John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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The mechanics of the voice synthesis were one thing, but the reasons for the synthesis were another. It might have been that the Traveling Man wanted to leave as few traces of himself as possible: a voice pattern could be recognized, stored, compared, and even used against him at some point in the future.

“What about the kid’s comment, that this guy with the scalpel had no face?” asked Walter.

“A mask of some kind, maybe, to avoid any possibility of identification. He could be marked in some way, that’s another option. The third choice is that he is what he seems to be.”

“A demon?”

I didn’t reply. I didn’t know what a demon was, if an individual’s inhumanity could cause him to cross over in some way, to become something less than human; or if there were some things that seemed to defy any conventional notion of what it meant to be human, of what it meant to exist in the world.

When I returned to the apartment that night, Mrs. D’Amato brought me up a plate of cold cuts and some Italian bread and sat with me for a time, fearful for me after what had taken place that afternoon.

When she left, I stood beneath the shower for a long time, the water as hot as I could take it, and I washed my hands again and again. I lay awake then for a long time, sick with anger and fear, watching the cell phone on my desk. My senses were so heightened that I could hear them hum.

15

“READ ME A STORY, DADDY.”

“What story do you want to hear?”

“A funny story. The three bears. The baby bear is funny.”

“Okay, but then you have to go to sleep.”

“Okay.”

“One story.”

“One story. Then I go to sleep.”

In an autopsy, the body is first photographed, clothed and naked. Certain parts of the body may be X-rayed to determine the presence of bone fragments or foreign objects embedded in the flesh. Every external feature is noted: the hair color, the height, the weight, the condition of the body, the color of the eyes.

“Baby Bear opened his eyes wide. ‘Somebody’s been eating my porridge, and it’s all gone!’ ”

“All gone!”

All gone.

The internal examination is conducted from top to bottom, but the head is examined last. The chest is examined for any sign of rib fractures. A Y-shaped incision is made by cutting from shoulder to shoulder, crossing over the breasts, then moving down from the lower tip of the sternum to the pubic region. The heart and lungs are exposed. The pericardial sac is opened and a sample of blood is taken to determine the blood type of the victim. The heart, lungs, esophagus, and trachea are removed. Each organ is weighed, examined, and sliced into sections. Fluid in the thoracic pleural cavity is removed for analysis. Slides of organ tissue are prepared for analysis under a microscope.

“And then Goldilocks ran away and the three bears never saw her again.”

“Read it again.”

“No, we agreed. One story. That’s all we have time for.”

“We have more time.”

“Not tonight. Another night.”

“No, tonight.”

“No, another night. There’ll be other nights, and other stories.”

The abdomen is examined and any injuries are noted before the removal of the organs. Fluids in the abdomen are analyzed and each separate organ is weighed, examined, and sectioned. The contents of the stomach are measured. Samples are taken for toxicological analysis. The order of removal is usually as follows: the liver, the spleen, the adrenals and kidneys, the stomach, pancreas, and intestines.

“What did you read?”

“‘Goldilocks and the Three Bears.’”

“Again.”

“Again.”

“Are you going to tell me a story?”

“What story would you like to hear?”

“Something dirty.”

“Oh, I know lots of stories like that.”

“I know you do.”

The genitalia are examined for injuries or foreign material. Vaginal and anal swabs are obtained and any foreign matter collected is sent to a DNA lab for analysis. The bladder is removed and a urine sample is sent to toxicology.

“Kiss me.”

“Kiss you where?”

“Everywhere. On my lips, my eyes, my neck, my nose, my ears, my cheeks. Kiss me everywhere. I love your kisses on me.”

“Suppose I start with your eyes and move down from there.”

“Okay. I can live with that.”

The skull is examined in an effort to find evidence of injury. The intermastoid incision is made from one ear to the other, across the top of the head. The scalp is peeled away and the skull exposed. A saw is used to cut through the skull. The brain is examined and removed.

“Why can’t we be like this more often?”

“I don’t know. I want us to be, but I can’t.”

“I love you like this.”

“Please, Susan…”

“No…”

“I could taste the booze on your breath.”

“Susan, I can’t talk about this now. Not now.”

“When? When are we going to talk about it?”

“Some other time. I’m going out.”

“Stay, please.”

“No. I’ll be back later.”

“Please…”

Rehoboth Beach in Delaware has a long boardwalk bordered on one side by the beach and on the other by the sort of amusement arcades you remember from your childhood: twenty-five-cent games played with wooden balls that you roll into holes to score points; horse races with metal horses loping down a sloped track, with a glass-eyed teddy bear for the winner; a frog pond game played with magnets on the end of a child’s fishing line.

They’ve been joined now by noisy computer games and space flight simulators, but Rehoboth still retains more charm than, say, Dewey Beach, farther up the coast, or even Bethany. A ferry runs from Cape May in New Jersey to Lewes on the Delaware coast, and from there, it’s maybe five or six miles south to Rehoboth. It’s not really the best way to approach Rehoboth, since you run the gamut of burger joints, outlet stores, and shopping malls on U.S.1. The approach north through Dewey is better, running along the shore with its miles of dunes.

From that direction, Rehoboth benefits from the contrast with Dewey. You cross into the town proper over a kind of ornamental lake, go past the church, and then you’re on Rehoboth’s main street, with its bookstores, its T-shirt shops, its bars and restaurants set in big old wooden houses, where you can drink on the porch and watch people walk their dogs in the quiet evening air.

Four of us had decided on Rehoboth as the place to go for a weekend break to celebrate Tommy Morrison’s promotion to lieutenant, despite its reputation as something of a gay hot spot. We ended up staying in the Lord Baltimore, with its comfortable, antiquated rooms harking back to another era, less than a block away from the Blue Moon bar, where crowds of well-tanned, expensively dressed men partied loudly into the night.

I had just become Walter Cole’s partner. I suspected Walter had pulled strings to have me assigned as his partner, although nothing was ever said. With Lee’s agreement, he traveled with me to Delaware, along with Tommy Morrison and a friend of mine from the academy named Joseph Bonfiglioli, who was shot dead a year later while chasing a guy who had stolen eighty dollars from a liquor store. Each evening at 9 P.M., without fail, Walter would call Lee to check on her and the kids. He was a man acutely aware of the vulnerability of a parent.

Walter and I had known each other for some time-four years by then, I think. I met him first in one of the bars in which cops used to hold court. I was young, just out of uniform, and still admiring my reflection in my new tin. Great things were expected of me. It was widely believed that I would get my name in the papers. I did that, although not in the way that anyone would have imagined.

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