John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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The firing masked the sound of another shell being pumped into the shotgun. The second shot blasted wood from the frame of an interior door as agents hit the ground and began firing through the now empty rear door. A third shot took out an agent moving fast around the side of the house. A mass of logs and old furniture, destined for firewood, lay scattered on the ground, dispersed when the shooter broke from his hiding place beneath it. The sound of small-arms fire directed into the bayou reached the agents as they knelt to tend to their injured colleagues or ran to join the chase.

A figure in worn blue jeans and a white-and-red check shirt had disappeared into the bayou. The agents followed warily, their legs sinking almost to the knee at times in the muddy swamp water, dead tree trunks forcing them to deviate from a straight advance, before they reached firm ground. Using the trees as cover, they moved slowly, their guns at their shoulders, sighting as they went.

There was the roar of a shotgun from ahead. Birds scattered from the trees and splinters shot out at head height from a huge cypress. An agent screamed in pain and stumbled into view, impaled in the cheek by the shards of wood. A second blast rang out and shattered the femur in his left leg. He collapsed on the dirt and leaves, his back arched in agony.

Automatic fire raked the trees, shattering branches and blasting foliage. After four or five seconds of concentrated firing, the order went out to cease fire and the swamp was quiet once again. The agents and police advanced once more, moving quickly from tree to tree. A shout went up as blood was found by a willow, its broken branches white as bone.

From behind came the sounds of dogs barking as the tracker, who had been kept in reserve three miles away, was brought in to assist. The dogs were allowed to sniff around Byron’s clothing and the area of the woodpile. Their handler, a thin, bearded man with his jeans tucked into muddy boots, let them smell the blood by the willow as soon as he caught up with the main party. Then, the dogs straining at their leashes, they moved on cautiously.

But no more shots came at them from Edward Byron, because the lawmen were not the only ones hunting him in the swamp.

While the hunt continued for Byron, Toussaint, two young deputies, and I were in the sheriff’s office in St. Martinville, where we continued our trawl through Miami ’s dentists, using emergency numbers from answering machines where necessary.

Rachel provided the only interruption, when she arrived with coffee and hot Danishes. She stood behind me and gently laid a hand on the back of my neck. I reached around and clasped her fingers, then pulled them forward and lightly kissed their tips.

“I didn’t expect you to stay,” I said. I couldn’t see her face.

“It’s almost at an end, isn’t it?” she asked quietly.

“I think so. I feel it coming.”

“Then I want to see it out. I want to be there at the end.”

She stayed for a little longer, until her exhaustion became almost contagious. Then she returned to the motel to sleep.

It took thirty-eight calls before the dental assistant at Erwin Holdman’s dental surgery at Brickell Avenue found the name of Lisa Stott on her records, but she declined even to confirm if Lisa Stott had attended during the last six months. Holdman was on the golf course and didn’t like being disturbed, the assistant said. Toussaint told her that he didn’t give a good goddamn what Holdman liked or didn’t like and she gave him a cell phone number.

She was right. Holdman didn’t like being disturbed on the golf course, especially when he was about to make a birdie on the fifteenth. After some shouting, Toussaint requested Lisa Stott’s dental records. The dentist wanted to seek the permission of her mother and stepfather. Toussaint handed the phone to Dupree and Dupree told him that, for the present, that wasn’t possible, that they only wanted the records in order to eliminate the girl from their inquiries and it would be unwise to disturb the parents unnecessarily. When Holdman continued to refuse to cooperate, Dupree warned him that he would ensure that all his records were seized and his tax affairs subjected to microscopic examination.

Holdman cooperated. The records were kept on computer, he said, along with copies of X rays and dental charts that had been scanned in. He would send them on as soon as he returned to his office. His dental assistant was new, he explained, and wouldn’t be able to send on the records electronically without his password. He would just finish his round…

There was some more shouting and Holdman decided to suspend his golfing activities for that day. It would take him one hour, traffic permitting, to get back to his surgery. We sat back to wait.

Byron had made it about a mile into the swamp. The cops were closing and his arm was bleeding badly. The bullet had shattered the elbow of his left arm and a steady current of pain was coursing through his body. He paused in a small clearing and reloaded the shotgun by tensing the stock against the ground and pumping awkwardly with his good hand. The barking was closer now. He would take the dogs as soon as they came in sight. Once they were gone, he would lose the lawmen in the swamp.

It was probably only when he rose that he first became aware of the movement in front of him. The pack couldn’t have got around him already, he reasoned. The waters were deeper to the west. Without boats, they would not have been able to make it into the swamp from the road. Even if they had, he would have heard them coming. His senses had become attuned to the sounds of the swamp. Only the hallucinations threatened to undo him, but they came and went.

Byron crooked the shotgun awkwardly beneath his right arm and moved forward, his eyes moving constantly. He advanced slowly toward the treeline, but the movement seemed to have stopped. Maybe he shook his head then to clear his sight, fearing the onset of the visions, but they didn’t come. Instead, death came for Edward Byron as the woods came alive around him and he was surrounded by dark figures. He loosed off one shot before the gun was wrenched from his grip and he felt a pain shoot across his chest as the blade opened his skin from shoulder to shoulder.

The figures surrounded him-hard-faced men, one with an M16 slung over his shoulder, the others armed with knives and axes, all led by a huge man with reddish brown skin and dark hair streaked with gray. Byron fell to his knees as blows rained down on his back and arms and shoulders. Dazed with pain and exhaustion, he looked up in time to see the big man’s axe scything through the air above him.

Then all was darkness.

We were using Dupree’s office, where a new PC sat ready to receive the dental records Holdman was sending. I sat in a red vinyl chair that had been repaired so often with tape that it was like sitting on cracking ice. The chair squeaked as I shifted in it, my feet on the windowsill. Across from me was the couch on which I had earlier caught three hours of uncomfortable sleep.

Toussaint had gone off to get coffee thirty minutes before. He still hadn’t come back. I was starting to get restless when I heard the sound of voices raised from the squad room beyond. I passed through the open door of Dupree’s office and into the squad room, with its rows of gray metal desks, its swivel chairs, and hat stands, its bulletin boards and coffee cups, its half-eaten bagels and donuts.

Toussaint appeared, talking excitedly to a black detective in a blue suit and open-collar shirt. Behind him, Dupree was talking to a uniformed patrolman. Toussaint saw me, patted the black detective on the shoulder, and walked over to me.

“Byron’s dead,” he said. “It was messy. The feds lost two men, couple more injured. Byron broke for the swamp. When they found him, someone had cut him up and split his skull with an axe. They’ve got the axe and a lot of boot prints.” He fingered his chin. “They think maybe Lionel Fontenot decided to finish things his way.”

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