Richard Hawke - Speak of the Devil

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Speak of the Devil: краткое содержание, описание и аннотация

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"From first line to last, Speak of the Devil moves with a rare combination of intrigue and intensity. Its engine runs on high octane adrenalin. Richard Hawke delivers a winner." – Michael Connelly
***
It’s a beautiful Thanksgiving morning in New York City. Perfect day for a parade, and Fritz Malone just happens to have drifted up Central Park West to take a look at the floats. Across the crowd-filled street he sees a gunman on a low wall, taking aim with a shiny black Beretta. Seconds later, the air is filled with bullets and blood. Fritz isn’t one to stand around and watch. A child of Hell’s Kitchen and the bastard son of a beloved former police commissioner, Fritz is all too familiar with the city’s rougher side. As the gunman flees into the park, Fritz runs after him. What he doesn't know is that he is also running into one of the most shocking and treacherous episodes of his life. Though Fritz assumed that chasing down bad guys is perfectly legal, the cops hustle him from the scene and deliver him to the office of the current commissioner, who informs Fritz that someone dubbed “Nightmare” has been taunting the city’s leaders for weeks, warning of an imminent attack on the citizenry. What’s worse, Nightmare has already let the officials know that the parade gunman was a mere foot soldier and that there’s more carnage to come unless the city meets his impossible demands. The pols don’t dare share this information with anyone – not even the NYPD. What they need for this job is an outside man. And in Fritz they think they've got one. Racing against the tightest of clocks, Fritz finds himself confounded by Nightmare’s multiple masks and messengers. The killer is simultaneously everywhere and nowhere. But as Fritz’s frantic investigation takes him from a convent in the Bronx to a hookers’ haven in central Brooklyn, the story behind the story – complete with wicked secrets on both sides of the law – begins to emerge. As Fritz zeroes in on the terrible, gruesome truth, the killer retaliates by making things personal, forcing Fritz to grapple with his deepest fear: sometimes nightmares really do come true. In his brilliantly paced and stunningly original debut, Richard Hawke delivers a tale of flawed and unforgettable people operating at the ends of their ropes. It’s literary suspense that doesn’t let go until the last page.

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“I must… We must pray for him. We must find forgiveness in our hearts.”

She stood and walked over to the fountain. I couldn’t quite tell, but it looked as if she dipped her hand into it, dry as it was.

Jigs looked over at me. He spoke in a low growl. “First we catch him and beat the living shit out of him. Then we’ll worry about the forgiveness part.”

BEFORE LEAVING THE CLOISTERS, SISTER MARY HAD REQUESTED THAT she be allowed a copy of the note. Gerald Small had photocopied it for her.

“We’ll be in touch,” I told her.

I phoned Margo on our way back to the city, but she didn’t answer. I left her a short, silly message that apparently hit Jig’s funny bone.

“You’d buy the moon for that girl, wouldn’t you?”

I called Tommy Carroll on his cell phone, but he didn’t answer either. I was dumped into voice mail. I left him a short message, too. Not as silly: “He didn’t show. He sent a nun instead. She knows nothing. I’ve got the cash. Call me.”

We stopped at Cannon’s on Broadway at 108th. We brought the million dollars inside with us. Jigs was still disgusted with the yuppie makeover the place had undergone several years back. In our younger days, Jigs and I used to include Cannon’s on our rounds. It always felt as if we were stepping into a cave. Now a new glass front let in so much light from the street that you couldn’t find a dark corner if your life depended on it. Large-screen television sets hung all around the ceiling. Football, ice hockey, motocross, every sport in the book. The old tables had been replaced; no more knife scars and cigarette burns. The bar had been refinished. And with the city’s recent no-smoking policies, you could actually see from one end of the room to the other. Time was at Cannon’s, you’d pick up your darts and have to throw them into a fog.

Jimmy Reese still worked the bar. Except for the blue polo shirt with the Cannon’s cloverleaf logo on it, Jimmy remained unrenovated. His tomato face was a psychedelic of burst blood vessels. Jimmy used to be a boxer. When I was a teenager, I saw him fight a handful of times. He had a peculiar sideways punch that became his signature. At a given moment in the round, he would abruptly shift so that he was standing next to and just a little behind his opponent. It was a sudden move, and when the opponent would start his turn to face Jimmy, the glove would come up. Pop, pop . Rabbit punches, but hard ones. Jimmy called them “nose poppers.” He could do it from either side.

