Tim Pratt - Sympathy for the Devil

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An anthology of stories
The Devil is known by many names: Serpent, Tempter, Beast, Adversary, Wanderer, Dragon, Rebel. His traps and machinations are the stuff of legends. His faces are legion. No matter what face the devil wears, Sympathy for the Devil has them all. Edited by Tim Pratt, Sympathy for the Devil collects the best Satanic short stories by Neil Gaiman, Holly Black, Stephen King, Kage Baker, Charles Stross, Elizabeth Bear, Jay Lake, Kelly Link, China Mieville, Michael Chabon, and many others, revealing His Grand Infernal Majesty, in all his forms. Thirty-five stories, from classics to the cutting edge, exploring the many sides of Satan, Lucifer, the Lord of the Flies, the Father of Lies, the Prince of the Powers of the Air and Darkness, the First of the Fallen… and a Man of Wealth and Taste. Sit down and spend a little time with the Devil.

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“Pretty heavy reading for a clown,” Ganz said.

“It’s not all rubber chickens and hosing each other down with seltzer bottles, Jack.”

“Oh, no?”

“No, sir. Clowns have unsuspected depths.”

“I’m starting to get that impression, sir.”

Propped against the straightest wall of the cave, just beside the lantern, there was a large mirror, still bearing the bent clasps and sheared bolts that had once, I inferred, held it to the wall of a filling-station men’s room. At its foot was the item that had earlier confirmed to Detective Ganz-and now confirmed to me as I went to inspect it-the recent habitation of the cave by a painted circus clown: a large, padlocked wooden makeup kit, of heavy and rather elaborate construction. I directed Ganz to send for a Pittsburgh criminalist who had served us with discretion in the horrific Primm case, reminding him that nothing must be touched until this Mr. Espy and his black bag of dusts and luminous powders arrived.

The air in the cave had a sharp, briny tinge; beneath it there was a stale animal musk that reminded me, absurdly, of the smell inside a circus tent.

“Why was he living in a cave?” I said to Ganz. “We have a perfectly nice hotel in town.”

“Maybe he was broke.”

“Or maybe he thought that a hotel was the first place they would look for him.”

Ganz looked confused, and a little bit annoyed, as if he thought I were being deliberately mysterious.

“Who was looking for him?”

“I don’t know, Detective. Maybe no one. I’m just thinking out loud.”

Impatience marred Ganz’s fair, bland features. He could tell that I was in the grip of a hunch, and hunches were always among the first considerations ruled out by the procedural practices of Detective John Ganz. My hunches had, admittedly, an uneven record. In the Primm business, one had very nearly got both Ganz and me killed. As for the wayward hunch about my mother’s old crony Thaddeus Craven and the strength of his will to quit drinking-I suppose I shall regret indulging that one for the rest of my life.

“If you’ll excuse me, Jack…” I said. “I’m having a bit of a hard time with the stench in here.”

“I was thinking he might have been keeping a pig.” Ganz inclined his head to one side and gave an empirical sniff. “It smells like pig to me.”

I covered my mouth and hurried outside in the cool, dank pinewood. I gathered in great lungfuls of air. The nausea passed, and I filled my pipe, walking up and down outside the mouth of the cave and trying to connect this new discovery to my talk with the circus man, Onheuser. Clearly, he had suspected that this clown might have met with a grisly end. Not only that, he had known that his fellow circus people would fear the very same thing-as if there were some coulrophobic madman with a knife who was as much a part of circus lore as the prohibition on whistling in the dressing room or on looking over your shoulder when you marched in a circus parade.

