Ken Follett - Fall of Giants

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Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."
– The Denver Post on World Without End
Ken Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)
Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.
Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…
These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.
In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

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He was not sure how to respond to that vaguely exciting offer, so he filed it away for future consideration. “I have one more question.”

“Shoot.”

“Four months ago, I told you that I love you.”

“I haven’t forgotten.”

“But you haven’t said how you feel about me.”

“Isn’t it obvious?”

“Perhaps, but I’d like you to tell me. Do you love me?”

“Oh, Gus, don’t you understand?” Her face changed and she looked anguished. “I’m not good enough for you. You were the most eligible bachelor in Buffalo, and I was the one-eyed anarchist. You’re supposed to love someone elegant and beautiful and rich. I’m a doctor’s daughter-my mother was a housemaid. I’m not the right person for you to love.”

“Do you love me?” he said with quiet persistence.

She began to cry. “Of course I do, you dope, I love you with all my heart.”

He put his arms around her. “Then that’s all that matters,” he said.

{V}

Aunt Herm put down the Tatler. “It was very bad of you to get married secretly,” she said to Maud. Then she smiled conspiratorially. “But so romantic!”

They were in the drawing room of Fitz’s Mayfair house. Bea had redecorated after the end of the war, in the new art deco style, with utilitarian-looking chairs and modernistic silver gewgaws from Asprey. With Maud and Herm were Fitz’s roguish friend Bing Westhampton and Bing’s wife. The London season was in full swing, and they were going to the opera as soon as Bea was ready. She was saying good night to Boy, now three and a half, and Andrew, eighteen months.

Maud picked up the magazine and looked again at the article. The picture did not greatly please her. She had imagined that it would show two people in love. Unfortunately it looked like a scene from a moving picture show. Walter appeared predatory, holding her hand and gazing into her eyes like a wicked Lothario, and she seemed like the ingénue about to fall for his wiles.

However, the text was just what she had hoped for. The writer reminded readers that Lady Maud had been “the fashionable suffragette” before the war, she had started The Soldier’s Wife newspaper to campaign for the rights of the women left at home, and she had gone to jail for her protest on behalf of Jayne McCulley. It said that she and Walter had intended to announce their engagement in the normal way, and had been prevented by the outbreak of war. Their hasty secret marriage was portrayed as a desperate attempt to do the right thing in abnormal circumstances.

Maud had insisted on being quoted exactly, and the magazine had kept its promise. “I know that some British people hate the Germans,” she had said. “But I also know that Walter and many other Germans did all they could to prevent the war. Now that it is over, we must create peace and friendship between the former enemies, and I truly hope people will see our union as a symbol of the new world.”

Maud had learned, in her years of political campaigning, that you could sometimes win support from a publication by giving it a good story exclusively.

Walter had returned to Berlin as planned. The Germans had been jeered by crowds as they drove to the railway station on their way home. A female secretary had been knocked out by a thrown rock. The French comment had been: “Remember what they did to Belgium.” The secretary was still in hospital. Meanwhile, the German people were angrily against signing the treaty.

Bing sat next to Maud on the sofa. For once he was not flirtatious. “I wish your brother were here to advise you about this,” he said with a nod at the magazine.

Maud had written to Fitz to break the news of her marriage, and had enclosed the clipping from the Tatler, to show him that what she had done was being accepted by London society. She had no idea how long it would take for her letter to get to wherever Fitz was, and she did not expect a reply for months. By then it would be too late for Fitz to protest. He would just have to smile and congratulate her.

Now Maud bristled at the implication that she needed a man to tell her what to do. “What could Fitz possibly say?”

“For the foreseeable future, the life of a German wife is going to be hard.”

“I don’t need a man to tell me that.”

“In Fitz’s absence I feel a degree of responsibility.”

“Please don’t.” Maud tried not to be offended. What advice could Bing possibly offer anyone, other than how to gamble and drink in the world’s nightspots?

He lowered his voice. “I hesitate to say this, but… ” He glanced at Aunt Herm, who took the hint and went to pour herself a little more coffee. “If you were able to say that the marriage had never been consummated, then there might be an annulment.”

Maud thought of the room with the primrose-yellow curtains, and had to suppress a happy smile. “But I cannot-”

“Please don’t tell me anything about it. I only want to make sure you understand your options.”

Maud suppressed a growing indignation. “I know this is kindly meant, Bing-”

“There is also the possibility of divorce. There is always a way, you know, for a man to provide a wife with grounds.”

Maud could no longer contain her outrage. “Please drop the subject instantly,” she said in a raised voice. “I have not the slightest wish for either an annulment or a divorce. I love Walter.”

Bing looked sulky. “I was just trying to say what I think Fitz, as the head of your family, might tell you if he were here.” He stood up and spoke to his wife. “We’ll go on, shall we? No need for all of us to be late.”

A few minutes later, Bea came in wearing a new dress of pink silk. “I’m ready,” she said, as if she had been waiting for them rather than the other way around. Her glance went to Maud’s left hand and registered the wedding ring, but she did not comment. When Maud told her the news her response had been carefully neutral. “I hope you will be happy,” she had said without warmth. “And I hope Fitz will be able to accept the fact that you did not get his permission.”

They went out and got into the car. It was the black Cadillac Fitz had bought after his blue one got stranded in France. Everything was provided by Fitz, Maud reflected: the house the three women lived in, the fabulously expensive gowns they were wearing, the car, and the box at the opera. Her bills at the Ritz in Paris had been sent to Albert Solman, Fitz’s man of business here in London, and paid without question. Fitz never complained. Walter would never be able to keep her in such style, she knew. Perhaps Bing was right, and she would find it hard to do without her accustomed luxury. But she would be with the man she loved.

They reached Covent Garden at the last minute, because of Bea’s tardiness. The audience had already taken their seats. The three women hurried up the red-carpeted staircase and made their way to the box. Maud suddenly remembered what she had done to Walter in this box during Don Giovanni. She felt embarrassed: what had possessed her to take such a risk?

Bing Westhampton was already there with his wife, and he stood up and held a chair for Bea. The auditorium was silent: the show was about to begin. People-watching was one of the attractions of the opera, and many heads turned to look as the princess took her seat. Aunt Herm sat in the second row, but Bing held a front-row seat for Maud. A murmur of comment rose from the stalls: most of the crowd would have seen the photograph and read the article in the Tatler. Many of them knew Maud personally: this was London society, the aristocrats and the politicians, the judges and the bishops, the successful artists and the wealthy businessmen-and their wives. Maud stood for a moment to let them get a good look at her, and see how pleased and proud she was.

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Геннадий 2 августа 2021 в 20:33
Мне нравится, что для изучающих английский язык, книга не сложна для перевода. Да и сама по себе книга заслуживает того, чтобы ее прочли. Мне скучно не было. Спасибо автору! и LibCat за предоставленную возможность читать интересные книги в оригинале!
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