At Cannon’s, especially late at night when he got talking, you’d see Jimmy go sideways behind the bar and feign a few of the punches. On the rare occasions when a real tussle broke out between patrons, he’d land them. They were still plenty hard. Jimmy Reese had stabbed his first wife during a domestic dustup. She lived-it was a superficial arm wound-but she set her two meaty brothers on him. Jimmy managed to KO one with his sideways punches, but the other one took a cast-iron pan to Jimmy’s skull. When his hair started receding a few years ago, you could see the flat spot where the bone reset poorly.

Jimmy’s second wife was named Shirley. That marriage lasted five years. Shirley referred to it as a “five-year food fight,” which, frankly, is putting a soft spin on it. Though Jimmy never stuck a knife in her arm. Nice thing, right? Getting credit for not sticking a knife in your wife’s arm? At the time of his marriage to Shirley, Jimmy had his hand, here and there, in what he referred to as “off-the-record business.” Something to keep the little lady in furs . “Some furs,” Shirley would say, modeling her thin cardigan. Shirley wasn’t a prude about Jimmy’s activities except when she wanted to be, which was usually during their yelling matches. Jimmy’s marginal criminality was always Shirley’s ace in the hole. To be more precise, it gave her the pretext for threatening to play her ace in the hole. “I’ve got connections!” she’d shriek. “I could have you put away!” And it wasn’t bluster. She did have connections. A certain police lieutenant rising swiftly through the ranks was only a phone call away. And Jimmy knew she’d make the call if she wanted to, because he’d already seen her do it. Not on his account, but on account of her teenage son, who wasn’t always mixing in those days with the finest elements Hell’s Kitchen had to offer. Jimmy had seen the police lieutenant answer one of those calls in particular. He’d seen him come down hard on the boy.

Shirley loved the cop. Jimmy knew that. Anyone who knew Shirley knew that. It was a fact-of-Shirley. She never pretended to hide it. Jimmy swallowed the lump for five years until one day he finally stuffed his duffel and moved out. I found him at Butch’s Tavern that night, and he sang me a sad sloppy song about the toll it took on him to share Shirley’s heart with a cop. He actually got a little blubbery at one point, which was embarrassing for both of us. I was only seventeen at the time. It was later in the evening, when Jimmy was back in the whiskey fire and getting sufficiently nasty about Shirley’s cop, that it occured to me I didn’t really want to be sitting right next to him at the bar. I was thinking about Jimmy’s sideways punch. His nose popper. Luckily for me, his fist was mostly occupied in squeezing his dirty bar glass. But I’d seen the punch. I knew how quick it was. And already, at seventeen, I was shaping up to be my old man’s spitting image. My old man the cop. The fast-rising one. There was no telling when Jimmy might finally look up from his fingers and see the enemy’s face floating in the mirror behind the bar. Sitting right next to him. Perfectly positioned. Pop, pop .

“Trouble in twos,” Jimmy crooned as he ran a cloth over the bar in front of Jigs and me. I nodded a greeting. Jigs did his John L. Sullivan imitation, his fists circling ludicrously. Jimmy smirked. “Look at the twig. Bare-bones champion.”

Jigs brought a fist forward in slow motion and tapped it against Jimmy’s chin. “Ha. Rang your bell.”

“My bell, my ass.” Jimmy tossed a pair of coasters on the bar. “What do you hear from your mother, Fritz? The two of you have a great big turkey on Thursday?”

“She’s out in California,” I said.

“California? What takes her to the Golden State? She breaking into the movies?”

“A friend of hers moved out there, swears she died and went to heaven. Queenie thought she’d go out for a visit and get the lowdown on heaven.”

“She’s not thinking of moving out there?”

I shrugged. “Could be. But I wouldn’t put money on it. Her roots are pretty firm in the local pavement.”

“So what’ll it be?”

We ordered a couple of beers, mine with a half-pound burger on the side. When Jimmy headed off to put in my order, Jigs pulled a cigarette from behind his ear.

“You can’t smoke that in here,” I reminded him. “They’ll put you in Rikers.”

He ran the cigarette under his nose like a Montecristo cigar. “They can’t toss me out for fondling the damn thing.”

The bar was half full. Half empty. A matter of perspective. Jigs eyed a pair of Columbia coeds who were at a table near the door, giggling. He tapped the end of his cigarette against his lips. “I’d trade this for that.”

“That might land you in Rikers, too.”

“Ah, they’re old enough for Cannon’s, they’re fair game.”

“I thought you set up a date with your friend from the Cloisters,” I said.

“Right. Allison. Mustn’t forget.”

“Her friend thinks you’re a creep.”

Jigs’s eyes sparkled. “She does, I know. I’d give away a good tooth to pin that one. Anger like that can be a beautiful thing.”

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