Blake Crouch - Serial Uncut

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Serial Uncut: краткое содержание, описание и аннотация

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The original version of SERIAL, still available as a free ebook, was a 7500 word horror short story done as an experiment.
Remember the twin golden rules of hitchhiking?
#1: Don’t go hitchhiking, because the driver who picks you up could be certifiably crazy.
#2: Don’t pick up hitchhikers, because the traveler you pick up could be certifiably crazy.
So what if, on some dark, isolated road, Crazy #1 offered a ride to Crazy #2?
When Blake Crouch (DESERT PLACES, ABANDON) and Jack Kilborn (AFRAID, CHERRY BOMB), face-off, the result is SERIAL, a terrifying tale of hitchhiking gone terribly wrong. Like a deeply twisted version of an “After School Special,” SERIAL is the single most persuasive public service announcement on the hazards of free car rides.
Beyond a thrilling piece of horrifying suspense, SERIAL is also a groundbreaking experiment in literary collaboration. Kilborn wrote the first part. Crouch wrote the second. And they wrote the third together over email in 100-word exchanges, not aware of each other’s opening section. All bets were off, and may the best psychopath win.
F. Paul Wilson says, “SERIAL reads just like a Crouch or Kilborn novel: Full speed ahead, no flinching, no blinking, no brakes.”
In less than a year, SERIAL has been downloaded over 200,000 times, and has received over a hundred negative reviews, with many people claiming it is the most depraved, awful thing they've ever read.
SERIAL UNCUT is newly expanded, now more than 36,000 words. Along with the reinsertion of additional material cut from the original version, it also has a vastly expanded beginning and ending, including an extended section that originally appeared in the novella TRUCK STOP by J.A. Konrath.
If you can handle horrific thrills, proceed at your own risk.
But if you suffer from anxiety attacks, nervous disorders, insomnia, nightmares or night terrors, heart palpitations, stomach problems, or are of an overly sensitive nature, you should read something else instead.
The authors are in no way responsible for any lost sleep, missed work, failed relationships, or difficulty in coping with life after you have read SERIAL UNCUT. They will not pay for any therapy you may require as a result of reading SERIAL UNCUT. They will not cradle you in their arms, rock you back and forth, and speak in soothing tones while you unsuccessfully try to forget SERIAL UNCUT.
You have been warned…

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"I don't want to kill you either." It was the truth. Not that he had any real affection for Donaldson, but trying to muscle the dead fat man out of his sleeper and drag him to a river didn't seem like a fun time.

"We don't know each other well yet. But we're kindred spirits. Maybe we could even become friends."

"It's possible."

"How long will the cop be out for?" Donaldson asked.

"A few minutes, probably more. Pinch her, see if she flinches. When they're really under, they don't flinch."

Donaldson leaned over Jack Daniels and squeezed her breast. She didn't move.

"She's out. You have some rope?"

"More bungee cords in the trunk."

Neither man moved to get them. Eventually, Donaldson raised an eyebrow. "Are you a gambling man, Taylor?"

"I've been known to play the odds."

"Let's flip a coin. Winner gets first crack at the cop."

Taylor considered it. "I'd be up for that, if it were a fair toss."

"We could go in the diner, have our waitress do the flipping. I'll even let you call it. Would be good to get out in the fresh air, clear our heads."

"Let's say I agree. You still have me at a disadvantage."

Donaldson nodded. "The gun. Firing it wouldn't be smart for either of us. Cops might already be on their way, after what Lieutenant Daniels did to that pimp."

"I've got a solution."

"I'm listening."

"An empty gun isn't a threat. Hand me the bullets. But do it slowly, or else I might get nervous and lock you up here for a few days with no air conditioning or water."

"Fair enough."

Donaldson gently reached back into his pants and removed the gun. He held it upside-down by the trigger guard, and swung out the cylinder. Then he dumped the rounds onto his palm and handed them to Taylor.

Taylor grinned.

Maybe this tag-team thing will work out after all.

"Are we good?" Donaldson asked.

"We're good. Let's hogtie this pig."

Taylor climbed into the sleeper, and after an uneasy moment of sizing each other up, the two of them began to bind the cop. Donaldson quickly got the hang of it, and they soon had Jack suitably trussed.

"You sure she's safe here?" Donaldson asked, admiring their handiwork.

"Never had an escape. Bungee cords are tighter than rope. The enclosure is steel, the lock on the door is solid. She's not going anywhere."

Taylor grabbed the cop's purse, wound it over his shoulder, and crawled down out of the sleeper after Donaldson. He made sure the trap door was locked, took what he wanted from the purse, and together they walked back to the diner.

