Ken Follett - Fall of Giants

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Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."
– The Denver Post on World Without End
Ken Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)
Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.
Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…
These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.
In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

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Morgan said: “Are you telling me you’re calling a strike?”

“I’m telling you the men will be angry. What they will do I can’t predict. But I don’t want trouble and you don’t want trouble. We’re talking about eight houses out of what, eight hundred? I’ve come here to ask you, is it worth it?”

“The company has made its decision,” Morgan said, and Billy felt intuitively that Morgan did not agree with the company.

“Ask the board of directors to reconsider. What harm could that do?”

Billy was impatient with Da’s mild words. Surely he should raise his voice, and point his finger, and accuse Morgan of the ruthless cruelty of which the company was obviously guilty? That was what Len Griffiths would have done.

Morgan was unmoved. “I’m here to carry out the board’s decisions, not question them.”

“So the evictions have already been approved by the board,” Da said.

Morgan looked flustered. “I didn’t say that.”

But he had implied it, Billy thought, thanks to Da’s clever questioning. Maybe mildness was not such a bad idea.

Da changed tack. “What if I could find you eight houses where the occupiers are prepared to take in new miners as lodgers?”

“These men have families.”

Da said slowly and deliberately: “We could work out a compromise, if you were willing.”

“The company must have the power to manage its own affairs.”

“Regardless of the consequences to others?”

“This is our coal mine. The company surveyed the land, negotiated with the earl, dug the pit, and bought the machinery, and it built the houses for the miners to live in. We paid for all this and we own it, and we won’t be told what to do with it by anyone else.”

Da put his cap on. “You didn’t put the coal in the earth, though, did you, Maldwyn?” he said. “God did that.”

{III}

Da tried to book the assembly rooms of the town hall for a gathering at seven thirty the following night, but the space was already taken by the Aberowen Amateur Dramatic Club, who were rehearsing Henry IV, Part One, so Da decided the miners would meet at Bethesda Chapel. Billy and Da, with Len and Tommy Griffiths and a few other active union members, went around the town announcing the meeting orally and pinning up handwritten notices in pubs and chapels.

By a quarter past seven next evening the chapel was packed. The widows sat in a row at the front, and everyone else stood. Billy was at the side near the front, where he could see the men’s faces. Tommy Griffiths stood beside him.

Billy was proud of his da for his boldness, his cleverness, and the fact that he had put his cap back on before leaving Morgan’s office. All the same he wished Da had been more aggressive. He should have talked to Morgan the way he talked to the congregation of Bethesda, predicting hellfire and brimstone for those who refused to see the plain truth.

At exactly seven thirty, Da called for quiet. In his authoritative preaching voice he read out the letter from Perceval Jones to Mrs. Dai Ponies. “The identical letter have been sent to eight widows of men killed in the explosion down the pit six weeks ago.”

Several men called out: “Shame!”

“It is our rule that men speak when called upon by the chairman of the meeting, and not otherwise, so that each may be heard in his turn, and I will thank you for observing the rule, even on an occasion such as this when feelings run high.”

Someone called out: “It’s a bloody disgrace!”

“Now, now, Griff Pritchard, no swearing, please. This is a chapel and, besides, there are ladies present.”

Two or three of the men said: “Hear, hear.” They pronounced the word to rhyme with “fur.”

Griff Pritchard, who had been in the Two Crowns since the shift ended that afternoon, said: “Sorry, Mr. Williams.”

“I held a meeting yesterday with the colliery manager, and asked him formally to withdraw the eviction notices, but he refused. He implied that the board of directors had made the decision, and it was not in his power to change it, or even question it. I pressed him to discuss alternatives, but he said the company had the right to manage its affairs without interference. That is all the information I have for you.” That was a bit low-key, Billy thought. He wanted Da to call for revolution. But Da just pointed to a man who had his hand up. “John Jones the Shop.”

“I’ve lived in number twenty-three Gordon Terrace all my life,” said Jones. “I was born there and I’m still there. But my father died when I was eleven. Very hard it was, too, for my mam, but she was allowed to stay. When I was thirteen I went down the pit, and now I pay the rent. That’s how it’s always been. No one said anything about throwing us out.”

“Thank you, John Jones. Have you got a motion to propose?”

“No, I’m just saying.”

“I have a motion,” said a new voice. “Strike!”

There was a chorus of agreement.

Billy’s father said: “Dai Crybaby.”

“Here’s how I see it,” said the captain of the town’s rugby team. “We can’t let the company get away with this. If they’re allowed to evict widows, none of us can feel that our families have any security. A man could work all his life for Celtic Minerals and die on the job, and two weeks later his family could be out on the street. Dai Union have been to the office and tried to talk sense to Gone-to-Merthyr Morgan, but it haven’t done no good, so we got no alternative but to strike.”

“Thank you, Dai,” said Da. “Should I take that as a formal motion for strike action?”

“Aye.”

Billy was surprised that Da had accepted that so quickly. He knew his father wanted to avoid a strike.

“Vote!” someone shouted.

Da said: “Before I put the proposal to a vote, we need to decide when the strike should take place.”

Ah, Billy thought, he’s not accepting it.

Da went on: “We might consider starting on Monday. Between now and then, while we work on, the threat of a strike might make the directors see sense-and we could get what we want without any loss of earnings.”

Da was arguing for postponement as the next best thing, Billy realized.

But Len Griffiths had come to the same conclusion. “May I speak, Mr. Chairman?” he said. Tommy’s father had a bald dome with a fringe of black hair, and a black mustache. He stepped forward and stood next to Da, facing the crowd, so that it looked as if the two of them had equal authority. The men went quiet. Len, like Da and Dai Crybaby, was among a handful of people they always heard in respectful silence. “I ask, is it wise to give the company four days’ grace? Suppose they don’t change their minds-which seems a strong possibility, given how stubborn they have been so far. Then we’ll get to Monday with nothing achieved, and the widows will have that much less time left.” He raised his voice slightly for rhetorical effect. “I say, comrades: don’t give an inch!”

There was a cheer, and Billy joined in.

“Thank you, Len,” said Da. “I have two motions on the table, then: Strike tomorrow, or strike Monday. Who else would like to speak?”

Billy watched his father manage the meeting. The next man called was Giuseppe “Joey” Ponti, top soloist with the Aberowen Male Voice Choir, older brother of Billy’s schoolmate Johnny. Despite his Italian name, he had been born in Aberowen and spoke with the same accent as every other man in the room. He, too, argued for an immediate strike.

Da then said: “In fairness, may I have a speaker in favor of striking on Monday?”

Billy wondered why Da did not throw his personal authority into the balance. If he argued for Monday he might change their minds. But then, if he failed, he would be in an awkward position, leading a strike that he had argued against. Da was not completely free to say what he felt, Billy realized.

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Геннадий 2 августа 2021 в 20:33
Мне нравится, что для изучающих английский язык, книга не сложна для перевода. Да и сама по себе книга заслуживает того, чтобы ее прочли. Мне скучно не было. Спасибо автору! и LibCat за предоставленную возможность читать интересные книги в оригинале!
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