John Connolly - Every Dead Thing

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“A truly harrowing murder plot… An ambitious foray…deep into Hannibal Lecter territory… The extravagantly gifted Connolly, living up to his title, is never too busy for another flashback to Bird’s violent past en route to his final confrontation with the Traveling Man.” – Kirkus Reviews
“For me, the best thing about an author’s first novel is its untarnished honesty. John Connolly’s EVERY DEAD THING has that reckless intensity. Set against the gritty canvas of a serial killer loose in New York City, John Connolly’s writing is as lilting and refreshing and as tempestuous as an Irish rainstorm. Warning: Don’t start this book unless you have time to finish it.” – Paul Lindsay, former FBI agent and author of Witness to the Truth
“Classic American crime fiction; it’s hard to believe that John Connolly was born and raised on the Emerald Isle.” – amazon.com
“[A] darkly ingenious debut novel… The New Orleanssequence of the novel sing[s]… The rural Virginia town is petty, bitter perfection: no mean feat for a native Dubliner. The prose rings of ’40s L.A. noir, à la Chandler and Hammett, but the grisly deaths, poetic cops, and psychic episodes set this tale apart.” – Publishers Weekly (starred review)
“An ambitious, moral, disturbing tale with a stunning climax… In many ways its terror quotient exceeds that of Thomas Harris’ great work.” – The Times (London)
“Connolly writes with confidence, a swaggering self-assurance that is almost breathtaking in a first novel.” – Dublin Evening Herald (Ireland)
“A debut novel of stunning complexity… The tension starts on the first page and continues right through the last, concluding in a dramatic and ambiguous way that could disturb readers’ thoughts for days. A work of fiction that stays with you long after the book is closed is a rare and beautiful thing. This one goes right up there on the year’s list of the best.” – St. Petersburg Times (FL)
“A nonstop, action-packed tale that also has a warm side where love and loyalty (not DNA) make a person human.” – Barnesandnoble.com
“Shades of The Silence of the Lambs here-but this debut book by Dubliner Connolly also has echoes of James Crumley, Patricia Cornwell, and Lawrence Block… A terrifying finale… Connolly manages to keep the tension simmering right to the very end.” – Express Star (UK)
“Absolutely spellbinding… This is not a book for the timid.” – Naples Daily News (FL)
“A big, meaty, often superbly written novel-astonishing, for a first-time author, in its scope and apparent veracity… A book of sudden, horrifying violence and no-holds-barred explicit scene-of-the-crime detail… A painstakingly researched crime novel, impressive both in terms of its driven central character [and] its scrupulously evoked geography… Impressive, too, is the superior, topflight prose and sheer momentum of the plot.” – Tangled Web (UK)
“[An] exciting, scary, and darkly humorous story that deserves to be a success.” – Irish News
“A highly intelligent and exciting novel, with almost enough action and story for two books. The grim and grisly events are emotionally balanced by the book’s dark humor and Bird’s vulnerability.” – Library Journal
“[A] stunning debut… Painstaking research, superb characterization, and an ability to tell a story that’s chilling and thought-provoking make this a terrific thriller.” – The Mirror (UK)
“Brilliant… While Thomas Harris’ Hannibal is the year’s most anticipated thriller, John Connolly’s EVERY DEAD THING might just be the best… A real adrenaline rush… Simply too good to be missed-or to put down.” – The Clarion-Ledger (Jackson, MS)

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“Twenty-four hours max,” he said. “After that, we’ll be accused of incompetence or deliberately impeding the progress of an investigation. I’m not even sure how far we’ll get in that time, although”-he looked at Toussaint, then back to me-“it may not come to that.”

“You want to tell me,” I said, “or do I have to guess?”

It was Toussaint who answered.

“The feds think they’ve found Byron. They’re going to move on him by morning.”

“In which case, this is just a backup,” said Dupree. “The joker in our pack.”

But I was no longer listening. They were moving on Byron, but I would not be there. If I tried to participate, then a sizable portion of the Louisiana law enforcement community would be used to put me on a plane to New York or to lock me in a cell.

The crew were likely to be the weakest link. They were taken aside and given cups of coffee, then Dupree and I were as honest with them as we felt we could be. We told them that if they didn’t keep quiet about what they had seen for at least one day, then the man who had killed the girl would probably get away and that he would kill again. It was at least partly true; cut off from the hunt for Byron, we were continuing the investigation as best we could.

The crew was made up of hardworking local men, most of them married with children of their own. They agreed to say nothing until we contacted them and told them that it was okay to do so. They meant what they said, but I knew that some of them would tell their wives and their girlfriends as soon as they got home, and word of what had happened would spread from there. A man who says he tells his wife everything is either a liar or a fool, my first sergeant used to say. Unfortunately, he was divorced.

Dupree had been in his office when the call came through and had picked pairs of deputies and detectives whom he trusted implicitly. With the addition of Toussaint, Rachel, and me, along with the coroner’s team and the dredging crew, maybe twenty people knew of the discovery of the body. It was nineteen people too many to keep a secret for long, but that couldn’t be helped.