– 8-

The moment they were gone I rolled onto my belly and inch-wormed up to my knees. My hands were behind my back, the bungee cords so tight my fingers were tingling. I strained against the elastic, trying to twist my wrists apart, but couldn't free myself.

More cords wound around my chest and upper arms, and encircled my knees and ankles. I flopped onto my side, wincing at the pain. My shoulder still hurt, and there was a throb in my left breast where Donaldson had pinched me. If he'd done it for a few seconds longer, I would have screamed.

Pretending to be unconscious seemed like a better choice than really being unconscious, but when they tied me up I realized that maybe fighting back and yelling for help when I had the chance might have been the better move.

Panic threatened to overwhelm me, and I began to hyperventilate. Fear and I were old adversaries. There was no way to squelch it, but if I kept my focus I could work through the fear. The goal was to not think about any potential outcome to this situation other than escape.

Still unable to open my eyes because of the stinging, I rolled to my left, hoping to bump into anything that would help me free myself. I hit something soft. I brushed my cheek against it. Foam of some kind. I rolled right instead, eventually coming up against something more suitable. Something hard, stuck into the floor. After maneuvering around onto my knees, I rubbed my hands against the object.

It felt like a board, only two feet tall, and thin. Midway down the side was some sort of protrusion. Though my hands were quickly getting numb, I could tell by the sound when I jiggled it that it was a padlock.

I got my wrists under the lock, trying to wedge it in between my arms and the bungee cords. Then I took a deep breath and violently tugged my arms forward.

The elastic caught, stretched.

I pulled harder, feeling like my arms were pulling out of their sockets.

Then, abruptly, my hands were free, and I pitched forward onto my face, bumping my forehead against the padded floor.

I spent a few seconds wiggling my fingers, wincing as the blood came back, and made quick work of the other cords around my arms. Then I spit in my hands and rubbed them against my eyes. The stinging eased up enough for me to have a blurry look around the enclosure. There was moderate lighting, from an overhead fixture. I saw beige mats. A black slanted ceiling covered with sound baffles. A trunk. And a bound woman, her feet in some sort of wooden stock, my wrist bungee cord wound around a padlock on the side.

I unwound my legs, tugged off my remaining shoe, and crawled over to her, unhooking her bindings. "Can you hear me?"

The woman moaned softly, and her eyelids fluttered.

"You need to wake up." I gave her a shake. "We're in trouble."

"My… foot… hurts…"

"What's your name?"

"My… foot…"

I cupped her chin in my hand, made her look at me.

"Listen to me. I'm a cop. We're in a truck sleeper and some men are trying to kill us. What's your name?"

"Candi. I… I can't move my feet. It hurts."

I turned my attention to the stock. I crawled around to the other side, wincing when I saw the blood. I took a closer look because I had to assess the damage, then wished I could erase the image from my mind.

"What's wrong with my foot?"

"You're missing your little toe."

"My… toe? "

I studied the stock. Heavy, solid, the padlock and latch unbreakable. So I looked at the hinge on the other side. Six screws held it in place.

I scooted away from the stock, on my butt, and reared back my right heel.

"Stay still, Candi. I'm going to try to break the hinge."

I shot my leg out like a piston, striking the top of the stock once, twice, three times.

The stock stayed solid, the screws tight. And if I tried kicking any harder I'd break my heel.

"Don't you have a gun?"

I ignored her, turning my attention to the trunk in the corner of the enclosure. I crawled over to see if there was anything inside I could use.

"Don't leave me!"

"I won't leave you. I promise."

I found paper towels, paper masks, starter fluid, plastic bags, and a large Tupperware container. The lid had brown stains on it-dried blood-and I got an uneasy feeling looking at it. Fighting squeamishness, I pulled the top off.

It was filled with rock salt. But I could make out something brown peeking through. I shook the box, and it revealed a few of the brown things, small and wrinkled. They looked like prunes.

Then I realized what they were, and came very close to throwing up. I pulled away, covering my mouth. There had to be dozens, maybe over a hundred, of them in there.

That sick bastard…

"Did you find anything?"

"Nothing helpful," I said, closing the lid.

"What's in that box you were holding?"

Taylor was smart. He didn't leave any tools, weapons, or keys lying around. I eyed the starter fluid.

"Candi, do you smoke?"

"Yeah."

"Do you have matches on you? A lighter?"

"In my purse. He took it."

Dammit. But starting a fire in the enclosed space probably wasn't a good idea anyway. However, the chest itself had possibilities. It was made of wood, with metal reinforced corners. I picked it up, figuring it weighed at least fifteen pounds.

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