John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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Some of this I tried to explain to Walter-my need to avoid a dependent relationship with this man, the necessity of continuing the search for Catherine Demeter, for her sake and my own-but most of it I kept to myself. We parted uneasily and on bad terms.

Tiredness had gradually taken hold of me throughout the morning and I slept fitfully for an hour before setting off for Virginia. I was bathed in sweat and almost delirious when I awoke, disturbed by dreams of endless conversations with a faceless killer and images of my daughter before her death.

Just as I awoke, I dreamed of Catherine Demeter surrounded by darkness and flames and the bones of dead children. And I knew then that some terrible blackness had descended on her and that I had to try to save her, to save us both, from the darkness.

II

Eadem mutata resurgo.

(Though changed, I shall arise the same.)

Epitaph of Jakob Bernoulli,

Swiss pioneer of fluid dynamics

and spiral mathematics

18

I DROVE DOWN to Virginia that afternoon. It was a long ride but I told myself that I wanted time to open up the car’s engine, to let it cut loose after its time off the road. As I drove, I tried to sort through what had happened in the last two days, but my thoughts kept coming back to the remains of my daughter’s face resting in a jar of formaldehyde.

I spotted the tail after about an hour, a red Nissan four wheel drive with two occupants. They kept four or five vehicles behind but when I accelerated, so did they. When I fell back they kept me in view for as long as they could, then they began to fall back too. The plates were deliberately obscured with mud. A woman drove, her blond hair pulled back behind her and sunglasses masking her eyes. A dark-haired male sat beside her. I put them both in their thirties but I didn’t recognize them.

If they were feds, which was unlikely, then they were lame. If they were Sonny’s hired killers, then it was just like Sonny to hire cheap. Only a clown would use a 4WD for a tail, or to try to take out another vehicle. A 4WD has a high center of gravity and rolls easier than a drunk on a slope. Maybe I was just being paranoid, but I didn’t think so.

They didn’t make a move and I lost them in the back-roads between Warrenton and Culpeper as I headed toward the Blue Ridge. If they came after me again, I’d know: they stood out like blood in snow.

As I drove, sunlight speared the trees, causing the weblike cocoons of caterpillars to glisten. I knew that, beneath the strands, the white bodies of the larvae were twisting and writhing like victims of Tourette’s syndrome as they reduced the leaves to brown lifelessness. The weather was beautiful and there was a kind of poetry to the names of the towns that skirted Shenandoah: Wolftown, Quinque, Lydia, Roseland, Sweet Briar, Lovingston, Brightwood. To that list could be added the town of Haven, but only if you decided not to spoil the effect by actually visiting it.

It was raining heavily by the time I reached Haven. The town lay in a valley southeast of the Blue Ridge, almost at the apex of a triangle formed with Washington and Richmond. A sign at the limits read, A Welcome in the Valley, but there was little that was welcoming about Haven. It was a small town over which a pall of dust appeared to have settled that even the driving rain seemed unable to dislodge. Rusting pickups sat outside some of the houses, and apart from a single fast food joint and a convenience store attached to a gas station, only the weak neon of the Welcome Inn bar and the lights of the late-night diner opposite beckoned the casual visitor. It was the sort of place where, once a year, the local Veterans of Foreign Wars got together, hired a bus, and went somewhere else to commemorate their dead.

I checked into the Haven View Motel at the outskirts of the town. I was the only guest and a smell of paint hung around the halls of what might once have been a considerable house but had now been converted into a functional, anonymous three-story inn.

“Second floor’s being redecorated,” said the clerk, who told me his name was Rudy Fry. “Have to put you upstairs, top floor. Technically, we shouldn’t be accepting guests at all but…” He smiled to indicate the big favor he was doing me by letting me stay. Rudy Fry was a small overweight man in his forties. There were long-dried yellow sweat stains under his arms and he smelled vaguely of rubbing alcohol.

I looked around. The Haven View Motel didn’t look like the sort of place that would attract visitors in the best of times.

“I know what you’re thinkin’,” said the clerk, his smile revealing sparkling dentures. “You’re thinkin’, ‘Why throw good money away by decoratin’ a motel in a shit hole like this?’ ” He winked at me before leaning over the desk conspiratorially. “Well, I’m tellin’ you, sir, it ain’t gonna be a shit hole much longer. Them Japanese is comin’ and when they do, this place is gonna be a gold mine. Where else they gonna stay round here?” He shook his head and laughed. “Shit, we gonna be wipin’ our asses with dollar bills.” He handed me a key with a heavy wooden block chained to it. “Room twenty-three, up the stairs. Elevator’s busted.”

The room was dusty but clean. A connecting door led into the room next door. It took me less than five seconds to break the lock with my pocketknife, then I showered, changed, and drove back into town.

The recession of the seventies had hit Haven hard, putting an end to what little industry there was. The town might have recovered, might have found some other way to prosper, had its history been other than it was, but the killings had tainted it and the town had fallen into decay. And so, even after the rain had sluiced its way over the stores and streets, over the people and the houses, over trees and pickups and cars and Tarmac, there was no freshness about Haven. It was as if the rain itself had been sullied by the contact.

I stopped in at the Sheriff’s Office but neither the sheriff nor Alvin Martin was available. Instead, a deputy named Wallace sat scowling behind the desk and shoveling Doritos into his mouth. I decided to wait until the morning in the hope of finding someone more accommodating.

The diner was closing as I walked through the town, which left only the bar or the burger joint. The interior of the bar was ill lit, as if it was expending too much power on the pink neon sign outside. The Welcome Inn: the sign glowed brightly, but the interior seemed to give the lie to the sign.

Some kind of bluegrass music was playing over a speaker, and a TV above the bar was showing a basketball game with the volume turned down, but no one seemed to be listening or watching anyway. Maybe twenty people were scattered around the tables and the long, dark wood bar, including a mountainous couple who looked like they’d left the third bear with a baby-sitter. There was a low tide of conversation, which ebbed slightly when I entered, although it refused to cease entirely, and then resumed at its previous level.

Near the bar, a small knot of men lounged around a battered pool table, watching a huge, heavy-set man with a thick dark beard playing an older man who shot pool like a hustler. They eyed me as I walked by but continued playing. No conversation passed between them. Pool was obviously a serious business in the Welcome Inn. Drinking wasn’t. The hard men around the pool table were all clutching bottles of Bud Light, the real drinker’s equivalent of a club soda and lime.

I took an empty stool at the bar and asked for a coffee from a bartender whose white shirt seemed dazzlingly clean for such a place. He studiously ignored me, his eyes seemingly intent on the basketball game, so I asked again. His glance moved lazily to me, as if I were a bug crawling on the bar and he had just had his fill of squashing bugs but was wondering whether he couldn’t squash one more for the road.

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