Richard Hawke - Speak of the Devil

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Speak of the Devil: краткое содержание, описание и аннотация

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"From first line to last, Speak of the Devil moves with a rare combination of intrigue and intensity. Its engine runs on high octane adrenalin. Richard Hawke delivers a winner." – Michael Connelly
***
It’s a beautiful Thanksgiving morning in New York City. Perfect day for a parade, and Fritz Malone just happens to have drifted up Central Park West to take a look at the floats. Across the crowd-filled street he sees a gunman on a low wall, taking aim with a shiny black Beretta. Seconds later, the air is filled with bullets and blood. Fritz isn’t one to stand around and watch. A child of Hell’s Kitchen and the bastard son of a beloved former police commissioner, Fritz is all too familiar with the city’s rougher side. As the gunman flees into the park, Fritz runs after him. What he doesn't know is that he is also running into one of the most shocking and treacherous episodes of his life. Though Fritz assumed that chasing down bad guys is perfectly legal, the cops hustle him from the scene and deliver him to the office of the current commissioner, who informs Fritz that someone dubbed “Nightmare” has been taunting the city’s leaders for weeks, warning of an imminent attack on the citizenry. What’s worse, Nightmare has already let the officials know that the parade gunman was a mere foot soldier and that there’s more carnage to come unless the city meets his impossible demands. The pols don’t dare share this information with anyone – not even the NYPD. What they need for this job is an outside man. And in Fritz they think they've got one. Racing against the tightest of clocks, Fritz finds himself confounded by Nightmare’s multiple masks and messengers. The killer is simultaneously everywhere and nowhere. But as Fritz’s frantic investigation takes him from a convent in the Bronx to a hookers’ haven in central Brooklyn, the story behind the story – complete with wicked secrets on both sides of the law – begins to emerge. As Fritz zeroes in on the terrible, gruesome truth, the killer retaliates by making things personal, forcing Fritz to grapple with his deepest fear: sometimes nightmares really do come true. In his brilliantly paced and stunningly original debut, Richard Hawke delivers a tale of flawed and unforgettable people operating at the ends of their ropes. It’s literary suspense that doesn’t let go until the last page.

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“Job is good,” she said. “We like job.” She ducked back into the kitchen.

“We’ll see if job is good,” I called in to her. “The mayor wants me to look after his girlfriend.”

“Really? That’s the job? So you get to meet Rebecca Gilpin.”

“So do you. We’ve got comps to go see her in her big Broadway show tonight. That is, if you want to go.”

Margo poked her head out from the kitchen. “Tonight? You’ve got to be kidding. What the hell is she doing running around on a Broadway stage tonight? Someone just took a shot at her in the Thanksgiving Day parade. Is she a nut?”

“That’s pretty close to how I put the question to the mayor,” I said. “And he was pretty much in agreement with me. But it’s what she wants to do.”

Margo groaned. “The show must go on?”

“Right. It’s some form of thespian testosterone. The mayor took a call from her while we were huddling in Tommy Carroll’s office. Not to disparage our good mayor, but from what I observed, he’s not the only one who wears the pants in that relationship. His plan was for all the theaters to go black tonight. Because of Thanksgiving, a lot of them had already decided not to do a show. But Rebecca Gilpin’s is one of the ones scheduled to run tonight, and apparently, the woman wants to make a statement by, yes, going on with the show.”

“What the hell is the statement?” Margo asked, bringing a large knife and a head of cabbage to me. “ I’m an insensitive idiot? I have can-do spirit ?”

Can do what? Can do tap-dance across a crowded stage with a bunch of gay sailors? I’m with you. She should take the night off and think about all the people who weren’t as lucky today as she was.”

“From what you told me, it wasn’t luck, bubba. You saved her life.”

“I threw a bag of bagels at her.”

“You said she ducked. The bullet would have gone right into her head.”

“I still call that lucky. Anyway, the short version of all this is that Leavitt wants me to be her personal shadow.”

Margo took the knife from me and gave the cabbage a few whacks. “Like that.” She handed me back the knife. “But I don’t understand. The killer was killed.”

It was Philip Byron who had suggested that if I needed to explain to anyone why I was Rebecca Gilpin’s bodyguard, I should say there was some concern about copycatters. Nutcases who find inspiration in high-profile tragedies and try to get in on the action.

“I’m supposed to tell you that they’re afraid someone might try to do a copycat thing and take a shot at her,” I said.

