John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“She has been under sedation since last night. As you can imagine, she took the news badly.”

“I didn’t think she and her stepson were that close.”

Ms. Christie tossed me a look of contempt. I probably deserved it.

“Mrs. Barton loved Stephen as if he were her own son. Don’t forget that you are merely an employee, Mr. Parker. You do not have the right to impugn the reputation of the living or the dead.” She shook her head at my insensitivity. “Why are you here? There’s a great deal to be done before…”

She stopped and, for a moment, looked lost. I waited for her to resume. “Before Stephen’s funeral,” she finished, and I realized that there might be more to her apparent distress at the events of last night than simple concern for her employer. For a guy who had all the higher moral qualities of a hammerhead shark, Stephen Barton had certainly attracted his share of admirers.

“I have to go to Virginia,” I said. “It may take more than the advance I was given. I wanted to let Mrs. Barton know before I left.”

“Is this to do with the killing?”

“I don’t know.” It was becoming a familiar refrain. “There may be a connection between Catherine Demeter’s disappearance and Mr. Barton’s death but we won’t know unless the police find something or the girl turns up.”

“Well, I can’t authorize that kind of spending at the present time,” began Ms. Christie. “You’ll have to wait until after-”

I interrupted her. Frankly, I was getting tired of Ms. Christie. I was used to people not liking me, but most at least had the decency to get to know me first, however briefly.

“I’m not asking you to authorize it, and after my meeting with Mrs. Barton, I don’t think you have anything to do with it. But as a common courtesy I thought I’d offer my sympathies and tell her how far I’ve got.”

“And how far have you got, Mr. Parker?” she hissed. She was standing now, her knuckles white against the desk. In her eyes something vicious and poisonous raised its head and flashed its fangs.

“I think the girl may have left the city. I think she went home, or back to what used to be home, but I don’t know why. If she’s there I’ll find her, make sure she’s okay, and contact Mrs. Barton.”

“And if she isn’t?” I let the question hang without a reply. There was no answer, for if Catherine Demeter wasn’t in Haven, then she might as well have dropped off the face of the earth until she did something that made her traceable, like using a credit card or making a telephone call to her worried friend.

I felt tired and frayed at the edges. The case seemed to be fragmenting, the pieces spinning away from me and glittering in the distance. There were too many elements involved to be merely coincidental, and yet I was too experienced to try to force them all together into a picture that might be untrue to reality, an imposition of order upon the chaos of murder and killing. Still, it seemed to me that Catherine Demeter was one of those pieces and that she had to be found so that her place in the order of things could be determined.

“I’m leaving this afternoon. I’ll call if I find anything.” Ms. Christie’s eyes had lost their shine and the bitter thing that lived within her had curled back on itself to sleep for a while. I was not even sure that she heard me. I left her like that, her knuckles still resting on the desk, her eyes vacant, seemingly staring somewhere within herself, her face slick and pale as if troubled by what she saw.

As it turned out, I was delayed by further problems with my car and it was 4 P.M. before I drove the Mustang back to my apartment to pack my bag.

A welcome breeze blew as I walked up the steps, fumbling for my keys. It sent candy wrappers cartwheeling across the street and set soft drink cans tolling like bells. A discarded newspaper skimmed the sidewalk with a sound like the whisperings of a dead lover.

I walked the four flights of stairs to my door, entered the apartment, and turned on a lamp. I prepared a pot of coffee and packed as it percolated. About thirty minutes later I was finishing my coffee, my overnight bag at my feet, when the cell phone rang.

“Hello, Mr. Parker,” said a man’s voice. The voice was neutral, almost artificial, and I could hear small clicks between the words as if they had been reassembled from a completely different conversation.

“Who is this?”

“Oh, we’ve never met, but we had some mutual acquaintances. Your wife and daughter. You might say I was with them in their final moments.” The voice alternated between sets of words: now high, then low, first male, then female. At one point, there seemed to be three voices speaking simultaneously, then they became a single male voice once again.

The apartment seemed to drop in temperature and then fall away from me. There was only the phone, the tiny perforations of the mouthpiece, and the silence at the other end of the line.

“I’ve had freak calls before,” I said, with more confidence than I felt. “You’re just another lonely man looking for a house to haunt.”

“I cut their faces off. I broke your wife’s nose by slamming her against the wall by the kitchen door. Don’t doubt me. I am the one you’ve been looking for.” The last words were all spoken by a child’s voice, high-pitched and joyous.

I felt a stabbing pain behind my eyes and my blood sounded loudly in my ears like waves crashing against a headland bleak and gray. There was no saliva in my mouth, just a dry dusty sensation. When I swallowed the feeling was that of dirt traveling down my throat. It was painful and I struggled to find my voice.

“Mr. Parker, are you okay?” The words were calm, solicitous, almost tender, but spoken by what sounded like four different voices.

“I’ll find you.”

He laughed. The synthesized nature of the sound was more obvious now. It seemed to break up into tiny units, just as a TV screen does when you get too close and the picture becomes merely a series of small dots.

“But I’ve found you, ” he said. “You wanted me to find you, just as you wanted me to find them and to do what I did. You brought me into your life. For you, I flamed into being.

“I had been waiting so long for your call. You wanted them to die. Didn’t you hate your wife in the hours before I took her? And don’t you sometimes, in the deep dark of the night, have to fight back your sense of guilt at the feeling of freedom it gave you knowing she was dead? I freed you. The least you could do is show some gratitude.”

“You’re a sick man, but that isn’t going to save you.” I checked caller ID on the phone and froze. It was a number I recognized. It was the number of the public phone at the corner of the street. I moved toward the door and began making my way down the stairs.

“No, not ‘man.’ In her final moments your wife knew that, your Susan, mouth to mouth’s kiss as I drew the life from her. Oh, I lusted for her in those last, bright red minutes, but then, that has always been a weakness of our kind. Our sin was not pride, but lust for humanity. And I chose her, Mr. Parker, and I loved her in my way.” The voice was now deep and male. It boomed in my ear like the voice of a god, or a devil.

“Fuck you,” I said, the bile rising in my throat as I felt sweat bead my brow and run in rivulets down my face, a sick, fearful sweat that defied the fury in my voice. I had come down three flights of stairs. There was one flight left to go.

“Don’t go yet.” The voice became that of a female child, like my child, my Jennifer, and in that moment I had some inkling of the nature of this Traveling Man. “We’ll talk again soon. By then, maybe my purpose will be clearer to you. Take what I give you as a gift. I hope it will ease your suffering. It should be coming to you right…about… now.”

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