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Robert Wilson: The Hidden Assassins

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Robert Wilson The Hidden Assassins

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The three notebooks he'd filled during the course of the investigation sat on his desk, next to a pile of paperwork he'd brought home with him. He took a sheet of paper from the printer and opened up the first notebook. The date was 5th June, the day he'd been called to view Tateb Hassani's corpse on the rubbish tip outside Seville. He saw that he'd semiconsciously written El Rocio next to the date. Perhaps there'd been something on the radio. It was always reported when the Virgen del Rocio had been successfully brought out of the church and paraded on Pentecost Monday. As he doodled out the shape of one of the painted wagons that was so typical of the pilgrimage, he realized how El Rocio had become almost as important an event to tourists as Semana Santa and the Feria. It had always drawn thousands from all over Andalucia, and they had now been joined by hundreds of tourists, looking for another Sevillano experience. His brother, Paco, had even started providing horses and accommodation on his bull-breeding farm for an agency specializing in more luxurious forms of the pilgrimage, with magnificent tents, champagne dinners and flamenco every night. There were luxury versions of everything these days. There was probably a caviar version of the walk to Santiago de Compostela. Decadence had even got into the pilgrimage trade. Below the drawing of the wagon he wrote: El Rocio. Tourists. Seville.

More flipping through the random notes and jottings. When he did this he couldn't help but think of artists and writers with their notebooks. He loved it, in the great retrospective of an artist, when the museum showed the notebook sketches, which eventually became the great, and much recognized, painting.

A single line he'd written on the reverse side of a sheet of paper caught his eye: drain the resources of the West through increased security measures, threaten economic stability by attacking tourist resorts in southern Europe and financial centres in the north: London, Paris, Frankfurt, Milan. Who had said that? Was it Juan? Or perhaps it was something Yacoub had written?

There was a map of Spain on the wall next to his desk and he crabbed across to it on his chair. Was Seville the obvious place to bring explosives together to launch attacks on the tourist infrastructure of Andalucia? Granada was more central. The Costa del Sol was more accessible from Malaga. Then he remembered the 'hardware'. To create panic in a tourist resort needed nothing more than a pipe bomb packed with nuts, bolts and nails, so why go to the trouble of special hardware and procuring hexogen? Back to the desk. Another note: hexogen-high brisance = explosive power, shattering effect. Exactly. Hexogen had been chosen for its power. A small quantity did a lot of damage. And with that thought his mind slipped back to the important buildings of Andalucia: the regional parliament in Seville, the cathedrals in Seville and Cordoba, the Alhambra and Generalife in Granada. Pablo was right, it would be impossible to get a bomb anywhere near those places with the whole region on terrorist alert.

His computer told him it was midnight. He hadn't eaten. He wanted to be out and amongst people. Normally he would have relied on Laura to fill his Saturday night, but that was over now. He'd allowed himself that morbid thought and it led him back to Ines's funeral. Her parents, lost as children, in the sea of people. He snapped out of it and was walking aimlessly from his study to the patio when he remembered Consuelo's call. He hadn't expected her to be so thoughtful. She'd been the only person to call him about Ines. Not even Manuela had done that. He dug out his mobile. Was this a good time? He retrieved her number, punched the call button, let it ring twice and cut it off. It was Saturday night. She'd be in the restaurant, or with her children. Two or three images of their sexual encounters shot through his mind. They'd been so intense and satisfying. He had a rush of physical and chemical desire. He punched the call button again and before it even started ringing he could hear himself trying to smother his desire with inept small talk. He cut the line again. This was all too much for one week: he'd split up with a girlfriend, his ex-wife had been murdered and now he wanted to rekindle a love affair which had burnt out after a matter of days nearly four years ago. Consuelo had called him about Ines as a friend would. It was nothing more than that.

It was warm outside and there was life in the streets. Human beings were resilient creatures. He walked to El Arenal and found the Galician bar, which did wonderful octopus and served wine in white porcelain dishes. As he ate, he saw himself appear on the news, answering that last question put to him by the journalist at the press conference. They showed his answer in its entirety. The waiter recognized him and wouldn't take money for the food and instead sloshed more wine into his white porcelain dish.

Out in the street he was suddenly exhausted. The hours of adrenaline-filled work had caught up. He bought a pringa-a spicy, meat-filled roll-and ate it on the way home. He fell into bed and dreamed of Francisco Falcon, back in this house, knocking down a wall to reveal a secret chamber. It woke him in the intense dark of his bedroom, with his heart pounding in his ears. He knew that he would not sleep for at least two hours after that.

Downstairs he flicked through the endless satellite channels, looking for a movie, anything that would quieten down his brain activity. He knew why he was awake: he'd heard himself on the news making that promise to the people of Seville. He still had Hammad and Saoudi on his mind. The hexogen they'd stored in the ruined house outside El Saucejo. The great deal of 'reorganization' that 'the disruption' of the bomb had caused to the GICM's plan.

The TV screen was filled with the face-off between two colossal armies in some recent swords-and-sandals epic. He'd seen it before and it had made no lasting impression on him apart from the designer's vision of what the wooden horse would have looked like if the Greeks had built it, as he supposed they had, out of broken-up triremes. He had to wait for more than an hour for the horse to be given its roll-on part and, as he lay on the sofa, drifting along with the plot, he wondered at the power of myth. How an idea, even one with faulty wiring in the logic, could worm its way into the psyche of the Western world. Why did the Trojans drag the damn thing inside their city walls? Why, after all they'd been through, weren't they in the least bit suspicious?

Just as he'd reached the point of wondering whether there would ever be a generation of kids that didn't know about the wooden horse, the beast hove into view on the screen. The sight of it triggered something in his brain and all the random thoughts, notes and jottings of the past five days came together, jolting him off the sofa and into his study.

43

Seville-Sunday, 11th June 2006, 08.00 hrs

The Hotel Alfonso XIII was, in terms of size, probably Seville's grandest place to stay. It had been built to impress for the 1929 Expo and had a mock mudejar interior, with geometric tiles and Arabic arches, around a central patio. It was dark in the reception and the strong scent of the lilies in the huge flower arrangement struck a funereal note.

The manager arrived a few minutes after eight. Falcon had dragged him out of bed. He was shown into the office. The manager glanced at the police ID as if he saw them every day.

'I thought it was a heart attack,' he said. 'We get plenty of those.'

'No, nothing like that,' said Falcon.

'I know you. You're investigating the bomb,' said the manager. 'I saw you on the news. What can I do for you? We haven't got any Moroccan clients here.'

People saw the news, thought Falcon, but they only listened to what they wanted to hear.

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