I got my pipe lit, and wandered down into the woods, toward the clearing where the boys had stumbled over the dead man, following a rough trail that the police had found. Really, it was not a trail so much as an impromptu alley of broken saplings and trampled ground that wound a convoluted course down the hill from the cave to the clearing. It appeared to have been blazed a few days before by the victim and his pursuer; near the bottom, where the trees gave way to open sky, there were grooves of plowed earth that corresponded neatly with encrustations on the heels of the clown’s giant brogues. The killer must have caught the clown at the edge of the clearing, and then dragged him along by the hair, or by the collar of his shirt, for the last twenty-five yards, leaving this furrowed record of the panicked, slipping flight of the clown. The presumed killer’s footprints were everywhere in evidence, and appeared to have been made by a pair of long and pointed boots. But the really puzzling thing was a third set of prints, which Ganz had noticed and mentioned to me, scattered here and there along the cold black mud of the path. They seemed to have been made by a barefoot child of eight or nine years. And damned, as Ganz had concluded his report to me, if that barefoot child did not appear to have been dancing!

I came into the clearing, a little short of breath, and stood listening to the wind in the pines and the distant rumble of the state highway, until my pipe went out. It was a cool afternoon, but the sky had been blue all day and the woods were peaceful and fragrant. Nevertheless, I was conscious of a mounting sense of disquiet as I stood over the bed of sodden leaves where the body had been found. I did not then, nor do I now, believe in ghosts, but as the sun dipped down behind the tops of the trees, lengthening the long shadows encompassing me, I became aware of an irresistible feeling that somebody was watching me. After a moment, the feeling intensified, and localized, as it were, so I was certain that to see who it was I need only turn around. Bravely-meaning not that I am a brave man but that I behaved as if I were-I took my matches from my jacket pocket and relit my pipe. Then I turned. I knew that when I glanced behind me I would not see Jack Ganz or one of the other policemen standing there; any of them would have said something to me by now. No, it was either going to be nothing at all or something that I could not even allow myself to imagine.

It was, in fact, a baboon, crouching on its hind legs in the middle of the trail, regarding me with close-set orange eyes, one hand cupped at its side. It had great puffed whiskers and a long canine snout. There was something in the barrel chest and the muttonchop sideburns that led me to conclude, correctly, as it turned out, that the specimen was male. For all his majestic bulk, the old fellow presented a rather sad spectacle. His fur was matted and caked with mud, and a sticky coating of pine needles clung to his feet. The expression in his eyes was unsettlingly forlorn, almost pleading, I would have said, and in his mute gaze I imagined I detected a hint of outraged dignity. This might, of course, have been due to the hat he was wearing. It was conical, parti-colored with orange and purple lozenges, and ornamented at the tip with a bright-orange pompom. Tied under his chin with a length of black ribbon, it hung from the side of his head at a humorous angle. I myself might have been tempted to kill the man who had tied it to my head.

“Was it you?” I said, thinking of Poe’s story of the rampaging orang swinging a razor in a Parisian apartment. Had that story had any basis in fact? Could the dead clown have been killed by the pet or sidekick with whom, as the mystery of the animal smell in the cave now resolved itself, he had shared his fugitive existence?

The baboon declined to answer my question. After a moment, though, he raised his long crooked left arm and gestured vaguely toward his belly. The import of this message was unmistakable, and thus I had the answer to my question-if he could not open a can of franks and beans, he would not have been able to perform that awful surgery on his owner or partner.

“All right, old boy,” I said. “Let’s get you something to eat.” I took a step toward him, watching for signs that he might bolt or, worse, throw himself at me. But he sat, looking miserable, clenching something in his right paw. I crossed the distance between us. His rancid-hair smell was unbearable. “You need a bath, don’t you?” I spoke, by reflex, as if I were talking to somebody’s tired old dog. “Were you and your friend in the habit of bathing together? Were you there when it happened, old boy? Any idea who did it?”

The animal gazed up at me, its eyes kindled with that luminous and sagacious sorrow that lends to the faces of apes and mandrills an air of cousinly reproach, as if we humans have betrayed the principles of our kind. Tentatively, I reached out to him with one hand. He grasped my fingers in his dry leather paw, and then the next instant he had leapt bodily into my arms, like a child seeking solace. The garbage-and-skunk stench of him burned my nose. I gagged and stumbled backward as the baboon scrambled to wrap his arms and legs around me. I must have cried out; a moment later a pair of iron lids seemed to slam against my skull, and the animal went slack, sliding, with a horrible, human sigh of disappointment, to the ground at my feet.

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