After the initial examination and photography, it was decided to bring the body to a private clinic outside Lafayette, where the coroner sometimes consulted, and he agreed to commence his work almost immediately. Dupree prepared a statement detailing the discovery of a woman of unspecified age, cause of death unknown, some five miles from the actual location of the discovery. He dated it, timed it, then left it under a sheaf of files on his desk.

By the time we both arrived at the autopsy room, the remains had been X-rayed and measured. The mobile cart that had brought the body in had been pushed into a corner, away from the autopsy table on its cylindrical tank, which delivered water to the table and collected the fluids that drained through the holes on the table itself. A scale for the weighing of organs hung from a metal frame, and beside it, a small-parts dissection table on its own base stood ready for use.

Only three people, apart from the coroner and his assistant, attended the autopsy. Dupree and Toussaint were two. I was the third. The smell was strong and only partly masked by the antiseptic. Dark hair hung from her skull, and the skin that was left was shrunken and torn. The girl’s remains were almost completely covered by the yellow-white substance.

It was Dupree who asked the question. “Doc, what is that stuff on the body?”

The examiner’s name was Dr. Emile Huckstetter, a tall, stocky man in his early sixties with a ruddy complexion. He ran a gloved finger over the substance before he responded.

“It’s a condition called adipocere,” he said. “It’s rare-I’ve seen maybe two or three cases at most, but the combination of silt and water in that canal seems to have resulted in its development here.”

His eyes narrowed as he leaned toward the body. “Her body fats broke down in the water and they’ve hardened to create this substance, the adipocere. She’s been in the water for a while. This stuff takes at least six months to form on the trunk, less on the face. I’m taking a stab here, but I figure she’s been in the water for less than seven months, certainly no more than that.”

Huckstetter detailed the examination into a small microphone attached to his green surgical scrubs. The girl was seventeen or eighteen, he said. She had not been tied or bound. There was evidence of a blade’s slash at her neck, indicating a deep cut across her carotid artery as the probable cause of death. There were marks on her skull where her face had been removed and similar marks in her eye sockets.

As the examination drew to a close, Dupree was paged, and minutes later, he arrived back with Rachel. She had checked into a Lafayette motel, storing both her own baggage and mine, then returned. She recoiled initially at the sight of the body, then stood beside me and, without speaking, took my hand.

When the coroner was done, he removed his gloves and commenced scrubbing. Dupree took the X rays from the case envelope and held them up to the light, each in turn. “What’s this?” he said, after a time.

Huckstetter took the X ray from his hand and examined it himself. “Compound fracture, right tibia,” he said, pointing with his finger. “Probably two years old. It’s in the report, or it will be as soon as I can compile it.”

I felt a falling sensation and an ache spreading across my stomach. I reached out to steady myself and the scales jangled as I glanced against their frame. Then my hand was on the autopsy table and my fingers were touching the girl’s remains. I pulled my hand back quickly, but I could still smell her on my fingers.

“Parker?” said Dupree. He reached out and gripped my arm to steady me. I could still feel the girl on my fingers.

“My God,” I said. “I think I know who she is.”

In the early morning light, near the northern tip of Bayou Courtableau, south of Krotz Springs and maybe twenty miles from Lafayette, a team of federal agents, backed up by St. Landry Parish sheriff’s deputies, closed in on a shotgun house that stood with its back to the bayou, its front sheltered by overgrown bushes and trees. Some of the agents wore dark rain gear with FBI in large yellow letters on the back, others helmets and body armor. They advanced slowly and quietly, their safeties off. When they spoke, they did so quickly and with the fewest possible words. Radio contact was kept to a minimum. They knew what they were doing. Around them, deputies armed with pistols and shotguns listened to the sound of their breathing and the pumping of their hearts as they prepared to move on the house of Edward Byron, the man they believed to be directly responsible for the deaths of their colleague, John Charles Morphy, his young wife, and at least five other people.

The house was run down, the slates on the roof damaged and cracked in places, the roof beams already rotting. Two of the windows at the front of the house were broken and had been covered with cardboard held in place by duct tape. The wood on the gallery was warped and, in places, missing altogether. On a metal hook to the right of the house hung the carcass of a wild pig, newly skinned. Blood dripped from its snout and pooled on the ground below.

On a signal from Woolrich, shortly after 6 A.M., agents in Kevlar body armor approached the house from the front and the rear. They checked the windows at either side of the front door and adjoining the rear entrance. Then, simultaneously, they hit the doors, moving into the central hallway with maximum noise, their flashlights burning through the darkness of the interior.

The two teams had almost reached each other when a shotgun roared from the back of the house and blood erupted in the dim light. An agent named Thomas Seltz plunged forward as the shot ripped through the unprotected area of his armpit, the vulnerable point in upper-body armor, his finger tightening in a last reflex on the trigger of his machine pistol as he died. Bullets raked across the wall, ceiling, and floor as he fell, sending dust and splinters through the air and injuring two agents, one in the leg and one in the mouth.

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