, she made up all these different stories about what really happened. Then one day, out of the blue, she says it was Albert that did it.”

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