Robert Wilson - The Hidden Assassins

'I'll have to cut her up,' he said to himself. 'Take her feet off and break her collar bones.'

No. That was not going to work. He'd seen films and read novels where they cut up bodies and it never seemed to work, even in fiction where everything can be made to bloody work. He was squeamish, too. Couldn't even watch Extreme Makeover on TV without writhing on the sofa. Think again. He walked around the apartment looking at everyday objects in a completely new light. He stopped in the living room and stared at the carpet, as if willing it not to be the cliche of all cliches.

'You can't wrap her up in the carpet. It'll come straight back to you. Same with the luggage. Think again.'

The river was only three hundred metres from Calle San Vicente. All he had to do was get her in the car, drive fifty metres, turn right on Calle Alfonso XII, go straight up to the traffic lights, cross Calle Nuevo Torneo and there was a road he remembered as quite dark, which ran down to the river and veered left behind the huge bus station of Plaza de Armas. From there it was a matter of metres to the water's edge, but it was a stretch used by early-morning runners, so he would have to act quickly and decisively.

The decorators. The memory of his irritation at them leaving their sheet up the stairs a few days ago juddered into his brain. He ran out of the apartment again, slashed on the stairwell light and stopped himself. He put the apartment door on the latch. That would be too much to bear: locked out of his apartment with his dead wife on the kitchen floor. He leapt down the stairs three at a time and there it all was, under the stairs. There were even full cans of paint to weigh down the body. He pulled out a length of paint-spattered hessian sheeting. He sprinted back up the stairs and laid it out on the clean half of the kitchen floor. He lifted her out of the suitcase, where she'd been lying like a prop in an illusionist's trick, and laid her on the sheet. He folded the edges over. He gasped at the momentary peak of horror at what he was doing. Ines's beautiful face reduced to a scarecrow's stuffed bin liner.

The blood had reached the towel across the doorway and he had to leap over it. He crashed with the deranged heaviness of a toppled wardrobe into the corridor, cracking his head and shoulder a glancing blow on the wall. He shrugged off the pain. He went into his study, tore open the drawers, found the roll of packing tape. He kissed it. On the way back he steadied himself and hopped more carefully over the blood-soaked towel.

He wrapped the tape around her ankles, knees, waist, chest, neck and head. He pocketed the cooking string and tape. He didn't bother to admire his mummified wife, but ran out of the apartment, grabbing his keys and the garage remote as he left. He took the door off the latch. Slapped the fucking light on again-tick, tick, tick, tick, tick-and rumbled down the stairs. He sprinted down Calle San Vicente to the garage, which was just around the corner. He hit the button of the remote as he rounded the bend and the garage door opened, but so slowly he was jumping up and down in towering frustration, swearing and punching at the air. He rolled underneath the quarter-open door and hurtled down the ramp, pressing another button on the remote for the light. He found his car. He hadn't driven the damn thing for weeks. Who needs a car in Seville? Thank fuck I've got a car.

No mistakes. He reversed out calmly, as if suddenly on beta-blockers. He eased up the ramp. The garage door was only just fully open. The car hopped out on to the street, which was deadly quiet. The red digits on the dashboard told him it was 4.37. He pulled up outside the apartment, clicked the button to open the boot. He sprinted upstairs, in the dark this time, fell and cracked his shin such a blow on the top stair that the pain ricocheted up his skeleton to the inside of his skull. He didn't even stop. He unlocked the door, slowed down at the kitchen and stepped over the bloody towel.

Ines. No, not Ines any more. He picked her up. She was absurdly heavy for someone who was less than fifty kilos and had lost at least three kilos of blood. He got her into the corridor, but she was too heavy to cradle-carry her. He hoisted her over his shoulder and closed the apartment door. He stepped carefully down the stairs in the dark again. That fucking tick, tick, tick of the light just too unbearably stressful at this stage. He stuck his head out into the street.

Empty.

Two steps. In the boot. Shut the boot. Close the apartment building door. Wait. Slow down. Think. The tins of paint to weigh down the body. Open the boot. Back under the stairs. Pick up the two cans of paint. As heavy as Ines. Heave them into the boot. Close the boot. In the car. Rear-view mirror. No headlights. Calm. Nice and slow. You're nearly there. This is going to work.

Calderon's car was alone at the traffic lights by the Plaza de Armas, which were showing red. The lights from the dash glowed in his face. He checked the rearview again, saw his eyes. They were pitiful. The lights changed to green. He eased across the six empty lanes and took the ramp down to the river. It was first light. It wasn't quite as dark as he would have liked down by the river. He would have preferred something subterranean, as black as antimatter, as utterly lightless as a collapsed star.

There was still plenty to do. He had to get the body out, attach the cans of paint, and push it into the river. He had a good, long look around until he couldn't believe that everything wasn't moving. He shook the paranoia out of his mind, opened the boot. He lifted the body out and laid it down on the pavement close to the car for cover. He heaved out the cans of paint with superhuman strength. Sweat cascaded. His shirt was stuck to him. His mind closed off. This was the home stretch. Get it done.

He didn't see the man at the back of the bus station, was not aware of him making his fatal call to the police. He worked with savage haste while the man muttered what he was seeing into his mobile phone, along with Calderon's registration number.

With no traffic it took less than a minute for a patrol car to arrive. It had been cruising down by the river less than a kilometre away when the two officers were notified by the communications centre in the Jefatura. The car rolled down the ramp towards the river with its headlights and engine switched off. Only Calderon's car was visible. He was kneeling behind it, taping the second can of paint to Ines's neck. His sweat was dripping on to the hessian sheet. He was finished. All he had to do now was hump close to 100 kilos about a metre across the pavement and then up over a low wall and into the water. He summoned his last reserves of strength. With the two paint cans attached, the body had become incredibly unwieldy. He jammed his hands underneath, not caring about the skin he tore from his fingers and knuckles. He drove forward with his thighs and, with his chest and pelvis close to the floor, he looked like an enormous lizard with some unmanageable prey. Ines's body shifted and thumped into the low wall. He was panting and sobbing. Tears streamed down his face. The pain from his stubbed fingers and torn nails didn't register, but when the headlights of the patrol car finally came on and he found himself encased in light, like an exhibit in the reptile house, he stiffened as if he'd just been shot.

The policemen got out of the patrol car with their weapons drawn. Calderon had yanked his arms out from under the body, rolled over, and was now lying on his back. His stomach convulsed with each racking sob. A lot of the emotion he was coughing up was relief. It was all over. He'd been caught. All that hideous desperation had flowed out of him and now he could relax into infamy and shame.

While one patrolman stood over the sobbing Calderon, the other ran a torch over the taped-up hessian sheet. He put on some latex gloves and squeezed Ines's shoulder just to confirm what he already knew, that this was a body. He went back to the patrol car and radioed the Jefatura.