Ken Follett - Fall of Giants

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Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."
– The Denver Post on World Without End
Ken Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)
Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.
Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…
These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.
In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

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Lloyd stuck out his hand and said: “Pleased to meet you, Earl.”

It would have been undignified to snub a nine-year-old. Fitz was forced to shake.

For the first time, he had touched his son Lloyd.

“And now we’ll bid you good day,” Ethel said dismissively, and she took a step forward.

Fitz’s expression was thunderous. Reluctantly he stood aside, with his son, and they waited, backs to the wall, as Ethel and Lloyd walked past them and on up the stairs.

Historical Characters

Several real historical characters appear in these pages, and readers sometimes ask how I draw the line between history and fiction. It’s a fair question, and here’s the answer.

In some cases, for example when Sir Edward Grey addresses the House of Commons, my fictional characters are witnessing an event that really happened. What Sir Edward says in this novel corresponds to the parliamentary record, except that I have shortened his speech, without, I hope, losing anything important.

Sometimes a real person goes to a fictional location, as when Winston Churchill visits Tŷ Gwyn. In that case, I have made sure that it was not unusual for him to visit country houses, and that he could well have done so at around that date.

When real people have conversations with my fictional characters, they are usually saying things they really did say at some point. Lloyd George’s explanation to Fitz of why he does not want to deport Lev Kamenev is based on what Lloyd George wrote, in a memo quoted in Peter Rowland’s biography.

My rule is: either the scene did happen, or it might have; either these words were used, or they might have been. And if I find some reason why the scene could not have taken place in real life, or the words would not really have been said-if, for example, the character was in another country at the time-I leave it out.

Acknowledgments

My principal historical consultant for this book has been Richard Overy. Other historians who read drafts and made corrections, saving me from many errors, were: John M. Cooper, Mark Goldman, Holger Herwig, John Keiger, Evan Mawdsley, Richard Toye, and Christopher Williams. Susan Pedersen helped with the subject of soldiers’ wives’ separation allowances.

As always, many of these advisers were found for me by Dan Starer of Research for Writers in New York City.

Friends who helped include Tim Blythe, who gave me some essential books; Adam Brett-Smith, who advised on champagne; the sharp-eyed Nigel Dean; Tony McWalter and Chris Manners, two wise and perceptive critics; trainspotter Geoff Mann, who advised on locomotive wheels; and Angela Spizig, who read the first draft and commented from a German perspective.

Editors and agents who read and advised were Amy Berkower, Leslie Gelbman, Phyllis Grann, Neil Nyren, Imogen Taylor, and, as ever, Al Zuckerman.

Finally I thank family members who read the draft and gave me advice, especially Barbara Follett, Emanuele Follett, Marie-Claire Follett, Jann Turner, and Kim Turner.

Ken Follett

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Геннадий 2 августа 2021 в 20:33
Мне нравится, что для изучающих английский язык, книга не сложна для перевода. Да и сама по себе книга заслуживает того, чтобы ее прочли. Мне скучно не было. Спасибо автору! и LibCat за предоставленную возможность читать интересные книги в оригинале!
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