John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“I’m not sure that’s wise. You should probably leave this to the police. I know that’s not what you want to hear, but after all that’s happened, you risk damaging yourself. Do you understand what I mean?”

I nodded slowly. She was right. Part of me wanted to draw back, to immerse myself once again in the ebb and flow of ordinary life. I wanted to unburden myself of what I felt, to restore myself to some semblance of a normal existence. I wanted to rebuild but I felt frozen, suspended, by what had happened. And now the Traveling Man had returned, snatching any possibility of that normality from me and, simultaneously, leaving me as powerless to act as I had been before.

I think Rachel Wolfe understood that. Perhaps that was why I had come to her, in the hope that she might understand.

“Are you okay?” She reached over and touched my hand and I almost cried. I nodded again.

“You’re in a terribly difficult situation. If he has decided to contact you, then he wants you to be involved and there may be a link that can be exploited. From an investigative point of view, you probably shouldn’t deviate from your routine in case he contacts you again, but from the point of view of your own well-being…” She let the unstated hang in the air. “You might even want to consider some professional help. I’m sorry for being so blunt about it, but it has to be said.”

“I know, and I appreciate the advice.” It was strange to find myself attracted to someone after all this time and then have her advise me to see a psychiatrist. It didn’t hold out the promise of any relationship that wasn’t conducted on an hourly basis. “I think the investigators want me to stay.”

“I get the feeling you’re not going to do it.”

“I’m trying to find someone. It’s a different case, but I think this person may be in trouble. If I stay here, there’s no one to help her.”

“It may be a good idea to get away from this for a time, but from what you’re saying, well…”

“Go on.”

“It sounds like you’re trying to save this person but you’re not even sure if she needs saving.”

“Maybe I need to save her.”

“Maybe you do.”

I told Walter Cole later that morning that I would continue looking for Catherine Demeter and that I would be leaving the city to do so. We were sitting in the quietness of Chumley’s, the Village’s old speakeasy on Bedford. When Walter called, I had surprised myself by nominating it for our meeting, but as I sat sipping a coffee I realized why I had chosen it.

I enjoyed its sense of history, its place in the city’s past, which could be traced back like an old scar or the wrinkle at the corner of an eye. Chumley’s had survived the Prohibition era, when customers had escaped raids by leaving hastily through the back door, which led onto Barrow Street. It had survived world wars, stock market crashes, civil disobedience, and the gradual erosion of time, which was so much more insidious than all the rest. Right now, I needed its stability.

“You have to stay,” said Walter. He still had the leather coat, now hanging loosely over the back of his chair. Someone had whistled at him when he entered wearing it.

“No.”

“What do you mean, no?” he said angrily. “He’s opened an avenue of communication. You stay, we wire up the phone, and we try to trace him when he calls again.”

“I don’t think he will call again, at least not for a while, and I don’t believe we could trace him anyway. He doesn’t want to be stopped, Walter.”

“All the more reason to stop him, then. My God, look at what he’s done, what he’s going to do again. Look at what you’ve done for his-”

I leaned forward and broke in on him, my voice low. “What have I done? Say it, Walter. Say it!”

He stayed silent and I saw him swallow the words back. We had come close to the edge, but he had pulled back.

The Traveling Man wanted me to remain. He wanted me to wait in my apartment for a call that might never come. I could not let him do that to me. Yet both Walter and I knew that the contact he had established could well be the first link in a chain that would eventually lead us to him.

A friend of mine, Ross Oakes, had worked in the police department of Columbia, South Carolina, during the Bell killings. Larry Gene Bell abducted and smothered two girls, one aged seventeen and abducted close to a mailbox, the other aged nine and taken from her play area. When investigators eventually found the bodies of the children they were too decomposed to determine if they had been sexually assaulted, although Bell later admitted to assaulting both.

Bell had been tracked through a series of phone calls he made to the family of the seventeen-year-old, conversing primarily with the victim’s older sister. He also mailed them her last will and testament. In the phone calls he led the family to believe that the victim was still alive, until her body was eventually found one week later. After the abduction of the younger girl he contacted the first victim’s sister and described the abduction and killing of the girl. He told the first victim’s sister that she would be next.

Bell was found through indented writing on the victim’s letter, a semiobliterated telephone number that was eventually tracked to an address through a process of elimination. Larry Gene Bell was a thirty-six-year-old white male, formerly married and now living with his mother and father. He told Investigative Support Unit agents from the FBI that “the bad Larry Gene Bell did it.”

I knew of dozens of similar cases where contact with the killer by the victim’s family sometimes led to his capture, but I had also seen what this form of psychological torture had done to those who were left behind. The family of Bell ’s first victim were lucky because they had to suffer Bell ’s sick wanderings for only two weeks.

Amid the anger and pain and grief that I had felt the night before, there was another feeling that caused me to fear any further contact with the Traveling Man, at least for the present.

I felt relief.

For over seven months there had been nothing. The police investigation had ground to a halt, my own efforts had brought me no nearer to identifying the killer of my wife and child, and I feared that he might have disappeared.

Now he had come back. He had reached out to me and, by doing so, opened the possibility that he might be found. He would kill again, and in the killing, a pattern would emerge that would bring us closer to him. All these thoughts had raced through my head in the darkness of the night, but in the first light of dawn, I had realized the implications of what I felt.

The Traveling Man was drawing me into a cycle of dependency. He had tossed me a crumb in the form of a telephone call and the remains of my daughter, and in doing so had caused me to wish, however briefly, for the deaths of others in the hope that their deaths might bring me closer to him. With that realization came the decision that I would not form such a relationship with this man. It was a difficult decision to make but I knew that if he decided to contact me again, then he would find me. Meanwhile, I would leave New York and continue to hunt for Catherine Demeter.

Yet deep down, perhaps only half recognized by me and suspected by Rachel Wolfe, there was another reason for continuing the search for Catherine Demeter.

I did not believe in remorse without reparation. I had failed to protect my wife and child, and they had died as a result. Perhaps I was deluded, but I believed that if Catherine Demeter died because I stopped looking for her, then I would have failed twice, and I was not sure that I could live with that knowledge. In her, maybe wrongly, I saw a chance to atone.

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