“But that’s not it?”

“That’s not it.”

“This is the sworn-to-secrecy part?”

“It is.” I told her about the mayor’s having received a phone call after the parade massacre from the person who had been taunting him the past several weeks about an imminent public tragedy.

“You mean the guy who did this is still out there?”

“The guy who did it is dead. But the guy who was behind it is still very much with us. And he told Leavitt today that the nightmare has just begun. That’s a quote.”

“What the hell is this all about, Fritz?”

“I don’t know. Tommy Carroll said this was all being handled on a need-to-know basis and that I didn’t need to know.”

“And you agreed to that?”

“I didn’t agree to anything. Well, no. That’s not true. I agreed to keep my mouth shut about my shooting this Diaz character in the shoulder. For the time being, anyway.”

“Diaz. The dead Diaz.”

“That’s him.”

“Whom you shot in the shoulder.”

“Correct.”

“But whom we’re being told was killed by a policeman.”

“Correct again.”

“And he died of a shoulder wound.”

“He died of a bullet to the brain.”

“Which you didn’t inflict.”

“Which I didn’t inflict.”

That was the policeman?”

“Officer Leonard Cox. Our hero du jour.”

“But that didn’t happen at the Bethesda Fountain, right? You said that after you clipped the guy’s wing, both of you were taken into custody.”

“And driven in circles with bags over our heads.”

“Jesus, Fritz. What was that about?”

“My opinion is that it was just a stalling tactic while Tommy Carroll and the mayor scrambled to come up with a plan.”

“That would account for the blindfold and the dipsy-doodle driving. But what about the bag?”

“You have to remember, they didn’t know who this other person was. The trigger-happy citizen who grabbed a cop’s gun and went running after the shooter.”

“You.”

“Me. They didn’t know who or what they had on their hands until they got me somewhere they could talk to me.”

“And what’s wrong with a station house?”

I shrugged. “Too many witnesses? That’s my guess. That’s why the bag in the first place. As best as I figure it, they wanted to make sure that if a photographer somehow happened to snap a picture of this trigger-happy person being led into the Municipal Building, it would be that much more difficult to identify him.”

“Why would they need to hide the person’s identity?”

“You’re not going to like my answer.”

“Try me.”

“It’s just supposition.”

“Supposition me.”

“In case the guy who walked into the Municipal Building under police custody never walked back out.”

“Explain.”

“Until they had a chance to talk to this live wire who’s running around shooting off policemen’s guns, they didn’t know for certain that he wasn’t part of the whole parade-massacre plot. Maybe he’s not Mr. Brave Citizen after all. What do they know?”

“So?”

“So, Tommy Carroll made it pretty clear to me that the mayor’s number one priority is to keep a lid on this whole thing. If word gets out that Leavitt had even an inkling about this in advance, and didn’t do everything in his power to stop it…”

I paused. Margo finished the thought. “He’s screwed.”

“Big-time screwed. Forget Bad Apple. This would bounce him right out of there.”

“So if you’d been a part of the conspiracy, you’re saying you think they would have killed you?”

“It’s only speculation,” I said.

“Pretty wild speculation. I know you’ve run into some unsavory cops now and then, but this sounds more than a little far-fetched.”

I said nothing. I just continued chopping. I could tell the moment it hit her. Her jaw dropped slightly and disbelief flooded her eyes.

“So… wait. Is that what happened to what’s-his-name? Diaz? Oh my God. You said he wasn’t killed out by the fountain. Where was he killed?”

“If you listen to the TV, he was killed out by the fountain. Resisting arrest. One shot to the shoulder, one shot to the skull.”

“By the police.”

“Officer Leonard Cox.”

“So is that really who shot him in the head? In the Municipal Building?”

I plunged the knife into the remainder of the cabbage. “According to Tommy Carroll, that’s one of those need-to-know things that I don’t need to know.”

Margo eyed me. “Fine. But are you going to settle for that?”

“What’s your guess?”

She stepped over to me, took the cutting board from my lap and put herself there. She looked deeply into my eyes.

“No fucking way.”

She took the words right out of my mouth.

6

WE TOOK THE 7 TRAIN OUT TO LONG ISLAND CITY. MARGO’S PARENTS lived on Starr Avenue, near the Silvercup Studios. The subway was relatively empty. It was difficult to tell whether the blank expressions on the few riders’ faces were your standard-issue blank expressions or if the parade massacre was a contributing factor.

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