Robert Ludlum - The Bourne Identity

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Jason Bourne.
He has no past. And he may have no future. His memory is blank. He only knows that he was flushed out of the Mediterranean Sea, his body riddled with bullets.
There are a few clues. A frame of microfilm surgically implanted beneath the flesh of his hip. Evidence that plastic surgery has altered his face. Strange things that he says in his delirium—maybe code words. Initial: "J.B." And a number on the film negative that leads to a Swiss bank account, a fortune of four million…

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Bourne closed the curtain and stepped away from the booth. From somewhere high in a tower, the bells of the morning Angelus rang splendidly.

The taxi wandered aimlessly through the streets of Neuilly-sur-Seine, Jason in the back seat, his mind racing.

It was pointless to wait, perhaps deadly to do so. Strategies changed as conditions changed, and they had taken a deadly turn. Jacqueline Lavier had been followed, her death inevitable but out of sequence. Too soon; she was still valuable. Then Bourne understood. She had not been killed because she had been disloyal to Carlos, rather because she had disobeyed him. She had gone to Parc Monceau—that was her indefensible error.

There was another known relay at Les Classiques, a gray-haired switchboard operator named Philippe d’Anjou, whose face evoked images of violence and darkness, and shattering flashes of light and sound. He had been in Bourne’s past, of that Jason was certain, and because of that, the hunted had to be cautious; he could not know what that man meant to him. But he was a relay, and he, too, would be watched, as Lavier had been watched, additional bait for another trap, dispatch demanded when the trap closed.

Were these the only two? Were there others? An obscure, faceless clerk, perhaps, who was not a clerk at all but someone else? A supplier who spent hours in Saint-Honoré legitimately pursuing the cause of haute couture, but with another cause far more vital to him. Or her. Or the muscular designer, René Bergeron, whose movements were so quick and … fluid.

Bourne suddenly stiffened, his neck pressed back against the seat, a recent memory triggered.

Bergeron. The darkly tanned skin, the wide shoulders accentuated by tightly rolled-up sleeves … shoulders that floated in place above a tapered waist, beneath which strong legs moved swiftly, like an animal’s, a cat’s.

Was it possible? Were the other conjectures merely phantoms, compounded fragments of familiar images he had convinced himself might be Carlos? Was the assassin—unknown to his relays—deep inside his own apparatus, controlling and shaping every move? Was it Bergeron?

He had to get to a telephone right away. Every minute he lost was a minute removed from the answer, and too many meant there would be no answer at all. But he could not make the call himself; the sequence of events had been too rapid, he had to hold back, store his own information.

“The first telephone booth you see, pull over,” he said to the driver, who was still shaken by the chaos at the Church of the Blessed Sacrament.

“As you wish, monsieur. But if monsieur will please try to understand, it is past the time when I should report to the fleet garage. Way past the time.”

“I understand.”

“There’s a telephone.”

“Good. Pull over.”

The red telephone booth, its quaint panes of glass glistening in the sunlight, looked like a large dollhouse from the outside and smelled of urine on the inside. Bourne dialed the Terrasse, inserted the coins and asked for room 420. Marie answered.

“What happened?”

“I haven’t time to explain. I want you to call Les Classiques and ask for René Bergeron. D’Anjou will probably be on the switchboard; make up a name and tell him you’ve been trying to reach Bergeron on Lavier’s private line for the past hour or so. Say it’s urgent, you’ve got to talk to him.”

“When he gets on, what do I say?”

“I don’t think he will, but if he does, just hang up. And if d’Anjou comes on the line again, ask him when Bergeron’s expected. I’ll call you back in three minutes.”

“Darling, are you all right?”

“I’ve had a profound religious experience. I’ll tell you about it later.” Jason kept his eyes on his watch, the infinitesimal jumps of the thin, delicate sweep hand too agonizingly slow. He began his own personal countdown at thirty seconds, calculating the heartbeat that echoed in his throat as somewhere around two and a half per second. He started dialing at ten seconds, inserted the coins at four, and spoke to the Terrasse’s switchboard at minus-five. Marie picked up the phone the instant it began to ring.

“What happened?” he asked. “I thought you might still be talking.”

“It was a very short conversation. I think d’Anjou was wary. He may have a list of names of those who’ve been given the private number—I don’t know. But he sounded withdrawn, hesitant.”

“What did he say?”

“Monsieur Bergeron is on a fabric search in the Mediterranean. He left this morning and isn’t expected back for several weeks.”

“It’s possible I may have just seen him several hundred miles from the Mediterranean.”

“Where?”

“In church. If it was Bergeron, he gave absolution with the point of a very sharp instrument.”

“What are you talking about?”

“Lavier’s dead.”

“Oh, my God! What are you going to do?”

“Talk to a man I think I knew. If he’s got a brain in his head, he’ll listen. He’s marked for extinction.”

30

“D’Anjou.”

“Delta? I wondered when … I think I’d know your voice anywhere.”

He had said it! The name had been spoken. The name that meant nothing to him, and yet somehow everything. D’Anjou knew. Philippe d’Anjou was part of the unremembered past. Delta. Cain is for Charlie and Delta is for Cain. Delta. Delta. Delta! He had known this man and this man had the answer! Alpha, Bravo, Cain, Delta, Echo, Foxtrot …

Medusa.

“Medusa,” he said softly, repeating the name that was a silent scream in his ears.

“Paris is not Tam Quan, Delta. There are no debts between us any longer. Don’t look for payment. We work for different employers now.”

“Jacqueline Lavier’s dead. Carlos killed her in Neuilly-sur-Seine less than thirty minutes ago.”

“Don’t even try. As of two hours ago Jacqueline was on her way out of France. She called me herself from Orly Airport. She’s joining Bergeron—”

“On a fabric search in the Mediterranean?” interrupted Jason.

D’Anjou paused. “The woman on the line asking for René. I thought as much. It changes nothing. I spoke with her; she called from Orly.”

“She was told to tell you that. Did she sound in control of herself?”

“She was upset, and no one knows why better than you. You’ve done a remarkable job down here, Delta. Or Cain. Or whatever you call yourself now. Of course she wasn’t herself. It’s why she’s going away for a while.”

“It’s why she’s dead. You’re next.”

“The last twenty-four hours were worthy of you. This isn’t.”

“She was followed; you’re being followed. Watched every moment.”

“If I am it’s for my own protection.”

“Then why is Lavier dead?”

“I don’t believe she is.”

“Would she commit suicide?”

“Never.”

“Call the rectory at the Church of the Blessed Sacrament in Neuilly-sur-Seine. Ask about the woman who killed herself while taking confession. What have you got to lose? I’ll call you back.” Bourne hung up and left the booth. He stepped off the curb, looking for a cab. The next call to Philippe d’Anjou would be made a minimum of ten blocks away. The man from Medusa would not be convinced easily, and until he was, Jason would not risk electronic scanners picking up even the general location of the call.

Delta? I think I’d know your voice anywhere… Paris is not Tam Quan. Tam Quan … Tam Quan, Tam Quan! Cain is for Charlie and Delta is for Cain. Medusa!

Stop it! Do not think of things that … you cannot think about. Concentrate on what is. Now. You.

Not what others say you are—not even what you may think you are. Only the now. And the now is a man who can give you answers.

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